Film Analysis: I Am Not Your Negro

Dear White People is a show about black students’ attempt to address and solve racial issues at their predominately white, ivy league institution. Each episode is told from the perspective of the main characters. The point of the film is to communicate a narrative that is not seen enough. The writers rely on stereotypes to certain extents for the purposes of dramatization, but they clearly show how no matter the shade and/or background of the black characters, they are all still directly affected by racism and prejudice around them.

The presentation of a 150 year timeline of Black newspapers: from their roots during the Reconstruction period, to their “deaths” shortly after the Civil Rights Movement through various aids proved the film’s strength. The use of actual photographers, journalists, and editors from the Black newspapers solidified this film’s sincerity; it allowed the people that actually lived through those changes and events to recount their stories. Even when it profiled different people from the past, the filmmakers used voiceovers that fit each character, facilitating the film’s narrative. These qualities elevated the movie and enhanced the understanding of it overall.

The history of African Americans in early Hollywood films originated with blacks representing preconceived stereotypes. D.W. Griffith’s 1915 film, Birth of a Nation, stirred many controversial issues within the black community. The fact that Griffith used white actors in blackface to portray black people showed how little he knew about African Americans. Bosley Crowther’s article “The Birth of Birth of a Nation” emphasizes that the film was a “highly pro-South drama of the American Civil War and the Period of Reconstruction, and it glorified the role of the Ku Klux Klan” (76). While viewing this film, one would assert that the Ku Klux Klan members are heroic forces that rescue white women from sexually abusive black men. Griffith

Let's face it: The entire story of the United States of America has its dark chapters, passages it does not want to repeat -- not ever.

In the short film, “The Negro Soldier,” the whole focus was to get African Americans to join the military. With the use of propaganda, the U.S. government hoped to promote getting African Americans to want to fight for their country. It hoped to instill patriotism in them. It showed that Germany and the Nazis had no respect for them and considered them the scum of the earth. It also portrayed them being accepted as equals into the American society. It was used to make them think they were wanted and play a major role in the success of the war against germany. And to ultimately make Germany and the Nazis look like the bad guys (destroying their monuments) instead of the racist America they lived in. It also portrayed African American soldiers prior contributions in previously fought wars as pivotal moments in American history. It made it seem like they were the reason for those victories. It also explained how the African American soldiers were honored with tributes, memorials, medals and parades for their service in the military. In the ongoing WWII, it was said that there were three times the number of African Americans soldiers in WWII than in WWI. Also, many more were getting commissioned and attending West Point and OCS (Officer Candidate School). African American men that were once printers, tailors, entertainers are now soldiers in the Army as gunners, tankers, radio operators, mechanics, quartermasters, and infantrymen. They were now the backbone of

The Film I Am Not Your Negro is a 2016 Documentary that depicts the key events of the 20th Century African American History. This documentary was inspired by James Baldwin’s thirty-page unfinished manuscript. The manuscript was going to be his next project in which he called Remember This House. The manuscript was to be a personal explanation of the lives and successive assassinations of three of his close friends, Medgar Evers, Malcolm X and Martin Luther King, Jr. Unfortunately, in 1987 James Baldwin passed away leaving the unfinished manuscript to be forgotten, well that is what some thought. Now master filmmaker Raoul Peck envisions the manuscript James Baldwin never finished. The outcome is a fundamental examination of race in America, using Baldwin's original thoughts and materials to make the project possible. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of Black Lives Matter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for. Though this is the main thought of the documentary there are many key features that make this film much so about whiteness in American History and now.

“I Am Not Your Negro” displays the adversities that Black Americans face in American society.

Tim Wise’s film “White Like Me” is an educational documentary about racism and white privilege. The film begins with Wise’s personal story on how he learned the importance of race at a young age after attending preschool at Tennessee State University, a historically African American college. Being one of the only Caucasian students and being taught by predominantly African American administrators, allowed Wise to gain respect for African American authority figures which ultimately made a huge difference in how he came to see the world. Throughout the film, Wise expands on his personal encounters with race while incorporating interviews with scholars and candid comments from white students discussing their opinions on some heavy questions

The film grants audiences to gestate their understanding of the movie and the manner experiences antiquated regarding racial violence and prejudice. The ineptitude of history implies to the intellectual chattels that chronicles and culture can have on all progeny. Malcolm Little would ultimately revolutionize into his worst adversary, that entangled with the decisions he would subsequently make. Malcolm's philosophic mentality and provocation with death was indicative to his life. The remarkable depiction in the film pronounced the indubitable fortitude and essence of the audience.

The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun.

The Abolitionists shows a long journey of ending the slavery. How they fought for the freedom for slaves and how they scarify what they had in the way of the human being equality. This documentary helps people to think about the long process that some people toke and they put their life in danger everyday by speaking against slavery. They main point of this story is in these people: Frederick Douglass, William Lloyd Garrison, Angelina Grimke, Harriet Beecher Stowe, and John Brown. Angelina Grimke was from a famous family in South Carolina. Each member of her family had their own slave but Angelina broke slave owning from her family. She was thinking that slavery is sin and God will punish the person who has slave. In 1829 she moved to North and she

Movies and entertainment outlets speak volumes about the current state of a nation’s culture. Cinematic creations in the United States allow small voices to be heard and controversial issues to be addressed. However, a repetitive and monumental issue continues to be addressed, yet continues to persist in our 21st century culture, racial inequalities. Since the inception of the United States, black men and women alike have been disenfranchised at the hands of the “white man” in America. Instead of continuing the conversation today, the issue is continually silenced referencing the successes and achievements of the Civil Rights Movement in the 20th century. Nonetheless, an unfortunate reality looms upon this great land; racially based systems and structures continue to exist in 2015 the in United States. This paper synthesizes three films focused on racial inequalities in different time periods. Separate but Equal (1991), Selma (2015), and Crash (2005) illustrate how influential the Civil War amendments are, while serving as an uncanny reminder of how the racial prejudices during the 20th century continue to exist in our great nation today. Needless to say our nation has made great strides, but still has a long way to go.

The movie «12 Years a slave» is based on the book «12 Years a Slave» by Soloman Northup. It's his life story of how he got lured in a trap and kidnapped in 1841. It's about how he was sold into slavery in the south, and what happened during those 12 years a slave .

The film 8 Mile, directed by Curtis Hanson, is the typical American story of struggle and the eventual overcoming of obstacles and evil. Upon closer look, the film is arguably a socioeconomic and racial discourse. It focuses on the ascension of Marshall Mathers into the rap industry, previously dominated by African-American males. Rabbit’s race, gender, and class, all contribute to his identity and the meaning of the film, as well as contributing to Eminem’s image. Several themes are defined through the movie’s underlying discourse of race and class: the commodification of black culture, racial opposition, “passing”, cross-cultural bonding, white heroism and white masculinity, the reversal of white privilege into a disadvantage, and

The film reminds us that “slavery and its aftermath involved the emasculation-physical as well as psychological - of black men, the drive for black power was usually taken to mean a call for black male power, despite the needs of (and often with the complicity of) black women. That continues to result in the devaluing of black female contributions to the liberation struggle and in the subordination of black women in general.”4