Film Analysis: Night Of The Living Dead

The article “Dead man still walking: Explaining the zombie renaissance” by Kyle Bishop is about the revitalization of the zombie genre. The article talks about the inception in the late 1960’s, the category of zombie films has had its roller coaster ride of ups and downs, starting with its decline in the early 1980’s with the release of Michael Jackson’s “Thriller” video. Furthermore, during 1990’s, due to the shift in the cultural consciousness that came with the Clinton Administration and the countries isolation from global tragedies, the popularity of these films continued to decline. Cultural consciousness refers to the understanding and awareness a shift in feelings, sensations, thoughts, of not only our own culture, but adjoining cultures.

The article “It’s Not Like Just the Wind That 's Passing Through” was published by R.H.W. Dillard to the Film Journal in 1973. Dillard is an author and had published 4 books of poetry, two novels and a collection of short fiction stories. Throughout the article, it is best to say that Dillard argues about how George Romero’s movie Night of the Living Dead (1968) has no special meaning nor purpose from the zombies and the movie itself. Also, based on his article, he describes the movie as a whole as “ordinary” followed by examples and his overall reason. As mentioned in the article, he described the movie as “merely ugly and cheap” which I’m assuming he didn’t like the movie. The way he compared the movie to “The Lone Wolf” and “Rosemary’s Baby” made me think he didn’t like Night of the Living Dead in general while he criticized some elements of the movie. Although, I agree with Dillard’s point in the plot for the fact that after struggling for survival, they all lose in the end, and how the characters are who they are and just aren’t as special as they’re seen to be looked as “ordinary” people. However, I wouldn’t agree with Dillard’s point in trying to compare the movie Night of the Living Dead to other films, such as Rosemary’s Baby and The Birds.

Night of the Living Dead follows this story line. George A Romero saw zombies as what they were, the living dead, meaning that they were dead, and dead things cannot talk. Instead, he developed the zombie communication of grunts and groans. These were effective in such a way that it made the film so much more realistic.

Low angle shot, where a camera points upwards from below, generally make people or things look bigger, more courageous and important. However, same angle shots sometimes will be chosen to emphasize different effects in one film. In the movie “Night of the Living Dead,” the director George A. Romero uses low angles for different purposes.

Reading through the whole essay, there are many appealing strategies found in order to strengthen the essay academically. Brooks attracts the audience with a pathos-style strategy, giving specific movie examples to straighten up the essay. The movie Night of the Living Dead resonates the viewers with an image of a flesh-eating and harmful zombie figure instead of a harmless voodoo-created zombie, which makes the notion of zombies transformed into a horrifying figure, provoking the sense of fear of audience with emotional appeal. The revolutionary creation of zombie film was led by George A. Romero, the father of the entirely new horror genre. In his work, zombies are characterized as a form of undead

In the film, Night of the Living Dead, the movie starts with two siblings, John and Barbara, driving to their father's grave to drop off flowers. John is reluctant to be there and is eager to leave while Barbara is trying to pray. John teases her like when they were children saying “They’re coming to get you, Barbara!” when they both see an unknown man. Barbara goes to apologize to the unknown man but it seems he is dazed and kills John. Barbara escapes and finds herself at an empty house. In the house, she meets Ben, who borders up to the windows after taking down 3 undead. After a bit of listening to a radio for the current status of the state of emergency, Harry and Tom come upstairs. We learn that two men, two women, and a child had been in the basement of the house during Barbara’s and Ben’s struggle with the undead. After much argumentation on if the basement or upstairs was safer between Harry and Ben, Harry went back downstairs to his wife and child. Tom and his wife, Judy, stayed upstairs with Ben believing they could properly border up the windows together. After much convincing from Helen, Harry’s wife, Harry and she join the others upstairs. While listening on the radio, they are given more updates of the state of emergency. The radio announcer suggests instead of staying in place, to now go to one of the designated “safe areas”. When places are announced, Tom says that one of the

The foundation of horror genre was set by monsters that not only haunted your dreams but also conveyed rich themes found deep beneath the surface. Vampires are considered a symbol of seduction and sophistication while Frankenstein monsters represent misunderstanding, oppression, and rebellion. Some of the strongest symbolism is found in standard films of the horror genre does not come from the frequently updated relics. Utilizing fear and horror as mechanisms for subtext, social commentary, and symbolism, George Romero created a new horror genre, one that scares and shines just as much as great horror classics. Romero’s Night of the Living Dead revolutionized the once stagnant zombie film and made into something unstoppable, still to this day zombie movies rake in millions of ticket sales at the box office while remaining culturally relevant.

