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Figurative Language In Joseph Conrad's Heart Of Darkness

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Although a novel filled with extensive figurative language and impressive control of language, Heart of Darkness by Joseph Conrad bored me. Marlow, a well-traveled seaman who narrates his story in the Congo, is a man I simply could not relate to, which inhibited me from truly appreciating his story. To put it simply, I just didn’t like it. The narrative style bored me and Marlow’s story itself was not exciting. I don't particularly enjoy history, which may be an influence on my opinion of the novel.
In order to properly enjoy a literary work such as Heart of Darkness, I believe you must be interested in some aspect of the characters lives or setting. Having never sailed or even showed interest in the sea, unlike Marlow, I was unable to empathize with Marlow. His experiences were nowhere near anything I have attained in my life, and I truly did not learn anything from Marlow. I feel this was the book’s downfall. The setting, again, was remote and uninteresting to me, Although the story of the violence and slavery in the Congo is heartbreaking, it is not something I have a likening to study. This lack of connection was the biggest thing that detached me from enjoying this novel.
Condrad’s command of figurative language is just about the only positive thing about this novel. On page 4, Marlow describes a beautiful scene. “We looked on the venerable stream not in the vivid flush of a short day that comes and departs for ever, but in the august light of abiding memories.” This

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