The Banksy, triumphed multi-award, and 2010 Sundance Film Festival winning documentary, “Exit through the Gift Shop” gives an interesting insight of the underground and unknown world of street art and viewing societies understanding of modern art. The documentary trails the life of a curious French immigrant Terry Guetta, who has a passion for filming everything in sight from his family to local street artists. Following these street artists such as Shepherd Fairey and eventually Banksy himself around for most his time, he developed an interest in the art scene. As a full time accomplice, Terry Guetta later develops into this premature artist by using and being inspired by the famous art of others. The documentary early on sparks the questions of what is art and who poses the authority to define good art? The documentary effectively portrays the meaning of art and its aspects through emotion, attitude, and true artist reflection. The film begins with Banksy introducing Terry as a well accomplished business man with some odd behaviors and a minor obsession to his camera. Thierry by luck encounters his cousin in the mist of his creation of street art and this is essentially where the audience learns about the culture of street art and its …show more content…
The film persuades the viewer into thinking art is a form of expression with a significant meaning or value such as street art. It shows that it is not simply vandalism. To prove certain graffiti pieces is art, Shepherd Fairey in the film repeats a black and white portrait of André the Giant. The meaning behind this piece is for people to think outside the box and not follow the status quo. Society only sees the finished result not the process of dedicated street art. The artists in the film create drawings and characters that represents people in our society or direct message of our faults. People misjudge graffiti instead of accepting it as art created in the
Based off Charles Webb’s 1963 novel by the same name, The Graduate is an American romantic comedy/drama released in the United States on December 21, 1967 starring Dustin Hoffman, Anne Bancroft, Katharine Ross, and William Daniels. The film was directed by Mike Nichols, produced by Lawrence Turman and the screenplay written by Buck Henry and Calder Willingham. The film was produced by Lawrence Turman/Mike Nichols productions starting in March of 1967. Mike Nichols has also directed other well known films such as Catch-22 (1970), Working Girl (1988), and more recently Closer (2004). The film was distributed by AVCO Embassy Pictures nationally and United Artists internationally. AVCO Embassy Pictures studio, founded by Joseph E. Levine, the films executive producer, also claims production/distribution for other hit films such as Godzilla, King of Monsters! (1956), The Fog (1980), and Prom Night (1980). The movie was well received due to its $104 million dollar box office opening tab. The score was produced by Dave Grusin and the songs written by Paul Simon and Art Garfunkel.
This movie took place after graffiti had been so staunchly looked down upon. Craig Castleman supports this in his article “The Politics of Graffiti”, when he goes through
In the 1980’s the art world was gifted with the artist Jean michel basquiat. Basquiat, a man who lived two contrasting lives as street artist and “fine artist” in the art punk movement of the 1980’s. His work as a street artist was full of poetic and provocative messages painted in the streets of Manhattan New York, and his work as a “fine artist” did the same on gigantic canvases with looming figures in bold colours. Regardless of this dichotomy, his work in both of these practices has the ability to bring light to issues he and many others were facing and are still facing now. In particular, Basquiat’s work brought light to his personal experience with racism and struggle with otherness in and outside of the brutal art world. The next paragraphs will discuss how Jean Michel Basquiat delt and fought the oppressive systems of his time through his art.
Do you think the contribution of "Exit through the gift shop" movie, which releases in 2010 by Thierry Guetta helps to change people’s thought of street art? Furthermore, according to the film, Banksy and Thierry are face a dangerous situation, have a different identity and different experience and talent in street art.
“Street art is omnipresent in urban streets and is a rish source of inspiration for artistic creativity. . . It possesses the aesthetic voices of the ordinary and enables resistance for the marginalized. Banksy’s street art, in particular, can guide students to think about various social and political issues and to reflect upon the immediate, if not unjust, world in which they live, to transform that world, and to
The entire interview was intended to a specific audience – artists. Thus, ethos was a vital technique to establish the speakers’ credibility in their commentary about the art industry. Both Wiley and M.I.A are recognized artists in their particular fields. At the onset, their credibility as artists and thus, critics of the industry are well established throughout the interview. By narrating a wealth of experience in working with different artists from different countries, their thesis about the death of art in New York is strengthened. By reputation, both artists are multi-awarded. Wiley is a Yale educated portrait painter whose work has been cited for its unique fusion-style rendering of African-American men in heroic poses. He is recipient of the Artist of the Year Award from
The graffiti aspect the filmmakers
While the film tries to divert our attention to Thierry it still manages to comment on the realities of street art and the artists behind it, which feels authentic.
In this paper, I will write about “Thelma and Louise” (1991) movie. I choose a last scene of the movie which the police came to arrest them in the Grand Canyon (from 122 to 125 minutes).
Banksy is the unidentified mysterious artist that for the last twenty years has been vandalising walls across the world with imagery that is known for its ability to capture an audience with a profound and methodical phase or statement. Banksy’s work aims to confront society with the issue faced in today’s culture and challenges the viewer to justify their action. Banksy produces artwork that forces an audiences to think and question themselves and the world they live in. Although Banksy’s true identity is unknown, his artistic style is easily found in his artwork alongside his signature.
The nature of Banksy’s work is iconoclastic in the way he blatantly designs images to rebel governmental authority or depict the failings of
Art is a persons’ opinion. The definition of art is the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance. There is no real definition for what is beautiful or appealing to the human eye. Banksy is said to be an artist by some and a graffiti lawbreaker by others. Basically, it is up to the person to define Banksy as someone who is doing the right thing verses doing the wrong thing. Banksy creates his graffiti pictures to make a stand for what he believes is the right way to look at controversial issues. Some people may not like Banksy’s graffiti because they do not have the same views as him. Some people might
In today’s society, is the media mirroring our behavior, or are we mirroring the media’s portrayal of us? That question was posed in the documentary “The Merchants of Cool”, narrated by Douglas Rushkoff. This program examined the teenage culture and how the media is used to manipulate and portray our generation. With examples from Sprite, MTV, WB, and other massive media outlets, evidence is shown that our media-teenager relationship is tainted with sex, music, rebellion and a broad image of what it is to be “cool”. Most of the images portrayed of teenagers aren’t the best. With TV shows such as “MTV Spring Cruise”, teenagers are shown as sex-driven, reckless kids. TV corruption is just one of many examples of the blurred line between reality and perception in media and advertising.
Banksy is a very renowned street artist who keeps his identity unknown. His artwork is portrayed by “striking images, often combined with slogans, [which] engages political themes, satirically critiquing war, capitalism, hypocrisy and greed” (“Banksy Biography”). He first started his bold street art in Bristol, his hometown located in London, but quickly spread to the United States of America. In the U.S., Banksy targeted the most populated cities; this was due to the fact that it was easier for him to spread his messages. With a crowded location, his lessons will extent over an audience much quicker.
Jean-Michel Basquiat emerged from the punk scene in New York as a street-smart graffiti artist. He successfully crossed over his downtown origins to the international art gallery circuit. Basquiat’s work is one of the few examples of how an early 1980’s American graffiti-based could become a fully recognized artist. Despite his work’s unstudied appearance, Basquiat very skillfully and purposefully brought together in his art a host of disparate traditions, practices and styles to create a unique kind of visual collage. His work is an example of how American artists of the 1980’s could reintroduce the human figure in their work after the wide success of minimalism and conceptualism.