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Film Analysis: Even The Rain

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In Even the Rain, director Icíar Bollaín presents a dazzling, multifaceted critique of the exploitative and hypocritical nature of the film industry - drawing parallels between both the self-serving actions of multinational corporations in the 20th century, and the avaricious conquistadors who landed on indigenous shores five centuries prior. The film’s main characters, Sebastian and Costa, are movie directors, seeking to critique the widely-held but uneducated belief in Christopher Columbus as a benevolent figure, as the discoverer of the ‘New World,’ by cinematically showcasing his barbarism. Furthermore, by showcasing the film crew’s general callousness towards their indigenous extras, and their fixation on their film as standing above pressing …show more content…

For example - in a scene where the Spanish are monitoring indigenous extraction of gold from a Bolivian river - Columbus and his fellow conquistadors are depicted in the film as warriors of the crown - soldiers of the king’s army, militia men, both thoroughly and uniformly equipped with chainmail and plate armor, donning sharp soldiers with engraved scabbards. This myth of king’s army, sent to conquer the new world is not historically accurate - the “archetypical conquistador was not a soldier in the armies of the king of Spain,” but instead, a majority of conquistadors were opportunists, who were not regally armed, but instead “armed as well as they could afford.” Conquistadors, especially in the early colonial period, the time period Costa and Sebastian aim to present, were more so an incongruous, “motley bunch of individuals,” then an organized, fully-equipped militia like the movie depicts. Supplying this subtle error, Bollaín begins to intentionally critique both the accuracy and intention of the greater film industry’s depiction of colonial history.
 Continuing, Bollaín illuminates how the film industry, by depicting the swift subjugation of the indigenous population through a narrow lens, unintentionally positions itself

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