Fifth Business Quotes

Twelve Angry Men by Reginald Rose is one of the only literary pieces that reveals the dark truth of America post-WWII. This is a play depicting a jury of twelve white men deciding if a sixteen-year old defendant is guilty of the murder of his own father. In addition, knowledge versus ignorance is the strongest theme in Twelve Angry Men. Rose uses a set of character foils with static characters, a specific time and place, and the archetype of darkness versus light to convey this idea.

The idea of light and dark plays a significant role in the black society of the 1950s that the narrator and Sonny grew up in. The narrator once speaks of a time when many family members and friends would get together to chat and eat Sunday dinner at his parent's home after church service. He alludes to the darkness once again by saying that moments would occur when the stark silence of the adults brought on by a serious conversation or a dismal revelation, perhaps about a death in the community or some other dark happening that penetrated the light that they had just before talked and laughed so freely in, threatened to prematurely alert the children of what the world around them was really like (98). At this point, the children are completely oblivious to the racism and other immoralities that thrive in the world they will soon have to venture into, but they are able to sense that something very distasteful is imminent, hence the child wishing that "the hand which strokes his forehead will never stop - will never die" (98). This idea of being an innocent child during a very tempestuous time was more than many young men could cling on to. The narrator was able to escape from the lifestyle

Iridescent is a showing of luminous colors that seem to change when seen from different angles. The novel Fifth Business has many angles in which one can approach it. One of these is Marxism, the origins of Marxism come from Karl Marx who was a philosopher that created a definition of what is a perfect socialist society. This perfection would make both the bourgeoisie and the proletariat equal, this is not the case in Robertson Davies novel Fifth Business. Percy is a character in which is all that Marx views oppose. Elements of Marx ideology can be interpreted and used to foreshadow the fate of Percy Boyd Staunton. Percy’s first encounter with these elements will shape his life

It is easy to get caught up in one’s own world when life picks up the pace and everything seems hectic; along the way decisions are made unconsciously to let go of people who were once held dear. It is easy to be torn between what appears to be important and what is trivial. Amidst the mess that is life, various things contend for one’s attention, and what really matters might not be so clear. In “The Last Rung on the Ladder” the guilt that consumes the narrator over his sister’s suicide becomes an essential part of his identity even as he tries to adjust to her loss. In “Sanctuary” Jim Hammer is in the very first stages of realizing he is guilty of his friend’s death, and the responsibility has not yet taken its toll on him. The history and experiences of one’s identity affect the way an individual reacts to guilt, if one has never understood the impact that relationships have upon past and present selves then it is difficult to fully digest the impact of his/her actions.

There are many different paths people can take throughout their lives. In the novel, Fifth Business by Robertson Davies, the main character, Dunstan Ramsey, takes the path of the Canadian hero. There are many different steps to be taken by the hero and Dunstan Ramsey follows his path by completing each step.

Ever since Dunstan was a child he considers Mrs. Dempster a saint due to the miracles she performed.The evidence that proves Mrs. Dempster to be a saint are the three miracles that Dunstan thinks she performed , She brings Willie back from the dead,the gravel pit incident in which Joel

The guilt felt by Dunstan altered the way he lives through his complete devotion for Mary Dempster. Dunstan’s guilt is the

In James Baldwin’s “Sonny Blues”, the author uses various symbols and themes to elucidate the true meaning of the darkness in the light of its characters. Baldwin utilizes suffering, anger, and imprisonment to illuminate the depth of darkness throughout the brothers lives. A darkness so resilient that it incases various generations to the point where one does not know anything other than its profundity. Then, Baldwin employs music to represent the characters redemption and hope. The light is there to represent the characters hopes and salvations to understand the darkness that encircles them. By the end of the story, Baldwin clarifies the fact that to see the light at the end of the tunnel, one must go through its own darkness.

The narrator finds himself confronted with different forms of suffering that encompass both light and dark mechanisms of survival. Upon seeing Sonny for the first time in many years, “He looked very unlike my baby brother. Yet, when he smiled… the baby brother I’d never known looked out from the depths of his private life, like

In addition to his commitment to Mary Dempster, Dunstan felt responsible for the premature birth of her son Paul Dempster, which led him to also care for Paul.

Dunstan had always lived a life of structure and guilt, Liesl turns a new page for Dunstan, releasing him from guilt and opens a new world up to him. She proposes that he write the biography of Magnus Eisengrim, which proves to be another step in Dunstan’s understanding of himself. “In spite of her marred face her smile was so winning that I could not say no. This looked like an adventure, and, at fifty, adventures do not come every day.” (202). As Liesl allows Dunstan to unload his emotional baggage and uncover his darkest secrets, he is able to connect some of the events of his life and heal from them. Liesl teaches Dunstan that men who carry secrets pay a high price for it, as she describes him as “grim-mouthed and buttoned-up and hard-eyed and cruel.” (208). She helps him understand that the reason he has made Mrs. Dempster his saint is that she has received the affection and warmth that he should have spread amongst fifty people. Without Liesl, Dunstan could not have become his final character, which is a big part of his development and understanding of himself. After he and Liesl get into a tussle, she re-enters the room and leaves him with a conversation and advice that changes him. She tells him that he is human, just like everyone else, and he cannot take responsibility for other people’s troubles, as he did with Paul’s birth. Liesl ends the chat as she brings forth these truths about his life, bringing Dunstan to that

Finally, throughout the novel, Mary Dempster has an impactful role in the growth of Dunstan Ramsay. Mary teaches Dunny to disregard the moral rules of society, and to behave in a manner that is unselfish and for the betterment of others. Dunny admires Mary

In contrast, when we interpret Mary Dempster along Jungian archetypes, we see her in various roles and see her as a dynamic character who changes as much as Dunny does in the novel since she is arguably, one of the active agents for change in Dunny's life. Firstly, she is the mother figure, bringing forth a weakened child into the world. She then becomes a type of a savior figure, not only because of her appearance to Dunny as he crawls through the mud in World War I, but also because she gave of herself unselfishly to the drifter in the grave pit. After this incident she is not crazy, but distracted. She becomes the Jungian outcast in the novel since the small town mentality cannot accept why she would ever prostate herself to a drifter. Mary becomes other things through the novel. This is just a start. The point is

In this instance light seems to be simply the good within a young Sonny. His brother is quickly reminded however that just as Sonny's face was once light there were shadows too. Recalling this younger Sonny forces the narrator to think of the other young boys he teaches. He connects the darkness that Sonny faced with the darkness and reality those other young boys live with, "All they really knew were two darknesses, the darkness of their lives, which was now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone," (410). Here Baldwin gives us our first sense of the pervasive nature of darkness. It is engulfing the boys without their realizing it, darkness is the wasted chances or lack of opportunity at all. The movies show the youths a fairy tale of what could be but will never happen. This darkness of what could have been keeps the young boys from attempting anything. They are together in this sentence of fate but they are also painfully alone, because nothing will ever come of them. The young boys of Harlem live in a dark reality; they do not know light and therefore cannot know hope. The narrator begins to understand that there is no way out of the darkness for them and no escape from the reality of drugs and crime that surrounds them.

In Atwood’s novel Oryx and Crake we see the cause and effect of how our childhood and how we are raised has a large correlation to what type of adult we become. Through the character of Jimmy and later his new persona Snowman, the reader is shown the detrimental effects of an abandoned childhood. Not only do Jimmy’s poor choices in his adult life have a clear link to his neglected and unguided childhood they also create an adult that is emotionally damaged and unable to see the right path in his life even when he wants to.