Fifth Business: More Than Meets the Eye

Do you love your mom? I love mine and trust her. I rely on her in many ways. Paul, on the other hand, does not have those luxuries. His mother can be clueless, cruel, and just wrong sometimes. Mrs. Fisher made many choices to impact Paul. They influenced him in both positive and negative ways. Paul’s mom had the greatest impact on Paul because her choices.

This paper aims at using Swiss psychologist Carl Gustav Jung’s collective unconscious and archetypal theories to interpret the archetypes of characters, natural scenes and themes.

Carl Jung, the very first pioneer who discovered human collective unconsciousness, including archetypes, once said, “An archetype is something like an old watercourse along which the water of life flowed for a time, digging a deep channel for itself. The longer it flowed the deeper the channel, and the more likely it is that sooner or later the water will return.” An archetype is the universal patterns and behaviors that represent a typical human experience that is passed down from generations to generations, creating its originality. In “A Separate Peace”, John Knowles uses many archetypes to enrich the personality of his characters, especially Gene and Finny based on common human experiences. By embodying the archetypes of the Fall from Innocence, the Unhealable, and the Crossroads in “A Separate Peace,” John Knowles was successful in establishing the theme for the novel which implies that the guilt which is begotten from one’s deceitful actions would remain as an irrecoverable wound overtime.

The introduction of the novella states that; {B} ‘the heroine of the title story appears to be a Justine-like sacrificial virgin in a white dress’. This is a reference to Justine Moritz, a character who is falsely executed in the novel, Frankenstein. The image of the ‘sacrificial virgin’ is important as it permits the reader to view the narrator as meek and vulnerable. Precisely what Carter wants us to believe, so that the character of the narrator and her mother can be easily juxtaposed. Her vulnerability and lack of independence permits her role as the novels damsel, while her mother is something else entirely. {B} ‘The white dress; the frail child within it’.

Building on the notions of femininity and masculinity, the author outlines all the cliché qualities of men and women, supporting them with vivid imagery, while also being careful with his

With reference to fifth business, show that the author develops a central theme through a character who is unable to change his/her course of action

the love and care he unknowingly needs. Paul takes on roles that disguise his own traits and turns him into what he believes to be a person nobody can say no to. When he takes on these roles, he

Paul D is left in shock and denial claiming, “That ain’t her mouth,” attempting to obscure the reality where Sethe did indeed kill her baby (154). The once idealistic woman who Paul D had known and loved for years has turned to do something so evil, leaving him in dismay. He did not understand Sethe’s motives; no one truly did. No one could draw the line of connection between the idea of saving one’s children by killing them. As Stamp Paid continues to read the news clipping, Paul D goes into a frenzy, shaking his head in disbelief. The look on Paul D’s face was so full of terror that even Stamp Paid thought that “the stranger the lips in the drawing became” as Paul D continued to shake in apprehension, questioning if the event really did occur

Thorough examination of the character's perspective, themes of insecurity, and the authors implicated message from text to reality reveals that "They're not my husband" by Raymond Carver is bleak and weak in comparison to Dino Buzzati's “The Falling Girl” when discussing the adversity of women to uphold appearances in society.

Jung defines archetypes as, “Universal images that have existed since the remotest times. As a figure that repeats itself in the course of history wherever creative fantasy is fully manifested” (Jung, 7). Regarding the idea of archetypes, Northup Frye was a prominent theorist who contributed to the study and progression of archetypes; he applied Jung’s theories about collective unconscious, archetypes, and primal images to literature. Through Frye’s proposition of four mythoi type plots, “He formed a strong basis for four major genres that associated with each season of the year: comedy (spring), romance (summer), tragedy (fall), satire (winter)” (Frye, 45). According to Carl Jung the goal of humanity is to achieve individuation, the goal is to reach a state where the unconscious is known and integrated into the conscious mind. It is collective in nature from our human ancestors, predisposed human ways of perceiving, responding and reacting.

Daisy illustrates the typical women of high social standing; her life is moulded by society’s expectations. She is dependent and subservient to her husband. She is powerless in her marriage.

Paul's mother tries to show others that she is a good mother even though "at the center of her heart

Paul`s life is in chaos as he is attempting to uproot his entire life by creating a façade to appeal to the white upper-class. It is this façade, however, that gives Paul control in his life as he is finally able to belong to a family with the Kittredges. This imbalance in Paul`s life causes him to be an Other because he has changed his entire life to simply swindle wealthy whites.

Over the centuries, women’s duties or roles in the home and in the work force have arguably changed for the better. In Pride and Prejudice, Jane Austen teaches the reader about reputation and loves in the nineteenth and twenty-first centuries by showing how Elizabeth shows up in a muddy dress, declines a marriage proposal and how women have changed over time. Anything a woman does is reflected on her future and how other people look at her. When Elizabeth shows up to the Bingley’s in a muddy dress they categorize her as being low class and unfashionable. Charles Bingley, a rich attractive man, and his sister had a reputation to protect by not letting their brother marry a ‘low class girl’. Reputation even today and back in the nineteenth

In Victorian England, “the bourgeoisie has torn away from the family its sentimental veil, and has reduced the family relation to a mere money relation” (Engels). This upper middle class, the bourgeois, was divided into separate spheres determined by their “natural characteristics” such as being male or female (Gender 1). The bourgeois society’s main concern was their outward appearance and materialism while gaining respectability among their social class. A Doll’s House by Henrik Ibsen, criticizes Victorian bourgeois society and their strict adherence to gender roles. As Nora Helmer walked away from her family, she generated a “door slam heard around the world” (“A Doll’s House” 1).