Figurative Language In The Minister's Black Veil

Father Hooper, a character in The Ministers Black Veil, has put a wall up between himself and his parishioners with the simple adornment of a veil. The veil is symbolic of secret and sin the Father is trying to hide from the world. A secret so massive, it is not even to be removed by his Fiancee’, Elizabeth. While he, himself will not let his secrets be known until his earthly departure, it can be presumed that they carry the weight of infidelity. On his deathbed, Father Hooper described seeing a black veil on everyone he has met, perceiving that everyone has their own walls and

Hawthorne physically sit this short story in the town of Milford. It is a common setting for Hawthorne: a New England town set around a church, symbolizing the Puritan values that the villagers strongly upheld. Indeed, the story begins with the town coming to church on the Sabbath to hear the Reverend Hooper preach to them. Little more description is left for the reader to gain insight into the physical setting surrounding Mr. Hooper. The rest is left to the psychological impact that is created through the inner works of Mr. Hooper.

    There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.

Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.

In "The Minister's Black Veil", the main character Mr. Hooper, who at first was a well liked minister throughout his town. Mr. Hooper had many good friends and followers and an assumed soon to be wife. At church he gave very

After the initial onset of the black veil, the minister was alienated from himself. After performing the wedding, he caught a glimpse of himself in the looking-glass, and "the black veil involved his own spirit in the horror with which it overwhelmed all others" (Hawthorne 256). He would no longer look in a mirror at himself because "his antipathy to the veil was known to be so great" (Hawthorne 258). The veil which isolated his face from the sun and rain also kept him from his deepest fears and regrets. Reverend Hooper could no longer face himself and decided no one else alive would be allowed to face him either. The only people who seemed to see his face and understand him were lifeless corpses. As Mr. Hooper paid his last respects to a deceased young maiden in her casket, "the veil hung straight down from his forehead" (Hawthorne 255), and a superstitious woman claimed "the corpse had slightly shuttered" (Hawthorne 255). When the minister placed the black piece of cloth over his face, he intended to keep himself from the sight of his face also.

    It is the purpose of this essay to show that Nathaniel Hawthorne’s “The Minister’s Black Veil” is indeed an allegory. M. H. Abrams defines an allegory as a “narrative, whether in prose or verse, in which the agents and actions, and sometimes the setting as well, are contrived by the author to make coherent sense on the ‘literal,’ or primary, level of signification, and at the same time to signify a second, correlated order of signification” (5).

Mr. Hooper has an effect on people by wearing the veil and he uses it to express his original purpose. Everyone on Earth has sinned, “for the Earth, too, had on her Black Veil.” This shows that Mr. Hooper believed that sin is a part of nature and it is a natural thing to be sinners. Even Earth, His own creation, is hiding her secret under a black veil. Hawthorne says this to show Mr. Hooper’s point that people have an inborn sinful nature and it is not always represented by literally wearing a black veil. In other words, he says that even people who do not wear a black veil equally have secret sins, “If I hide my face for sorrow, there is a cause enough…and if I cover it for secret sin, what mortal might not do the same?” People hide their real self to prevent being criticized by society and because they are ashamed of what they have done. He pays a high price in the attempt of teaching society the nature of sins. The people who used to admire him are now afraid and confused so he is forced to live a lonely live. Following this further, he influences people to believe the moral lesson behind his decision of wearing the veil. He wants people to

Nathaniel Hawthorne utilizes the color of the veil, Mr Hooper’s speech to the townspeople, and the contrast of the bad veil in good events to once again showcase his views on the everlasting effect of guilt and sin. While it may be a harsh concept to comprehend, when one comes to terms with this, it leaves a feeling of ease. Once one knows that there is no time of the day where they can be freed of the feeling of guilt is when they can truly love themselves. Remember that sin is like a convenience store, it is open 24/7, and everyone has to take a trip there once in awhile, so there is no reason to be

In the short story The Minister's Black Veil Nathaniel Hawthorne is explaining how mankind is afflicted by the seven sins. The officer of the church is ring the town bell calling all the people of the village to church, when the church sexton sees Mr. Hooper leave his house he stops ring the bell. The people of the town don't like the Hoopers change in appearance they think that he has lost his sanity and no one walks on the side of the street he lives on. Later in the story the their is a funeral for a young woman and the town people think that's why Hooper is wearing the Black veil “for his own secret sins”. The young minister asks Hooper to remove the veil as Hooper is dying. Hooper is brought to his grave, “Many years pass, and grass

What was exclaimed by Minister Hooper on his deathbed claimed that the Puritans in his society are hypocrites, as well as making another essential point of not worrying of the sins of others, but instead working for the redemption of one’s sins. “Have men avoided me, and women shown no pity, and children screamed and fled, only for my black veil? What, but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a Black Veil!” (Hawthorne 17). Words are spewed from Minister Hooper, as he finally lets out the mystery of the black veil; as he allows the audience not to see his face but the inner workings of his dark

In Nathaniel Hawthorne's "The Minister's Black Veil," Mr. Hooper, a Reverend in the town of Milford, surprises his parishioners by donning a conspicuous black veil one Sunday. The town is visibly spooked, yet still curious, about his eerie appearance and profoundly affected by his sermon on secret sin. "A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought" (2432). The parishioner's expect that Hooper will only don the veil for one day and then remove it, having used the visage to make his point on secret sin, but they are taken aback to

   Based on the evaluations of literary critics, Nathaniel Hawthorne’s short story, “The Minister’s Black Veil,” contains both an external and an internal conflict, about equally treated in the tale. It is the intent of this essay to explore both types of conflict as presented in the story.

The short story “The Minister’s Black Veil” by Nathaniel Hawthorne follows the minister Mr. Hooper whose simple change in appearance alters the very nature of his existence in society till his death. While his decision to begin to wear a black veil over his face ostracizes him from society, it also turns him into a more influential clergyman. With the symbolism of the black veil and in a somber tone, Hawthorne makes a statement on the involvement of society in personal matters and the “black veil” that is present over the heart of every man, making the point that everyone is guilty of being sinful.

If we take “The Minister’s Black Veil” as a horror story, it leads us to certain conclusions about the nature of the veil and Hooper’s refusal to take it off. If horror is something that centers upon the horrifying or macabre, especially concerning the supernatural, one can see that this story could belong. Hooper never divulges the exact nature of the veil, and we are left to speculate about what it could possibly mean. Several possibilities present themselves if we think of this story as a horror story; it could be that the veil is covering Hooper’s face to be a constant reminder to his congregation and all who see him of secret sin. It seems that the idea that he could possibly know someone’s secret sin is terrifying to the townspeople. Indeed, this veil does give Hooper “awful power over souls that were in agony for sin” (943). Sinners fear him, because they feel that the black veil is a reference to their own personal secret sins. And the veil gives him an association with the dead and ghostly qualities; after the girl’s funeral at the beginning of the story, one woman remarks that she thought she saw Hooper walking hand in hand with the ghost of the dead girl. Such things would not have been imagined if he had never donned the veil.