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Film Analysis: Far From Heaven

Decent Essays

– 2 : The segments I have selected from Far From Heaven depict the overall tension and constant sexual repression of Frank who recurrently fights his homosexuality, regarding it as thought it was a mental illness. The techniques Haynes uses to demonstrate this are rooted in colour and lighting. His palette is carried out throughout the film and he makes use of the colour green to give off a nauseous and abnormal look that first appears when he attends a gay bar and this part is filmed with a Dutch angle. Such uneasiness and dismay are suggested in this framing technique. The bar is entirely green and Frank is very meek and covert. He is self-aware and knows very well that what he is doing is frowned upon and could damage his life forever. …show more content…

Danvers catches the new Mrs. De Winter in Rebecca’s bedroom. There is a nervous atmosphere throughout the scene that is characteristically gothic. When Mrs. Danvers rubs Rebecca’s fur coat on her heir’s face I felt so much unease. To make matters worse, she flaunts her custom made underwear from the nun’s to Mrs. De Winter and recounts the times Rebecca used to undress and bathe around her. There is so much unease and tension in these shots because you can just see the discomfort on Joan Fontaine’s face and when she is rubbing her hands together uncomfortably. She looks terrified and sick. Mrs. Danvers is also extremely ghostly in this scene and her aesthetic classifies the genre. As light peeks through trees, the bedroom window, and through long drapery, Mrs. Danvers can tell that Rebecca’s hairbrush is moved. By now Mrs. De Winter is attempting to make an escape and before she could reach the door, Mrs. Danvers approaches her and is right in her face when the camera closes in on her ghostly face. She speaks of the dead and has the most terrifying look on her face, suggesting that Mrs. De Winter stay in the room and listen to the sea. The shot is paused and immediately ends when waves are pictured crashing against the

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