Figurative Language In Walking Away By C Day Lewis

Nevertheless, in the poem ‘Nesting time’, Stewart interprets a personal experience in first person of the appearance of a bird that lands upon his daughter and forgets the thought of the harsh world. Stewart’s descriptive language repeatedly explains the poem as if seen in his viewpoint, beginning with an interjection, ‘oh’ communicating of his incredulity of an ‘absurd’ bird. Symbolizing the bird with strong coloured imagery its ‘mossy green, sunlit’, described to be bright and joyful, with sweetness shown with the type of bird, ‘honey-eater’, Douglas Stewart takes the time to describe its admiration juxtaposed to the dangerous world surrounding it. While visualizing the birds actions, ‘pick-pick-pick’ of alliteration and repetition of its

Equally essential as the narrative in poetic writing is the overall effect of language structure and description. Although there is no distinct rhythm or rhyme to this poem, it is through language and structure that the text is made inviting. In the blank verse, “Why are you still seventeen.../ dragging a shadow you’ve found?” (1), this metaphor for a borrowed lifestyle facilitates a feeling of lost identity and nostalgia for the past. By incorporating such language, and by choosing a self-proclaimed rhetorical question, the speaker adds to the effect of personal obscurity. An immense component of the entire poem are the combined stanzas: “that's not the road you want,/ though you have it to yourself.” This emulates the feeling of regret. In continuation of the metaphorical self-evaluation of the poem, it supports the idea

The atmospheric conditions may represent the hardships that the couple had to go through in their relationship, and may also be used contrast the unpredictability of the outside world compared to the steady relationship that the couple have. ‘A Youth Mowing’ is also a poem about relationships, this time it is between a younger couple. The river ‘Isar’ is a symbol of freedom, it represents the way that the men’s lives are. However, this sense of liberty is broken by the ‘swish of the scythe-strokes’ as the girl takes ‘four sharp breaths.’ Sibilance is used to show that there is a sinister undertone to the freedom that the boy has which will be broken by the news that his girlfriend is bringing. She feels guilty for ‘what’s in store,’ as now the boy will have to be committed to spending the rest of his life with her, and paying the price for the fun that they had.

This metaphor is comparing the actual birth of her son to a dangerous journey, which is saying that he was fearless and that the speaker was expecting a very successful life journey for he son. This makes the boy’s death feel even more tragic because the reader gets to see how the speaker felt towards her son and what she expected his future to be like. The second metaphor presented in the poem comes about when the speaker is describing the moments after the boy slipped off the bank into the water and got taken by currents:

In Father and Child, as the persona moves on from childhood, her father becomes elderly and is entertained by simple things in nature, “birds, flowers, shivery-grass.” These symbols of nature remind the persona of the inconsistency of life and the certainty of death, “sunset exalts its known symbols of transience,” where sunset represents time. Both poems are indicative of the impermanence of life and that the persona has managed to mature and grow beyond the initial fearlessness of childhood moving onto a sophisticated understanding of death.

The young man in the poem loses his identity as he develops into the ruthless world of adulthood with its dehumanizing competition of ‘money-hungry, back-stabbing’ and ‘so-and-so.’ These exaggerated words and clichés

Collins uses imagery to instill empathy within the reader as they have also felt the speaker’s internal turmoil. The child is talking about how growing

The tone of the poem changes as the poem progresses. The poem begins with energetic language like “full of heroic tales” and “by a mere swing to his shoulder”. The composer also uses hyperboles like “My father began as a god” and “lifted me to heaven”. The use of this positive language indicates to the responder that the composer is longing for those days – he is nostalgic. It also highlights the perspective of a typical child. The language used in the middle of the poem is highly critical of his father: “A foolish small old man”. This highlights the perspective of a typical teenager and signifies that they have generally conflicting views. The language used in the last section of the poem is more loving and emotional than the rest: “...revealing virtues such as honesty, generosity, integrity”. This draws attention to a mature adult’s perspective.

Rather than name this young boy and immediately create barriers between the character and the reader, Crabtree purposefully leaves the boy as an ambiguous figure to represent any person. “The pond was a book of life with the boy as the learner,” the author states (Crabtree 72). While the pond, in this instance, represents all that is encompassed in life, the boy is seen as the object that is being taught. The young boy constantly goes to the pond alone, just as life is lived alone. He experiences many things on his solemn adventures to the pond. The journey made daily to the pond portrays everyday life as a choice, the boy chooses to enjoy and experience all that nature has to offer while others, such as his parents, choose to stay back and view life from a distance rather than experience it to the full.

The further the poem is read, the more consuming the impacts of separation becomes to the narrator until they now desire to recede from their past. The title of the poem confirms this desire through insinuating that the path of separation that they are on is perpetual and therefore, shows no clear destination. This ending consequently leaves a feeling of hopelessness for the reader that is meant to mimic the hopelessness that the narrator feels over their situation. However, in the conclusion of my personal response, I recognize the impacts of separation and the need to correct them. Whilst not wanting to vanish from society, I admit to the difficulty of returning to society due to now being accustomed to the feeling of separation and the nothingness that it creates within me.

In the poem “To a Daughter Leaving Home” by Linda Pastan is filed with metaphors and symbols that represent the feeling of a child growing up and moving out onto their own. There comes a time when every parent must send off their child into the world, and these parents feel a multitude of things when sending them off. It paints a picture of a father teaching his young daughter to ride a bike, but uses this image to represent a child growing up. The mixed feeling of pride and fear as the child grows up and moves out of the nest. The use of first person past tense shows us that the narrator is recalling the time they taught their child to ride a bike and are reliving that experience with the child moving out again. The fright of watching your child speed down the road towards life is portrayed from the start and continues throughout the poem. A good parent is always worried about their child’s wellbeing; they will always worry as they watch their children head straight to the destruction that comes with living life. Though the good parent will try their best to teach their child how to ride their bike into adulthood. This poem uses imagery, word choice, and metaphor to express the fears a parent has when sending their child out on their own into the world.

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

What do you know about the Great Depression? Harper Lee’s To Kill a Mockingbird takes place during this time, giving you more of an understanding of how life was. Lee took time using figurative language, characterization, and symbolism to help develop a theme. In To Kill a Mockingbird, symbolism creates the theme of, “It is wrong to hurt the innocent.”

In the poem the speaker tells us about how his father woke up early on Sundays and warmed the house so his family can wake up comfortably. We are also told that as he would dress up and head down stairs he feared ¨the chronic angers of that house¨, which can be some sort of quarrel between his father and his mother in the house. This can also lead the reader to believe that the father may have had been a hard dad to deal with. However the father would polish his son's shoes with his cracked hands that ached. This shows the love that the father had for his son and now that the son has grown he realizes what his father did for him. The sons morals and feelings have changed him because as he has grown to become a man he has learned the true meaning of love is being there for one's family and not expecting it to be more than what it is. Consequently this teaches him a lesson on how much his father loved him and how much he regrets not telling him thank

The whole second half of the poem is one giant extended metaphor!  Wilbur compares the difficulties of growing up those of an ‘iridescent creature’ – a ‘dazed starling’ that in spite of difficulties, ultimately flies free.  It serves as a metaphor for life’s ups and downs.