Figurative Language In Joseph Conrad's Heart Of Darkness

The novel, Heart of Darkness, by Joseph Conrad, portrays a dark and somber theme throughout the entirety of the book. Even in the end, the darkness is still there. But even so, the end is difficult to understand. The ending is very vague on certain perspectives. Conrad intentionally does this, not to detract from the rest of the novel, but to sum the entirety of his main point up.

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

Each detail to which your attention is drawn by the Study Guide is part of the puzzle of Heart of Darkness. It is important to notice the details, to ponder them, to see how patterns repeat themselves, and to see how the pieces fit together. Marlow's journey and your reading about the journey require constant alertness, discipline, patience, and a willingness to look for what is not immediately apparent.

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

Marlow’s evolution renders ‘Heart of Darkness’ a remarkable work of literature, but it is not simply the budding of the narrator’s mind that makes the novel sensational. Marlow’s perception of the voyage is what truly renders the work exceptional. European expansion, as written by European writers, was generally cast in a positive light. When Conrad depicts the desolation of the journey and reveals the sanities and lives robbed through the conquest, he clearly does not conform to the writers of his time. This exposure of European expansion in such a sinister a fashion was innovative for writers of the late 17th century. This revolutionary perception is what truly allows ‘Heart of Darkness’ to be considered a novel rich in moral and detail.

Joseph Conrad utilizes the essential differences between “primal” and “primitive” to tell the story, Heart of Darkness. Through Marlow, the reader is posed with existential questions on personal beliefs and humanity. A resounding theme of the story is the emotional journey for purpose and the idea that it is not enough to find a purpose, but to be candid in the fulfillment of said

The secondary part of Heart of Darkness was in effect an afterthought whose subject would no longer specifically be an account of the atrocities committed in the Congo, but would reveal a general hopelessness darker than night. Once Marlow boarded his boat, the

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.

     Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about

    Within the text of Heart of Darkness, the reader is presented with many metaphors. Those that recur, and are most arresting and notable, are light and dark, nature and Kurtz and Marlow. The repeated use of light and dark imagery represents civilization and primitiveness, and of course the eternal meaning of good and evil. However, the more in depth the reader goes the more complex it becomes. Complex also are the meanings behind the metaphors of nature included within the text. It represents a challenge for the colonists, often also signifying decay and degeneration. Finally Kurtz and Marlow represent imperialism and the colonists. All these metaphors come together and contribute not only to

Although, as a society, we discourage the process of not judging a book by its cover, we have all been guilty of doing it at some point. The first item we look at when we pick up a new book is the title and the cover as a whole. These are two key components when it comes to using our heuristics to decide if a book is worthwhile reading or not. With only two items to judge by, each has to hold significant importance in order to draw a reader into reading the novel. Heart of Darkness by Joseph Conrad represents a mysterious title to draw readers into reading the novel, but hold a much more significant underlying meaning which represents many elements in the novel, while also symbolizing external concepts in the overall plot. The title represents many important elements such as the character of Mr. Kurtz and others, to the setting of Africa in the novel, and to the concept of the evil nature of imperialism outside of the novel. Through the title, Conrad has created significance for elements of the novel creating a very large impact on readers of the book.

Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self.  Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.

The constant change in scenery throughout the Heart of Darkness contributes heavily to the meaning of the novel as a whole, for it allows the novel’s author, Joseph Conrad, to expand on the effects the physical journey of travelling through the Congo has on the inner mentailites of the characters- Marlow and Kurtz- in the novel. Conrad’s continuous comparisons between characters, their surroundings, and the plot, create the genuine progression of the novel, while the physical journey that is taken allows the characters to make their own discovery of humankind. As Kurtz’s destiny and the struggles he overcomes go on to deeply affect the two characters’ journey through the story’s plot, as everything in the Heart of Darkness is linked or comes back to Kurtz and all the wrongful actions he has committed in the Congo- as he was the perpetrator of all the darkness in the novel to begin with.

It has been said that although Conrad may not have been 'the greatest novelist, he was certainly the greatest artist every to write a novel';. I feel that this is an apt description of Conrad's writing style in Heart of Darkness (1902), as he paints many verbal pictures by using expressive words and many figurative descriptions of places and people. An extensive use of words relating to colour, is evident throughout the novella. The idea of darkness (and light) is emphasized from the title of the novella, and continues to play an important role throughout in the story .