Fight Club Film Analysis

The movie Napoleon Dynamite directed by Jared Hess and released June 11, 2004 is a comedy about an awkward teen that has trouble fitting in. Napoleon (Jon Heder) the main character, lives with his grandma until she gets into an accident and his life is immediately made worse when his uncle Rico (Jon Gries) who is stuck in his high school football “superstar” days knocks on their door and is there to keep an eye on Napoleon while his grandma is getting hospitalized. Napoleon has a red afro, wears moon boots, and is constantly practicing his atrocious ninja moves. Napoleon has a best friend in high school names Pedro (Efren Ramirez) who decides to run for class president, and it is up to Napoleon to step out of his comfort zone to help Pedro win, and get his information out around school. Napoleon Dynamite was excellent because it met the criteria of humor, acting, and the profound message.

The issue at the heart of the David Fincher film, Fight Club, is not that of man’s rebellion against a society of “men raised by women”. This is a film that outwardly exhibits itself as promoting the resurrection of the ‘ultra-male’, surreptitiously holding women accountable for the decay of manhood. However, the underlying truth of the film is not of resisting the force of destruction that is ‘woman’, or of resisting the corruption of manhood at her hand, but of penetrating the apathy needed to survive in an environment ruled by commercial desire, not need. In reality, Fight Club is a careful examination, through parody, of what it means to be a man; carefully examining the role of women in a society busy rushing towards sexual

The Gangster film ‘Scarface’ (DePalma) is about the rise and eventual fall of Cuban immigrant, Tony Montana. Throughout the film the viewer witnesses how Tony Montana goes from a criminal in Cuba to a drug overlord in America. The average viewer cannot connect to the arc of Tony Montana. But, the average viewer can connect to what Tony Montana is working for, the American dream. Brain DePalma chooses purposefully to have a hyper-masculine, narcissistic, megalomaniac immigrant as the main character of a story of American dream. In ‘Scarface’, DePalma show the universality of the American dream. By utilizing various filming techniques, DePalma shows how the American dream is available for everyone.

In the 1940’s a series of propaganda films titled Why We Fight were produced for the purpose of defining the enemies of World War 2 to justify the necessity of America’s involvement in war. Hitler needed to be defeated, Nazism had to be destroyed, and tyranny had to be stopped for the sake of the American way of life by any means necessary. How could society argue against America’s role in the world war when freedom was being threatened? As Martin Luther King Jr. said “Injustice anywhere is a threat to everywhere.” No questions asked, Americans mobilized in the name of liberty and freedom. However the 2005 documentary film Why We Fight directed by Eugene Jarecki is not a sequel or war propaganda. The film informs the audience and questions America 's military industrial complex that has since dictated policy since the victory of World War 2. With the help of narration, soundbites, and credible speakers Jarecki shines light on the pernicious impact of the armed industry on our government, army, and citizens.

Fight Club: every white man’s favorite movie and my worst nightmare turned reality. Much of the novel version of Fight Club struggles with this issues of toxic masculinity, feminization, and emotional constipation. No character addresses these topics better than Robert Paulson, better known as Big Bob; it is his character that serves as a catalyst for both The Narrator, and Project Mayhem.

Pulp Fiction is a black comedy crime film written and directed Quentin Tarantino (1994). The film’s “narrative follows the unpredictable actions and reflections of two hit men who philosophically meditate out loud about the Bible, loyalty, and McDonald’s hamburgers” (Corrigan, White, 368). The movie goes against the three-act structure of classic films as the story is told out of chronological order making the film so memorable to its viewers. Tarantino’s film begins in a coffee shop and also ends in the same shop. In the beginning of the film, it appears to be a soft, moist, shapeless matter of mass but as the movie progresses the audience can take away much more from the mundane acts they view on screen. The film’s odd narrative

The film, the Untouchables, was directed by Brian De Palma. It was set in the prohibition era, which was right at the start of the 1920’s. Prohibition can be described as a law that made selling and manufacturing alcohol illegal. By putting this law into effect, it actually increased the amount of crime and violence throughout cities in the US. This was ultimately due to the rise in organized crime, also known as gangs. In the movie specifically, it was centered around the rise of the Mafia in Chicago. By looking at the production of the movie, we can see how during prohibition, the Mafia controls everything and the violence ultimately it leads to.

