Figurative Language In The Seafarer

The thrilling aspect of the viking’s life is evident in the use of vivid imagery such as, " So toward the open main,/Beating to sea again,/Through the wild hurricane,/Bore I the maiden” (125-128). The use of “beating” (126) and “wild” (127) especially give the reader a sense of excitement as the viking and princess manage to successfully leave the oppressive rule of the king and travel to the large and open sea ahead. In this use of imagery of water, the vigorous life of the viking is emphasized as he travels to the free yet wild body of water ahead, “beating” (126) with much work and energy to leave the restricted life he once

The Seafarer, The Wanderer, and The Wife’s Lament all contains faith verses fate. The three poems are very similar and very different. The three poems ranging from a lonely man, to a lost soldier, to a wife’s bedrail. The medieval poems show hurt, confusion, and loneliness.

Authors use figurative language to describe the objects and characters in the stories. In the passage “Uncle Timothy’s Ships,” by Summer Woodford, figurative language reveals the significance of the bottled ships, Woodford reveals the significance of the bottled ships by using metaphors, extended metaphors, and personification. The first piece of figurative language that Summer Woodford uses are metaphors. A metaphor is to compare two things without using like or as.

Both the ‘Odyssey’ and ‘1001 Nights’ feature male protagonists who traverse the seas, and the concepts and themes of men seafaring is common throughout most canonical texts. For example, the allusion of Odysseus’ difficult journey is made when a minor male character in Apuleius’ ‘The Golden Ass’ describes his seafaring adventures as being ‘positively Ulyssian’ (‘Ulyssian’ thus being a reference the Roman naming of Odysseus) (pg 29). Furthermore, both texts share themes, such as: seafaring, the supernatural, trials and tribulations, tradition, belief systems, and the geographical setting and pride in the protagonist’s home city play a key role to the overarching plots of the texts in the sense of the protagonist’s endurance and motivation to both leave and return home. Likewise, the supernatural is used to further the plot of both texts.

The Things They Carried is more than just a story about the Vietnam war. A focus has been placed on the real soldiers who lived through it. With the use of repetition, figurative language, and described imagery O’Brien is able to illustrates his story. WIth these three things, we are able to understand the physical and emotional side of a soldier at war.

(213). The narrator once again speaks of the sea as if it were human. Stating the “waves paced to and fro” and “the great sea’s voice”, he gives the sea life and a voice. Having figures of speech such as these gives the story life and a vivid

The Mariner’s lifelong penance is to relay his story and message throughout the lands to the various individuals he holds a calling towards. The Mariner can only relieve his frequents bouts of extreme agony and guilt from his past by narrating his story and lesson to others, bidding them not to make the same mistake he did. Initially, the listener is reluctant to hear the Mariner’s tale, eager to get to the wedding that is about to begin. However, the listener is somehow drawn to the Mariner and yields to his tale. He becomes enchanted, and by the tale’s end, the listener is left, shocked, speechless, and in awe. He gains a new perspective of the world, and the poem ends with the words, “He [the listener] went like one that hath been stunned / And is of sense forlorn; / A sadder and a wiser man, / He rose the morrow morn.”

In another case, “The Rime of the Ancient Mariner” tells a story about an old sailor, the Mariner, and his long and difficult journey across the ocean. The Mariner stops a man going into a wedding, who is called the Wedding-Guest, and insists on telling him his tale. In the beginning of the Mariner’s journey, his ship gets stuck in a never ending field of ice and fog. They have no way of moving, but then,

Annie Proulx use of language in the contemporary novel The Shipping News; a vivid impression of the miserable life Quoyle has to live through every day; the author lay the use figurative language, focusing on imagery and tone vs. subject to increase the perception the author tries to share with the reader. The author portrays efficiency with the use of imagery to substitute feelings into objects, by the use of metaphors to express inner emotions or actions. The flawless narration of the story due to the use of descriptive tone to express the contemporary and monotonous life Quoyle has to go through every day of his lonesome life. At the end of the story, when the author wraps up Quoyle's wretched life, the use of metaphors for the reader to

The comitatus “stressed the loyalty of a thane to his chieftain and treated exile and outlawry as the most tragic lots that could befall one. This secular sense of loss is keen in The Wanderer.”6 Not only is the loss of a lord evident in “The Wanderer,” but in “The Seafarer” and “The Wife’s Lament” as well.

Biblical is a type of allusion used in this book because the old man carries the mast up the hill to his shed and Jesus carried his cross up the hill where he got crucified.

It’s easy to tell that the ocean is a mysterious and isolating place from all of the tragic tales we hear from sailors both real and fictional. Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” and an anonymous author’s “The Seafarer” are quite similar in that they both revolve around said tragic tales told by sailors. However, there seem to be more commonalities between their themes, tones, and messages rather than their seaward-bound settings. But before we can discuss these similar settings and deeper themes, we have to tackle their origins.

Unlike the wandering narrator, the seafaring narrator focuses his descriptions of the community that is present in nature. The seafarer the utterly rejects the notion that a “sheltering family / could bring consolation for his desolate soul” (25-26). This “sheltering family” (25) that the seafaring narrator alludes to in this line is the exact form of close-knit family that the narrator in “The Wanderer” laments for desperately. While the seafaring narrator offers striking similar descriptions of the landscape being “bound by ice” (9), he does not focus on these descriptions to dwell on the loss of an earthly community. Instead, the narrator in “The Seafarer” finds the landscape that he inhabits wonderfully abundant with natural — even spiritual — elements that are commonly associated with an earthly community. In the barren landscape, the seafaring narrator discovers “the wild swan’s song / sometimes served for music” (19-20) and “the curlew’s cry for the laugher of men” (20-21). These vibrant and vivid descriptions of the natural world that the narrator discovers in the harsh,

The Old Man and the Sea has man tensions, ambiguities, and ironies that arise within the work which the work uses towards a particular theme. There are several themes that unify into one resolution. The Old Man and the Sea can be interpreted to discover how it functions as a self-contained, self-referential aesthetic object. This would be how the structural purpose of the text could be explored. The first step to this process is to find a confusing, unclear section within the text.

He illustrates his belief that he does not need the good luck of the Albatross. He decides to severe his bonds with the universal cycle of life and love. Following the execution of the Albatross, the Mariner’s luck suddenly changes. He experiences the punishment that comes with the moral error of killing the Albatross. The punishment is isolation and alienation from everything but himself. Thereafter, the "Nightmare," the life in death, kills his crew. He is lost at sea, left alone in the night to suffer, and he has detached from his natural cycle. The Mariner proclaims his misery when he says, "Alone, alone, all, all alone, Alone on a wide wide sea! / And never a saint took pity on My soul in agony". To the Mariner, nature has become foreign. The execution of the Albatross causes physical and spiritual decay.