Film Analysis Of Belle Epoque

In this essay, female oppression in La Casa de Bernarda Alba will be discussed and analyzed. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s.

Chopin was a southern feminist writer who often related her stories back to the issue of discrimination across genders. She uses symbolism to analyze the gender roles of inequality between men and women in society. In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a phallic symbol of firm, forced male dominance in a patriarchal society. Throughout the story Desiree is submissive to her husband and obeys everything he says even when Aubigny sends her and the child away. Desiree left wearing a thin white garment and slippers and as she walked the sun beamed down giving off a radiant, golden gleam from her long, brown hair. Chopin uses Desiree's white clothing to symbolize the feminine element being introduced into society and the sun's shining rays seem to represent the shifting of power roles among genders. Chopin demonstrates the rising power of women in society and the establishment of equality among genders.

Julia Alvarez’s novel, In the Time of the Butterflies (1994) centers around the lives of the four Mirabal Sisters who courageously brought acknowledgement to the inhumane and brutal actions of Dictator Rafael Trujillo and the treatment of women in a society where they were seen as property. In the 2001 film adaptation directed by Mariano Barroso, the film mainly centers on Minerva Mirabal, the outspoken and rebellious sister. Despite bearing some minor similarities, there are more differences between Julia Alvarez’s In the Time of the Butterflies and Mariano Barroso’s film – both author/director start the story of the sisters in different ways, in the novel the reader is able to see all of the perspective of the sisters instead of only Minerva’s,

Within the film, Ma Vie en Rose (Alain Berliner, France, 1997) we are encouraged to sympathize with the main character, Ludovic (Georges Du Fresne), a seven year old boy that insists that he is actually a girl. The importance of viewing this movie and being able to identify with the character of Ludovic shows us as an audience the absurdity of gender norms, while simultaneously encouraging us to have a more empathetic viewpoint in regards to such topics.

Suicide affects many all around the world and suicide rate keep increasing, making suicide a growing concern. In the film Cake, the main character Claire Bennett develops an odd fascination with the suicide of a woman from her support group. In this paper, I will focus on Claire.

The marginalization and isolation found in the suburbs of Paris are the results of 20th century postwar Paris failed urban planning. City officials attempted to reconstruct Paris into a higher functioning city based on models of other metropolitan communities; using designs that broke the city into sections. As a result, urban planners created separation between classes, which produced a loss of connection and identity for immigrant families. That class division became a breeding ground for hostile attitudes, stereotypes, and generations of poverty in the suburbs. These increased tensions centered on race and wealth are today modern Paris’s most pressing issues. The flawed urban planning that gave birth to the suburbs created what Prime Minister

Now that Monica has the dress and heels Alvarez describes this girl to looked dolled up as if she was a princess. This raises problems because princesses have no power within a monarchy. The father often decides when she is ready to become a woman and pays a dowry for her to go to a new dynasty. This is also ironic because on top of the tradition and ritual of dressing up like a princess. Monica Ramos’s themes are Disney Princesses emphasizing the entrapment of the girl into womanhood even more. This raises even more questions about what it means to become a woman.

Individual’s identity can be formed through significant events but these events can also change and create a new identity. In the film ‘The sapphires’, Kay is introduced as a victim of the stolen generation which changed her life and her identity as she grew up believing she was white. This is evident in the scene where they show Kay with other girls in her apartment in Melbourne. The use of middle angle shot allows the responder to see Kay being assimilated into the white culture which juxtapose the difference in clothing, where and how they live and the way they speak between Kay and Gail and her sisters. As the film progresses, we notice the change in Kay’s identity as she feels the need to identify herself a black. This use of close up

Mathieu Kassovitz’s La Haine captures one day in the life of three young ‘outcasts’ from a French banlieue. French banlieues, or suburban outskirts, tend to emanate images of deviance, violence, and disorder among the majority of France. The film forces the viewer to acknowledge the marginalized others who are usually denied the right to represent themselves. La Haine challenges hegemonic conceptions of France’s imagined geographic identity, by exposing just one of the ways in which its society is actually segregated.

The United States has become one of the largest empires in the world for the production of agricultural products. In order to keep the rapidly increasing demands of the consumer met over the past sixty years technology has had to revolutionize itself from the inside out. According to the United States Department of Agriculture, the “Averaged annual U.S. retail Choice beef price ($/lb)” has doubled since the early 2000’s. History has shown that there is a wide obsession around the idea of cheap and easily produced food. It is also suggested that the techniques and practices used for this intention are making substantially negative impacts in our societies. Fresh is an important documentary film by Ana Sofia Joanes that highlights multiple

The dress that she wears in the older version is crimson, and does not make her look as beatific as the winged outfit that she wears in the later version. Also, as her dress in the later version, it gives off an aura of purity and innocence, one that even her own parents are unable to penetrate with their rules and regulations.

Twenty-two veterans a day, every hour kill themselves. On January 25, 2016 my cohorts and I were afforded the opportunity to take a sneak peek into one of the only crisis hotline centers in the United States. This call center receives about 22,000 calls a day. The firm Crisis Hotline Veteran’s Press One allowed us to see how counselors deal with their crisis calls. The film gave me a new found respect for those professionals working in the crisis hotline arena. The film lets us hear different story’s from counselor’s working in the crisis center. These stories were told from the counselors’ point of view.

The film, Poniente clearly demonstrated the issues of race and class within Spain. All throughout the film, aggression from the local Spanish residents was seen towards the migrant workers. The workers, many of whom were from Morocco or other parts of Sub-Saharan Africa, were underpaid for their labor, threatened, verbally and physically abused, and thought to be easily replaced by their employers. Said, for example, nearly bought his own place to live, but the landlord rented it out to someone else, most likely because of race. All these acts of violence cumulates and results in the final scene of the film; where the residents riot and attack the workers, thinking they had set fire to the greenhouse.

The greatest misfortune is to be born into a family who is too ashamed by the look everyone can see but the same family only claims to be as equal everyone else because the name she carries. Racial division in 18th century England, she became the first black aristocrat in the house of Kenwood in England. Directed by Amma Asante and written by Misan Sagay, “Belle” tells the biography of the illegitimate mulatto daughter of a Royal Naval captain of the British Army Sir John Lindsay, who was raised in luxury, richly educated, becomes the father of Dido Elizabeth Belle Lindsay. “Belle” creates is fascinating creation where characters who are legitimately impaired on an opinion over the value of human life can actually be valuable no matter the

[i]One day into the conflict, the Basileusa decided to make a personal statement. Unlike most other occasions, this time she wore no crown. She had indeed pledged that she would appear in 'ordinary' clothes until the end of the war. Well... 'ordinary' is nevertheless quite a thing for a Basileusa so conservative...[/i]