Fences Will Turn Into Tables By Maggie Groat Essay

The play, Fences, in conclusion acquires many interpretations of the “fence” that is mentioned variously. Despite there only being one physical fence, it represents many figurative fences throughout the play. The “fence” is signified as having both positive and negative

The play “Fence” by August Wilson’s has a connection with real world fence. “The yard is a small dirt yard, partially fenced, except for the last scene, with a wooden sawhorse, a pile of lumber, and other fence-building equipment set off to the side. The Opposite is a tree from which hangs a ball made of rags. A baseball bat leans against the tree. Two oil drums serve as garbage receptacles and sit near the house at right to complete the setting” (Wilson 2). He mentions that the fence has three parts open, unopened and cornerstone. The word yard and fence are symbolically represented structure and dream of country, society and Troy’s family.

The variety of elements of art and principles of design both establish the center figure as the focus of attention. Both principles and elements guide the audience’s attention towards the main center figure. The assortment of lines, colors, and shapes determine the movement and proportion of this piece, putting emphasis on the center women

Behind every literary piece is hidden meanings and figures the author strategically hides between the lines of their works. In the play Fences by August Wilson, many symbols and themes hide between the lines in order to make this an amazing drama. One main symbol in this play is the fence being built throughout the storyline. The fence within the story represents the walls that arise between characters, the security Rose wants for her family, and the mending of relationships after Troy’s death.

In his poem 'Mending Wall', Robert Frost presents to us the thoughts of barriers linking people, communication, friendship and the sense of security people gain from barriers. His messages are conveyed using poetic techniques such as imagery, structure and humor, revealing a complex side of the poem as well as achieving an overall light-hearted effect. Robert Frost has cleverly intertwined both a literal and metaphoric meaning into the poem, using the mending of a tangible wall as a symbolic representation of the barriers that separate the neighbors in their friendship.

Bruno. Bruno’s enquiry of “What’s so wrong with us that we can’t go over there and play?”

From her auburn curls cascading from beneath her tilted hat, to her arm positioning, the trees, clouds, down to the tiniest blades of grass, they all slant one way or the other. The artist has utilized the diagonal line is multiple ways; the slight angles that Reynolds incorporated into each area provides a sense of movement in what could have been a dry and stagnant scene. Along with movement, there lies an illusion of depth: paired with shading, the use of line gives the perception of more area being included than there actually is. These lines also direct the viewer’s eye toward the sitter. Objects located around the edges of the composition lean towards the center, pulling the viewer’s glance directly to the

Fences by August Wilson is a play about an African-American family in the 1950s. Troy Maxson is the breadwinner of his entire family because of his job in a garbage truck company. Cory, one of the children of Troy, is a great football player in high school and he wants to continue to play for college football, which has been absolutely denied by Troy because of the discrimination as a colored people they have. Rose, Troy’s wife, who is taking care of everything at home, but lost her love for Troy when she knew that Troy has been seeing some other woman. Fences happened in the 1950s, a period that is full of the social position in the African-Americans’ struggling and changing for survival. In the article “Baseball as History and Myth in August Wilson’s Fences” by Koprince Susan, a professor of English at the University of North Dakota. She expounds that “The game of baseball has long been regarded as a metaphor for the American dream — an expression of hope, democratic values, and the drive for individual success.” In the play, Troy complained to his boss about why black employees aren’t allowed to be the garbage truck driver. Later on, after the conversation with Mr. Rand, his boss, and the Commissioner of the union, Troy got a promotion to be the garbage truck driver. This is a perfect example of what Ms. Koprince stands for. The social attitude of colored people is changing and developing. The baseball is a symbolic representative of how the African American is suffering

Throughout history, civilizations have built fences to keep enemies out and keep those they want to protect inside. In society today, people create metaphorical fences in order to fence in their feelings, while others create literal fences in order to keep the unwanted away. In the play Fences, the Maxon family lives in 1950’s America whose love for sports and one another are questioned at times when they need to be together the most. In the play Fences by August Wilson, two main characters Troy and Cory Maxon build a fence, literally and metaphorically, which as the book progresses, becomes a symbol that allows each character to truly understand each other.

Alice Walker who wrote “The Welcome Table” had issues of race and gender that was the center of her literary work and her social activism. She participated in civil rights demonstrations. (Clugston 2010). This short story has a theme of life and death. It shows the plot of the story, the point of view and has symbolism used to show the death of the old woman and what the church members thought of her as a black woman. (Clugston, 2010, Section 7.1 and 7.2) Later in the story, she is walking up the road with Jesus, who came to get her and take her to The Welcome Table that she always

Furthermore, we see that August Wilson did name his play “Fences” because of the dramatic action depends strongly on the building of a fence in the Maxson’s backyard. The character’s lives change around the fence which serves as both a literal and a

1. Chorus - The function of the chorus is to keep the audience engaged by singing, dancing, and even making comments that are usually humorous about the play as it progresses. Sometimes the chorus gives out important information regarding the play like things that happen off stage, or the antecedent action: things that happen before the events of the play. The chorus in Stranger than Fiction is Karen Eiffel, who also happens to be the narrator.

“Fences” and “The Piano Lesson” have symbolic objects, each object represents the family. The fence represents, the segregation between the black and white. The play expresses the need to break through the declining social barriers, physically represented by the actual fence around the house. The Piano is a purchased through the exchange for salves; it originally exemplifies the interchange of a person and an object under the slavery period. The importing of slaves reaffirms a white kinship at the cost of a

In so many ways Fences is such an ordinary story that its power comes from the ways in which ordinary people hear and view it. There is no doubt but that the metaphor of the fence prevails, working its way across work, family, friendship and the emotional pain of living a life literally dependent on garbage for survival. This is what Wilson wrote about in his Fences of the 1950s. In retrospect, however, it doesn't take a lot to put some of these pieces together yet again to create a difference story of its own kinds of fences, wooden, social, economic. But then or now, this story is still about the ordinary failing of a person who cannot figure out how to get out of the box that surrounds him and who thus finds himself pulling others inside his own fenced in troubles and pains. Being a black man wasn't easy then and it isn't easy today.

Looking at these examples, it is clear to see where the hypothetical (and physical) fences have their uses. According to Erving Goffman, people will behave in a way