Ferguson Concert Critique

There was saxophone improvisation during this song and though it was an improvisation it seemed to fit in perfectly with the rest of the song. It was a simple improvisation but was still very powerful. There was also a short trumpet solo that was just as simple yet powerful as the one on the

Knocking the Beatles out of the number one spot on the Billboards in 1964, Louis Armstrong became of the most recognized Jazz musicians of his time. The famous performer wasn’t always living the high life as his childhood was quite grueling. Yet, he didn’t let it stop him from working his way up in the music business, and leaving a lasting impression on music. Louis Armstrong’s struggles in his childhood paved the way to his successful career of playing trumpet and singing to audiences worldwide, while leaving his mark on Jazz music’s style which still lives on today.

Armstrong and his All Stars quickly began their first song, “Sleepy Time Down South,” before formally introducing themselves. This song allowed the audience to prepare for the concert as the tempo was consistently adagio. The song also gave each instrument in the chamber orchestra the opportunity to each warm up with a song that was completely dolce and legato in fashion.

The most jazz dominant piece in this segment was “Skyline Pigeon”. Once again a vocalist join the ensemble to perform the song. The piano along with the vibraphone had a very commanding presence of to start the piece. The drums set played a rock pattern which gave the piece its steady form.

Carnegie Hall invites some of the best young musicians to join Christopher O’ Riley on stage to perform. Twelve year old Conrad Tao was the first guest welcomed to the stage in the season 1 episode that I watched. Tao lives in New York very close to Carnegie Hall. His performance automatically jumped him into his piece. His choice of music was Kreisler’s Tambourin Chinois. The young player has a lot of style with a straight face while doing so. Christopher O’ Riley surprised me when he was using a iPad to automatically flip the pages of his sheet music. Technology being used in this performance just surprised me. After Tao’s performance O’ Riley ask him if he has any other interests besides music. Conrad has a love for rollercoasters. Between riding and researching them, he basically knows all about them.

Who knew the Jazz life could be so dangerous yet amazing. In Bill Crow’s book “Jazz Anecdotes Second Time Around” I learned that it sucked to be a jazz musician. Although the lime light and fancy dressing like Jelly Roll Morton might have been amazing most of their deaths were pretty tragic. Most musicians decided to let their drug addiction send them twirling to their deaths or a car accident that took out many. This book was filled with both entertaining and boring stories I oddly seemed to enjoy.

MUS 110CL Concert Critique Guidelines and Rubric After either attending a live concert or watching a full length concert online, write a critique of the performance following the format below. Here are a few examples of full length concerts you can find online (by conducting a web search using the criteria below) that could be used for this assignment:         Coldplay Live In Boston 2012 (Full Concert DVD) Sting: If on a winters night-Live from Durham Cathedral 2009 (watch all 14 songs on concert) Eric Clapton, Jeff Beck, Jimmy Page, Ron Wood, Bill Wyman, Jan Hammer, Charlie Duke Ellington The Great Paris Concert Richard Galliano/Winton Marsalis - Billie Holiday meets Edith PIAF Wynton Marsalis and the Lincoln Jazz Center

Louis Armstrong, one of the most influential figures in jazz music, enjoyed a career that spans across 50 years, and through different eras of jazz. Nicknamed” Satchmo”, “Pops”, and” Ambassador Satch”, Armstrong could do it all, he sang, occasionally acted, composed music, but was most famous for his cornet and trumpet playing. Although Armstrong is well known for his amazing trumpet play, he also influenced the direction that jazz music during his time was headed. Over the course of this paper I will concisely go over his early life, and focus more on his music career.

On Sunday night February 26, I went to the music center located at New Mexico State university to the Atkinson recital hall to watch the North American Saxophone Alliance region conference concert. The concert only consisted of saxophones and a few accompaniments first to the stage was Jessica Maxfield who played alto saxophone accompanied by Hannah Crevistion on the piano. The duo played accouple of movements from “Garden of Follies” composed by the Andrew Norman. The first movement they played was “Spandrels”, the tempo on this piece as soon as they start was a very fast tempo and lot of accents marks. She goes on to play to play four more movements called “Crossed Paths, Blue Mountains thoughts, Fourth Act and Regarding Crystals”. All the move moments she had played gave a more serious and suspenseful tone. The piano would play notes that were very sharp dissonance notes throughout all the movements and the saxophone would bring it more to a tonic sound but it’s still very textural music, and lots of sharps played.

This concert report will go into great detail regarding the performance that I witnessed, as well as the genre of Jazz that was played, the artist, and the techniques that were used. I will start with my personal experience of the concert that I attended. This will focus on the details of the performance, as well as my mindset before and after the show. Next, this paper will research the origins of the genre of Jazz that was played, which is Funk and has been supported by several scholarly sources. Then I will look at the origin of the Jam Session. Finally I will then end with information regarding the performers themselves as well as the history of the venue.

Maynard Ferguson, jazz legend, internationally renowned big band leader and one of the world’s greatest trumpet players with his Big Bop Nouveau Band. He draws upon bebop, straight-ahead jazz, funk, swing, classical and contemporary music to create a fresh sound within the classic big band form. (cite from Jazz Alley web site) Because me being Korean, I personally was little surprised and impressed by two Korean were members of his big band. A massive piano player, Ji Young Lee, pretty amazing in all pieces, her extended work on “but beautiful” was really lovely and the most memorable. Stockton, powerful drum player, thrilled the audience especially one of my friend, with his solos. He was banging away using all his gear, play in energetic and lively. M.F. and his band provided a remarkable arrangement of "Ain't No Sunshine When She's Gone," as well as some elegant and very impressive, as Maynard ended a song by playing a soft muted trumpet, while the rest of the band played softer and softer, creating the effect of a fade-out.

On October 4th, I watched Louis Armstrong Live in Concert in Berlin in 1965. In this concert, I noticed Armstrong played a variety of songs with a variety of different tempos. The first song he played was more adagio and right after that his song picked up in tempo and changed to a more allegro with a vivace, lively feel to it. Each one of Armstrong’s songs had a different feel to it.

This article presents findings from a survey of British Muslims communities, and the increasing of hate crimes. And how the media have helped shape negative attitudes among the UK, so British Muslims are afraid of their lives. The article provides a few examples of hate crimes, and how the media gave less attention to it. There is a risk among British Muslim communities, and it is getting worse with time.

Jazz music as we know it today has evolved since the early twentieth century. Its’ evolution is due to the influence of many different players who have added their own styles, interpretations and techniques. Two masters of Jazz who have been a big influence on the music are cornet and trumpet player, Louis Armstrong, and piano player, band leader and arranger, Duke Ellington. Each came from different socio-economic and geographical backgrounds, but both became masters of their trade, reached worldwide fame and became legends of the music.

1. Louis Armstrong is credited in the book titled Jazz as the “single most important figure in the development of jazz.” He is known as the only major figure in Western musical history to have a profound influence as a singer and an instrumentalist. His defining qualities as a performer were the emotion, beauty, and technical mastery he brought to each performance, and he knew how to please an audience. Performing jazz was a personal and powerful experience to him, and it was communicated effectively to his audience. Duke Ellington is quoted as calling him a “truly good and original man,” and his contributions to jazz music reflect that statement.