Fettered For Life Frank Heywood Analysis

It is presently common, to label women as inherently malicious and slanderous individuals. We see these stereotypes present, in today’s society. For instance, when two women get in an argument, others around them, tend to yell ‘cat fight’, declaring that because they are women, they presume them as ‘catty’. This scenario, can also be used as a parallel, that depicts what society does to women. Society sets women in opposition to each other, by elevating a male’s status, and forcing women to seek approval from men. In the book, A Tree Grows in Brooklyn, the main character Francie observes, a situation where, a woman is verbally and eventually physically assaulted, by other women, because she is not married (or really, she doesn’t care nor needs the

Gender roles have been a hotly debated topic in the most recent years, especially the role of women in society. Women have had set expectations that they are believed to conform to, which is shown in many pieces of film and literature. The Great Gatsby by F. Scott Fitzgerald describes the life of a man in the upper class in the 1920’s, as well as women in the 1920’s. The movie The Princess Bride, written by William Goldman, visually explains the treatment and expectations of women, and especially focuses on the “damsel in distress” stereotype.. Roxane Gay’s “Bad Feminist” explains the stereotypes against women and ways women can come together and fight these constraints. Based on these sources, societal expectations take away from each individual’s identity, forcing women to conform to society's standards. In order to fight against these expectations, women have banded together and formed movements against these standards.

While reading “Gender,” an essay by Jack Halberstam, the topic of sexism was brought to the forefront of my mind. It has been brought up more often in conversation in the modern era, issues such as how a few cruel insults pertain to female reproductive anatomy and, in a sense, degrade females and ultimately identify them, as well as femininity, as inherently “bad”. Such a thought stemmed from how Halberstam touches on the “problematic stabilization of the meaning of ‘women’ and ‘female’”: meaning there is no room for argument when it comes to your gender—you’re either a girl or not. You either fit into a strict mold, or you do not.

Throughout history, women have been brushed aside as the inferiors of men. From the time of the Greeks to the modern day world, men have been the dominant beings. Mary Astell, an English feminist writer, says, “If all men are born free, how is it that all women are born slaves?” She questions the societal norm of women in predetermined constrictive roles. This theme of a submissive and obedient female pervades many literary works, specifically those by Ayn Rand. Rand’s portrayal of women in her novel Anthem further drives the female into a position of inferiority.

Throughout history, women have been expected to fit into a rigid gender stereotype. Women in the early 1900s would be expected to care for children, be able to do household duties and obey everything their husbands instructed. Those women that did not fit the stereotype were looked down upon by members of society and were often alienated. Edna, the protagonist of the novel, had to battle her inner conflict of not wanting to conform to society's standards throughout the novel. Over, and over again, she was reminded of the fact that she was different and that society did not approve of her way of thinking. In the novel The Awakening, by Kate Chopin, the author uses the characters and their actions in society to express the oppression and expectations society had towards women.

The general public depicted in An's story utilizes a test to decide how masculine or feminine an individual is to dole out them to specific assignments and sexual orientation particular positions. While this is by all accounts fairly tragic at to start with, it quite accurately reflects the present society. In spite of the fact that individuals are not compelled to seek after professions that fit their cliché gender roles, in reality, there are unmistakable "manly" and "ladylike" connotations with numerous policed acts, wherein not adhered to, is met with prejudice, violence and varying levels of ridicule.

An expecting couple awaits to discover the gender of their baby. The nurse announces that it’s a girl. The couple is extremely excited, but do they truly grasp the weight of what this implies? Gender is not simply a physical trait, as it affects nearly every aspect of a person’s life. Stereotypes repress the potential in all men and women. The same stereotypes are found throughout literature such as Medea by Euripides, Chaucer’s “The Wife of Bath’s Tale”, “Sonnets” by Shakespeare, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and Frederick Waterman’s “The Best Man Wins”. A common thread between these pieces is that power can be gained by those who are suppressed by defying gender stereotypes and social hierarchies.

