Figurative Language In Dylan Thomas

In this poem, Thomas mainly talks about death, which is the ending point in a life that will inevitably happen to everyone, but it is more likely for older individuals to experience it. One stanza of the poem, “Do Not Go Gentle into that Good Night,” where Thomas really emphasizes to not let death consume you easily is, “Do not go gentle into that good night, / Old age should burn and rave at close of day; / Rage, rage against the dying of the light” (Lines 1-3). Based from this, it portrays that Thomas is using symbolism to show that to not give up to death easily. When he states “Do not go gentle into that good night” it is evident that he is meaning to imply to not be gentle or subtle about death since, “night” would symbolize to further mean as one’s eternal

In “Do Not Go Gentle into that Good Night”, Thomas describes men as wise, good, wild, and grave, and displays their perspective about death. For wise men, “because their words had forked no lightning, they / do not go gentle into that good night” (5-6). The metaphor in the line reflects wise men’s regret in life as their words, the ability of intelligent people, forked no lightning, meaning they did not leave any significant marks in history before dying. Therefore as good night, a metaphor for death, approaches, wise men resist dying to satisfy their discontent, and all other men convey similar perspectives. However, since night will come anyways, Thomas know men cannot escape death, so he agonizes for his incompetence in saving his father. Comparably in “One Art,” Bishop claims “so many things seemed filled with the intent / to be lost that their loss is no disaster” (2-3). The disappeared objects metaphorize Bishop’s loss of precious memory fragment, such as losing the mothers’ watch representing the farewell with her mother. At first, Bishop expresses she is fine with things vanishing. Yet overtime, the materials grow more substantial, and ultimately, when Bishop separates with her beloved, she notes “it may look like (Write it!) a disaster” (19), mentioning loss is indeed a disaster. She knows the farewell was

In Thomas’s poem, the tone is sorrowful with possible anger while in Longfellow’s poem it is more of an encouraging tone. At the end of Thomas’s poem, he becomes very personal and intense in the final stanza when he says “And you, my father, there on the sad height, Curse, bless me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light” (Stanza 6). This is a reference to his father, asking him to put up a fight against death no matter what it takes. Do not just succumb to it. This is where the tone shows somewhat of anger along with the sorrow throughout the rest of the poem, possibly directing his anger towards his father. Towards the end of Longfellow’s poem, the encouraging tone has a sudden shift into a tone of empowerment when it says “Be not like dumb, driven cattle! Be a hero in the strife! Trust no Future, howe'er pleasant! Let the dead Past bury its dead! Act,--act in the living Present! Heart within, and God o'erhead!” (lines 19-24). This basically says to live your life like it’s your last day on earth and do not follow the crowd. He is also saying that God is above so do not live in fear. Longfellow is telling you to stand out and make it all worth it, while not acting in the past or future, just act for today itself.

In Dylan Thomas' "Do Not Go Gentle Into That Good Night," the speaker is a son talking to his aging father and pleading with him to fight against death. The son knows that death is the inevitable end to every life, but feels one should not give up to death too easily. By using metaphor, imagery, and repetition, Thomas reinforces the son's message that aging men see their lives with sudden clarity and realize how they might have lived happier, more productive lives. These men rail against fate, fighting for more time to set things right.

Here is how the imagery of the poem develops the meaning of the poem. First of all, Thomas convey resistance towards death with images of fury and fighting, as in "do not go gentle." With images of "good

Both "Death Be Not Proud" and "Do not go gentle into that good night" do not necessarily see death as a negative thing. In looking at the title "Do not go gentle into that good night" one notices that Thomas calls the night, presumably a metaphor for death, good. He also says "wise men at their end know dark is right" (4). This would suggest that he believes that death is a necessary occurrence. If Thomas sees death as necessary, then why does he say "Rage, rage against the dying of the light" (19)? The answer to this can be found in line 16 when he addresses his father. Throughout the whole poem he names different types of men, then in the last stanza he specifically names his father. I think that in this poem Thomas is trying to express that even though he knows that death is natural he doesn't want his father to die. This creates a sort of conflict within the poem where Thomas knows that eventually death will come for everyone, but he wants to put it off as long as possible in the case of his father.

The first group that Thomas depicts are wise men. In the stanza’s first line, “Though wise men at their end know dark is right,” (4) he proposes that they all agree that death is the final part life’s natural cycle and that they contain the wisdom to know that they ought to accept it. Nevertheless, the next line argues that they war against it because they lack the legacy that exist long after one has succumb to death. Thomas uses line (5), “Because their words had forked no lighting” to convey that they grip onto life because they want to leave a print on the sands of time.