When watching The Hateful Eight it’s clear that Quentin Tarantino was inspired by John Carpenter’s The Thing. There are quite a few subtle nods to the classic horror film as well as some not so subtle similarities. One could watch one right after the other and immediately see the similarities between the two films. While most people would not consider The Hateful Eight a horror film it takes the greatest horror aspects of The Thing and uses them to its advantage. Quentin Tarantino took quite a few ideas from John Carpenter’s The Thing and modified them so they fit seamlessly in to his western film, including actors, characters, and even some music that was originally written for Carpenter’s film but was never used.

I am planning to write about the 1999 film Fight Club, directed by David Fincher. This movie is about a nameless insomniac office worker (the narrator) who has become, as he views, a slave to consumer culture. He begins attending support groups for diseases he doesn’t have to subdue his emotional state, and he begins to sleep again. He meets Marla Singer, another fake attendee of support groups, she is an incredibly mysterious woman who is obviously a bit crazy, yet the narrator seems drawn to her. On a flight for his job, the narrator meets the character Tyler Durden, a hip, stylish man who sells soap for a living. When the narrator's apartment blows up, he calls Tyler and begins to live

When it comes to the film industry, entertainment is the tool used to acquire what is desired, money. The main goal for filmmakers when they create a film is to attain money in addition to the money spent to make the movie. Therefore, in some films that they like to base off of true accounts, it is somewhat necessary to dramatize or embellish the story to really tug at the heartstrings of the films audience. They achieve this goal by the use of dramatic music, ambient lighting, and a small amount of tweaked diction. The Fighter is an excellent example of this dramatization in action because throughout the film the characters are faced with a multitude of decisions that must be made. The choices they make require the characters to choose

Fight Club can be viewed with many interpretations, all of them true. It is a great love story. It is an anti-consumerism rant. It is a spiritual piece against materialism. It is anarchist literature. It is a commentary on our ‘lost’ generation. At first viewing of the movie, very little of this can be seen and it appears violent and chaotic. However much thought was put into providing the movie with depth and development that only become apparent after multiple screenings.

Erika writes: When the narrator first meets Tyler, Tyler declares that he is a soap salesman, although Tyler has various other occupations including a night-time movie projectionist and a waiter. Tyler, however, most identifies himself with the job of selling soap, thus lending weight to the symbolic importance played by soap in the movie. Tyler calls soap "the foundation of civilization" and tells the narrator that "the first soap was made from the ashes of heroes". He also uses lye, a chemical ingredient of soap, to introduce the narrator to the pain of "premature enlightenment." In this role, soap is

This movie is mainly about a narrators search for meaning and the fight to find freedom from a meaningless way of life. It setting is in suburbia, an abandoned house located in a major large city. Ed Norton, plays the nameless narrator, Brad Pitt, is Tyler Dunden, and Helena Boaham Carter is Marla Singer, the three main characters. David Fincher directs this film in 1999, which adapted it from the novel written by Chuck Palahnuik.

     For the following analysis, I will be discussing the movie Fight Club’s two main characters. They are “Jack” played by Edward Norton, and Tyler Durden played by Brad Pitt. However the twist to the movie turns out that Jack and Tyler are the same person and Tyler is Jack’s real name. Tyler the character is everything that Jack the character is not. The story narration is provided by the protagonist of “Fight Club,” “Jack.” The ambivalent protagonist, who only refers to himself as “Jack.” An ambivalent protagonist, usually the main character, is someone the audience likes, but who possesses character flaws.

Fight Club is a unique film that has many different interpretations consisting of consumerist culture, social norms, and gender roles. However, this film goes deeper and expresses a Marxist ideology throughout; challenging the ruling upper-class and a materialist society. The unnamed narrator, played by Ed Norton, represents the materialist society; whereas Tyler Durden, played by Brad Pitt, represents the person challenging the controlling upper-class. Karl Marx believed that the capitalist system took advantage of workers, arguing that the interests of the upper-class class conflicted with that of the common worker. Marx and Durden share the same views about the upper-class oppressing the materialist, common worker. By interpreting Fight Club through a Marist lens, the viewer is able to realize the negative effects a capitalist society has on the common worker by seeing the unnamed narrator’s unfulfilled and material driven life in contrast to the fulfilling life of Durden who challenges the upper-class. The unnamed narrator initially fuels the upper-class dominated society through his materialistic and consumeristic tendencies; however, through the formation of his alter ego—Durden—the unnamed narrator realizes the detriment he is causing to himself and society. He then follows the guide of Durden’s and Marx’s views and rectifies his lifestyle by no longer being reliant on materials. Also by forming fight club, which provides an outlet, for himself and the common worker,