1968 was the year that North Vietnam launched the Tet Offensive against the United States and South Vietnam, the year that Martin Luther King JR and Robert Kennedy were assassinated, the year that started student protests and riots, the year that Black Power salute occurred and finally, the year that Night of the Living Dead came out. You may be wondering why a film would have anything to do with these historic events that occurred in 1968. Well, Night of the Living Dead is a zombie horror film directed by George A. Romero, this film that Romero created was a game changer for the film industry it lead to something bigger than purely entertainment. Romero’s goal behind his low budget black and white film was to construct subtext about social issues such as the Vietnam War and many other issues that went on during 1968. Romero’s zombie film’s present a sense of the failure of human co-operation.

First, the living vs. the zombies have an overwhelming conflict with the zombies trying to eat the living in all. The living have to find food, water, ammo and shelter to stay alive. On the general’s

Night of the Living Dead gave the world its first zombie and since then the zombie has not stopped thirsting for human brains.

There has been a resurgence of zombie films in the last decade, ranging from Danny Boyles 28 Days Later to Paul W.S. Andersons Resident Evil. This renaissance of zombie cinema has resurfaced in response to the cultural, political, and social volatility experienced in today’s society, much like its predecessors. A zombie film, unlike other monster movies, plays more with the real-world fears and anxieties, presenting the audience with inescapable realities. However, to understand why this subgenre has been brought back into the mainstream cinema, a comparison is needed across generations of film. This paper will focus on the comparison between George A. Romero’s Night of the Living Dead and Danny Boyles 28 Days Later; in an attempt to show how zombie cinema is a reaction to cultural shocks.

Night of the Living Disappointment. When searching for a skin crawling horror movie do not expect zombie history to be your go to search. “Night of the Living Dead” (1968) is opinionated to be the zombie movie that descended into what we have today, but it does not do this title justice. The audio, sound effects, editing, special effects, acting, and much more can leave you feeling annoyed and regretting the time you wasted watching it. So before you sit down with a bucket of buttery fluffy goodness and expect to watch an old and horror filled zombie tale, take a few minutes to find out why you should not.

The film “Night of the Living Dead” is a movie based on a zombie apocalypse. The film begins with a man named Johnny and a woman named Barbara, with blonde hair, driving four hours from their home to a cemetery. They drive all that way because their father's grave is in that cemetery and their mother wants her children to replace the flowers on the grave. Once Johnny and Barbara arrive at the cemetery and replace the flower Johnny starts horseplaying around and teasing Barbara saying “they're coming to get you they just want your brain.” After Johnny said that a man was wandering around the cemetery and he walked up to Barbara and grabbed her. Johnny then threw the man off Barbara and the man and Johnny started to wrestle. Johnny was knocked out on the ground and the man started to chase Barbara. Barbara was trying to find a place to hide and was running in fear from the man. She finally found a house, so she ran into the house and closed the door and tried finding a weapon. As she was going through the house trying to find help a man named Ben, who is black, walked into the house trying to talk to Barbara and help her. Ben knew how to keep them safe in the house he wanted to board up the windows and the doors so these creatures wouldn’t get in. These creatures looked like humans and walked very slow and weren’t smart, they didn’t talk and just attacked humans by walking at them grabbing them and then biting them. Ben killed a couple of these things while boarding up the

Is it possible to kill an idea when it is undead? Classic movie monsters tend to fade in and out of popularity as audiences grow bored and move on to fresher concepts. But there is one that has risen up and does not seem to slow down: zombies. Zombies have gone from being a small subgenre of horror film to a staple of popular culture across various media. This paper will explore the rise of zombies in popular culture and why it continues to remain relevant.

The popularity and appeal of the undead has greatly increased in the past few years with the rise of the popular television show, The Walking Dead. The show began in October 2010, and is still on the air today. Before the show was created, there were The Walking Dead comic books that were first published in 2003, and continue to be published today with over 148 issues. The fascination did not begin with The Walking Dead, though. Many movies were produced, and many books published before The Walking Dead was even thought of. An extremely influential individual to note is George Romero. Romero is an American-Canadian screenwriter, film producer, film director, and editor. He is best known for his series of apocalyptic films, beginning with Night of the Living Dead in 1968. Romero has been nicknamed the “Godfather of the Undead.” Some other works of fiction and film to note include 28 Days Later, I am Legend, Pride and Prejudice Zombies and The Zombie Survival Guide, also by Max Brooks. Our cultural fascination with “the return of the dead” can be traced back to the events and the general morale leading up to World War Two, and the atomic bombings of Hiroshima and Nagasaki in 1945.