The third stanza is addressed to ‘good men’ who regret their choices in life and think of how much they could have achieved, if they had only had lived longer. Poetic techniques used in this stanza are personification, symbolism, repetition and rhyme. In the second line, we see the use of personification when Thomas writes of how “their frail deeds might have danced in a green bay”, referring to the ‘good men’. This line paints a picture of how the frail

In the line, "Old age should burn and rave at close of day", "old age" can be seen as personification, but can also be interpreted as metonymy for his father. "Burn and rave" are strong emotions Thomas feels his father should take against "the close of the day" which is a metaphor for death. In the second stanza, the phrase "dark is right" represents a concise acknowledgement of the intellectual recognition how death is unavoidable; however, the awareness that his father's words had "forked no lightning" is a metaphor for the failure to influence the powerful and brilliant forces in society (Grolier 231).

Thomas's poem denounces quiet submission to the inevitable from its first line "Do not go gentle into that good night" (1) while Milton presents this acceptance as the only proper way to live. Although Milton begins his poem by questioning God's actions in his life, these questions are resolved through an imagined conversation with the personification of Patience who says "Who best/ Bear his mild yoke, they serve Him best" (10-11) and "They also serve who only stand and wait" (14). Milton's poem contradicts Thomas's by suggesting that to "go gentle into that good night" (1) is not only acceptable but also the proper way for humans to act.

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

Contrary to Frost?s peaceful, luring diction and images, Dylan Thomas uses forceful, irate words to deter death. "No poet gives a greater sense of the feel of life" as Thomas, who provokes the reader to "rage" against death (Ackerman 407). Thomas conveys a resistance towards death with images of fury and fighting, as in "do not go gentle." Vivacious words as "blaze" and "burn" intensify desires to live on and to the fullest. With images of "good night" and "dying of the light," Thomas conveys death as the "end where only darkness prevails" (Savage 381). He takes his "stand within concrete, particular existence, he places birth and death at the poles of his vision" (Savage 381). "Life [for Thomas] begins at birth and ceases at death" therefore leaving no room for a previous life or an after life (Savage 381). Excessive images of anger and rage towards death exemplify the passion Thomas feels for life. His villanelle repeats the theme of living and fury through the most forceful two lines, "do not go gentle into that good night" and "rage, rage against the dying of the light." Contrasting images of light and darkness in the poem create the warmth of living and the coldness in death, so as to shun people from choosing the bleak, bitter frigidity of death.

Immediately, the question of who this person may be comes to mind. As the second stanza begins it is clear the the point of view has switched to third person and Thomas’ goes on to describe how good, wise, wild and grave men have “[raged] against the dying of the light” (7). The entirety of the fifth stanza is a declarative sentence- a call to arms against the war on death. This is an apparatus to ignite passion amongst those who hear his words. But the sixth stanza comes full circle back to second person creating a more intimate effect. This illuminates the overwhelming distress and devastation he felt at the time because it is here that Thomas’ own father is revealed to be the subject of the poem.

Throughout the poem, Thomas relates the passing of a day to a lifetime. He refers to death as ‘that good night’ and ‘the dying of the light’ repeatedly. This metaphor shows the inevitability of death, in the same way that the end of each day is inevitable. Additionally, this metaphor comes at the end of the last line of each stanza, making the form imitate the ‘good night’ coming at the end of the day and death at the end of life. Despite this acknowledgement of the assuredness of death, Thomas insists that ‘old age’, a use of metonymy to represent the elderly, should ‘burn and rave at close of day’. Burning

Firstly there is a lot of repetition, such as when the author states, “Rage, rage against the dying of the light”. This line is repeated 4 times in the poem, and you can see that repetition was very important to Thomas, as he chose a Villanelle, which is a style of poem that relies greatly on repetition. The author is telling his father to “rage, rage against” (fight), “the dying of the light”, which essentially means the dying of life, or just simply, death. The fact that this is repeated so often makes it stick with you long after you have finished reading and, therefore the idea of death stays with you for a while after reading the poem as well, and it makes you want to fight back against, and not accept, it. Secondly, the author uses one very evident euphemism, when he says “that good night”. In this case, “good night” refers to death. This is a very important part of the poem because, not only is it repeated four times and evident in the title, this shows that, when talking about his father’s impending death, Thomas does not actually want to say the words to either soften the blow for himself, or for his father. Which either shows a great deal of sorrow or compassion in his character. This reinforces the theme, as it is a euphemism for death and describes it as something to avoid, similar to a kid fighting his bedtime as his parents tell