The great Elizabeth Cady Stanton once said, “We hold these truths to be self-evident: that all men and women were created equal.” Thus, the significance behind this quote by Mrs. Stanton reveals that not only has the society upon planet Earth have establish a cruel history of suppressing the female gender, but it has also manufactured many stigmas and notions that are pinned to perception of how a woman must conduct herself. Nonetheless, several examples of society’s shortcomings are presented throughout O’Connor’s short story. Specifically, the story’s representation of Red Sammy’s wife and her subsequent actions allow the reader to make the strong connection that society in the 1950’s was an era in time where males obtained significant social

Throughout the history of the women’s rights initiative, activists have continually struggled to endorse their cause in a inoffensive, non-derogative style. With audiences acclimated to sexist societal norms, these pioneers had to advocate their ideas with tact and caution. If they were too enthusiastic, they were received as radical. Too meak, and none would listen. Finding a balance was imperative to the success of their message. This equilibrium is excellently exemplified in Virginia Woolf’s speech, “Professions for Women,” which was delivered to the Women’s Service League in 1931. In her oration, Woolf describes her inner struggles with the patriarchy in the context of her writing career. She tries to encourage other women to

The story has several instances in which it either hints at or outright gives examples of gender inequality. As stated in the Purdue Online Writing Lab, “Gender studies and queer theory explore issues of sexuality, power, and marginalized populations (woman as other) in literature and culture (OWL Queer Studies and Gender Theory). Women definitely group of marginalized people in this story. In the story, Gwendolen is portrayed as being unallowed to make decisions for herself. Gwendolen has no say in who she marries. The decision is left entirely up to her mother. When Lady Bracknell is analyzing Cecily, it clearly demonstrates that women are mostly valued for their appearance. When analyzing Cecily she says, “Kindly turn round, sweet child. [Cecily turns completely round.] No, the side view is what I want. [Cecily presents her profile.] Yes, quite as I expected. There are distinct social possibilities in your profile. The two weak points in our age are its want of principle and its want of profile” (Wilde 3.77). In the article titled General

Throughout the story we see the protagonist struggle with the gender roles placed upon her by her society; specifically the role she is supposed to play as

An example of this notion is shown in Hope Leslie when Governor Winthrop, the landlord, reacts to Hope, the tenant, coming home late and refuses to reveal her reason why: “...Winthrop was not accustomed to have his inquisitorial rights resisted by those in his own household, and he was more struck than pleased by Hope’s moral courage” (184). Evidently, Winthrop’s reaction proves that women with “moral courage” are unladylike because moral courage is a manly trait. On the other hand, Esther Downing, another character in Hope Leslie, embodies the cult of true womanhood. Esther’s mere look at her love interest Everell is described as “a look of...pleased dependence, which is natural... and which men like to inspire, because --perhaps -- it seems to them an instinctive tribute to their natural superiority” (219). So, “Esther’s look … of dependence” confirms that the expectation that all women are supposed to have the same behavior, gestures and personality is meant to not only please men but to also hide their true form. Therefore, the cult of true womanhood presents an internal battle in female writers and Sedgwick presents this womanly struggle through the contrast between Hope and Esther. Society wants women to be quaint housewives but publishing a book defies the cult of true womanhood. Thus, defying the qualities rooted in the cult of true womanhood causes high risk of

Hurled insults grow worse, and sexism is embedded in the American nation, as well as in the English language. The dictionary gorges itself on demeaning words only directed towards females. Belittling expressions of sexuality have been tailored to women, binding them in a corset, while their male counterparts are celebrated for their own sexual conquests. Females are taught to suppress sexuality and are shamed for showing sexual independence, while males are praised for the same actions which are demonized for the woman. Only males are permitted to get further in life according to this language. Culturally we chose words which are inherently sexist, and yet people do not see it as an issue. A male who engages in generous amounts of sexual activity is classified as a ‘player’ or someone who has ‘game.’ This gives a female a new label, a toy or a play-thing just for a man’s whims. When a female engages in generous amounts of sexual activity she is looked down upon and instead of gaining positive nicknames she is branded as ‘sleazy’ or easy. The ease in which women can be defined with a negative attribute for the same actions that a man performs proves the double standard in the renaming of sexes. The sister tries to stand tall, and she straps on her armour. She wears weapons on her feet giving her the illusion of a woman of power and strength. However when she looks up the th realization rings clear. The heels have gifted her an aura of power, but by their design she is trapped in a slow pace, left behind by her

Judith Butler’s approach in “From Undoing Gender” lets the audience see a different side of opinions regarding gender. Judith’s presence and way of speaking lets us look at things in a way we never had before. She demonstrates her way of thinking, acknowledges other peoples ways of thinking and also goes outside the box in creating her own definition of undergoing gender.

All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.