Film Analysis Of Blackfish

The controversial documentary Blackfish, directed by Gabriela Cowperthwaite rose to popularity four years ago in 2013, when it was released. Blackfish tells the stories of killer whales, or orcas, that were caught and kept in captivity, and the effects that arose due to their capture. The documentary focuses on Tilikum, an orca caught in 1983, who was kept in captivity in SeaWorld Orlando since his capture for 34 years. Blackfish does an excellent job in using all three rhetorical appeals, providing many real life examples and statistics, to defend their argument that orcas should never be captured or held in captivity.

Blackfish shows all of rhetorical situations throughout the documentary. The rhetor in Blackfish is Gabriela Cowperthwaite, the director. The audience is Sea World customers or potential customers. The purpose of the documentary Blackfish is to inform people on how damaging mentally and physically it is to keep an orca whales captive. The exigence in this documentary is that holding killer whale’s captive and it is very dangerous mentally and physically to the whale, but also can be dangerous for the workers. The constraints in Blackfish is that the film may appear to be slightly biased against SeaWorld, making the audience see only one side of the issue. The affordances are you get to see live footage from the harmful attacks and listen to real life stories that people that witnessed it. Cowperthwaite goes on and appealeed to Pathos, Ethos, and Logos to create awareness on the harm of keeping killer whale’s captive.

Blackfish is a documentary centered around the treatment of killer whales held in captivity, most notably that of Tilikum, an orca that was held by SeaWorld at its facility in Orlando, Florida. The documentary begins in 1983 with the capture of Tilikum and sheds light on the deaths involved with the infamous killer whale. Moreover, it features interviews with former SeaWorld employees who interacted with Tilikum and witnesses who were present for some of Tilikum’s reported attacks. Jeff Ventre, a board-certified medical doctor and former SeaWorld Trainer, and John Jett, a marine mammal scientist are also brought onto the documentary to analyze the scientific facts presented and to describe it in a way that is easily understood by the viewer. In the documentary, there are many examples of rhetorical devices used to provoke the viewer to stand against the captivity of killer whales.

Anderson’s “Orca Behavior and Subsequent Aggression Associated with Oceanarium Confinement” states that, “a fundamental refocusing of our relationship with orcas is warranted, in favor of a new era characterized by mutual friendship, understanding, and much greater appreciation of these remarkable creatures than has been the case to date” (Anderson). In 1961, the practice of capturing wild orca whales to use for entertainment and educational purposes in amusement parks began; however, the captors knew little about the social complexity and strength of orcas. During this time, investors saw this magnificent animal as the proper investment to allocate revenue during the boom of amusement parks. After nearly forty years of orca captivity, researchers begin to unravel the nature of orca whales, and scientists now raise the question of if these powerful and intelligent mammals belong in captivity. Captors argue that captivity provides insight on a species is nearly impossible to study in the wild and promotes respect for the species. Activists and scientists plead that due to scientific data it is senseless to hold captive such a highly intelligent animal. Although activists and scientists create a convincing argument against orca captivity, millions of people flock to see orcas in captivity proving that

In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be

Gabriela Cowperthwaite’s activist documentary, Blackfish, spurred a significant public dialogue following its 2013 premier. The film centers on the role of Tilikum, an orca whale at SeaWorld, in the deaths of three SeaWorld trainers, including, most recently, Dawn Brancheau. Cowperthwaite follows a suit brought against Sea World by the Occupational Safety and Health Administration (OSHA), weaving together testimony of scientists, former trainers, and family members of the deceased, among others, to make a compelling case against SeaWorld’s practice of holding and performing alongside orcas. Nevertheless, after its release, the film drew criticism from some of its participants as well as Sea World itself. Cowperthwaite claims not to have tried to vilify SeaWorld. However, this claim seems dubious given the film’s fairly evident anti-SeaWorld bias.

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

Black Fish uses the death of a recognized Killer Whale trainer at SeaWorld, Dawn Brancheau who was one of Tilikums trainers thorough his twenty years in captivity, almost as a framing device to explore the theory that possessing Orcas in captivity is corrupt and unnatural for the whales. In Black fish, there are many different tragedies that went on while the Orcas were in captivity. Fisher men separated the young from the mothers and took them into SeaWorld. Many of the workers were unaware of all of the immoral actions they were taking part in. Tilikum was the Killer Whale that ended up killing Dawn Brancheau and causing a stir in SeaWorld. Having Orcas in captivity damages them but, the trainers were scared to leave because they want to continue to care for the whales. There is a relationship shared with the trainers and the whales yet it is obvious that very little was taught in the SeaWorld industry about these intelligent mammals.

With all of the incidents and interviews provided in the film, my interpretation of what the Filmmakers purpose was to provide evidence and information explaining why there are so many deadly killer whale accidents. Viewers can take away enough information from this film to make their own opinion on Sea Worlds captivity of killer whales. The filmmakers of blackfish pieced together Tilikums story with different film footage, interviews with trainers who know Tilikum the most, and expert testimonies. It creates a great set up for their claim about captivated killer whales used for entertainment.

Documentaries are a form of genre in the film industry that aims to discuss a certain topic in the world, often trying to prove a point or persuade the audience towards a particular cause. The cove (2009), directed by Louie Psihoyos, is about the annual dolphin slaughter in Tai Ji that happens every year in Japan. It shows the ventures of the activist Ric O’ Barry who tries his hardest to expose the injustice within the industry. Blackfish (2013), directed by Gabriela Cowpertha is about the captivity of Orca Whales in public wild life parks such as Sea World. Very much like The Cove, Blackfish attempts to expose a certain dark side of what seems to be a harmless company and show the world that captivity can be dangerous for whales and even

Ideas that are powerful effectively influence and evoke cognition of the audience, hence composers aim to present powerful ideas in their documentary. Blackfish is a documentary which concerns the captivity of Tilikum, an orca held by SeaWorld involved in the deaths of three individuals, and the consequences of keeping orcas in captivity. In the documentary "Blackfish" composed by Gabriela Cowperthwaite, the idea of animal cruelty is explored. Through various documentary and cinematic techniques and emotional appeals, Blackfish exemplifies their argument and engages its audience in the discussion of the Marine Park industry and the effect of animal conservation.

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

Killer whales, also known as orcas, are the largest member of the oceanic dolphin family. In their natural habitat, killer whales have been described as docile and majestic creatures. Killer whales are known to travel in pods that are composed of matrilines. Matrilines are groups of whales connected by maternal descent. Relationships between killer whale calves and their mother are extremely close knit (“Behavior”). Beginning in 1965, SeaWorld – a marine zoo, began capturing whales from the wild to perform in shows for park visitors’ entertainment (“10 Things You Didn’t Know”). In the documentary Blackfish, director Gabriela Cowperthwaite urges and reassures audience members that keeping these large creatures in captivity is a horrible thing that is dangerous for both the whales as well as the humans that interact with them. To accomplish this persuasion, Cowperthwaite employs the use of rhetorical devices ethos, pathos, and logos to solidify her claims.

The documentary starts off with a violent attack in 2010 on the parks most experienced trainer Dawn Brancheau, Dawn was dragged into the water, mauled by the 5000-kilogram orca Tilikum. Dawn’s story was the called ‘premise’ of the documentary, that is the scenario and question that drives the action of the documentary. The question is, why would a highly intelligent animal bite the hand that feeds it? The rest of the documentary explores different situations of Orca attacks in the sea park industry as it attempts to determine why these attacks are more frequently becoming a regular occurrence throughout today’s day and age. They explore this through researching on what the orca’s life was like before