Film Analysis Of The Film 'MoBetter Blues'

Working out conflicts face to face can and cannot make a difference in resolving the problem.“These face-to-face interactions build trust, understanding, and a real sense of a shared mission, and this has made all the difference in the world.” This direct quote from Forbes.com explains how this specific way can improve how the world communicates to each other. Many people will disagree with the previous statement, but it is just one of the basic elements of the social system. Admittedly, not everyone believes in face to face interaction. People can choose whichever side they want to, but people can solve their problems by talking to somebody.

This allows the scene to create greater tension with the use of darkness diverting the audience expectations. For the camera movement, firstly it is a long shot to show the location and they are going to fight, and then it use a lot of close up, over shoulder and extreme close up to illustrate how they fight with using different Kong Fu and weapons, during they are fighting, it also has some bird s eye view shot to show how intense of their fight, because it also show the ground fault of the weapons and the struggle traces shows the suspension. As a distinctively visual technique, audiences are able to feel the suspense. The way in the shooting, the director Ang Lee has done all the details in every possible way. In the light text effect, he spent most of the low key lighting to keep the mystery of kung fu; the lens shooting, he spent a lot of The third-person perspective and two shot make the audience appreciate the traditional Chinese martial arts, and he can also take care while a lot of details, such as eye contact play against the two sides, the audience can understand the meaning of what they want to say without the dialogue. The scenes is showing a back and forth between two characters staring at each other, then that is most likely the use of the shot-reverse-shot technique.

Another technique Lee uses throughout the film is treating cinema as a visual experience through the eye and also through the gaze. He sets up the film in such a way the objects seen in the movie were really present, while these objects are also used for symbolic construction, building a relationship between the spectator and the screen (Elsaesser 100). Lee also uses the strategies of alienation and identification throughout the entire film which further helps engage the audience’s emotions and makes them think throughout the film about what is the right

Lee manages to incorporate almost every black stereotype into his movie Bamboozled. The different characters portray the different African American stereotypes seen in

The film Rocks with Wings opens with an image of Shiprock on the Navajo Nation Reservation. This geographical formation holds a huge importance in the culture of the Navajo, as it is told that the first Navajo people were carried on a large bird that landed on that site, with the people jumping off and the bird’s wings forming the rock (Rocks with Wings). The site has two different names, with Shiprock being the name that Anglos gave it, while the Navajo called it Tsé Bitʼaʼí, literally translated to Rock with Wings (Rocks with Wings). This difference between the naming of a sacred site for the Navajo people is a signal of a different struggle that they face, the one between preserving their native Navajo culture and accepting more of the white American culture. This battle plays itself out when it comes to basketball being played on the Reservation.

In this paper, a motion picture about a story of a family who was forced to move out of Uganda to the United States will be discussed. In addition, it will be presented the story a couple from two different cultures who fell in love, which brought consequences to both of their families. Also, this paper will discuss about how some people have a hard time assimilating to other cultures.

Casablanca, the crowning achievement of director Michael Curtiz, which was released in 1942, is a film that had to work against the pressing concerns associated with World War II to stay relevant in both cinematic and general audiences. The writing, which was done by Julius J. Epstein, Philip G. Epstein, and Howard Koch, had to be inspirational yet uncontroversial. With actors like Humphrey Bogart as Rick Blaine, Ingrid Bergman as Ilsa Lund, Claude Rains as Captain Louis Renault, and Paul Henreid as the French revolutionary Victor Laszlo, Casablanca has a respectable cast. The movie initially appears to fit the film noir genre because of its smoky backdrops with muted colors,

The film, the Untouchables, was directed by Brian De Palma. It was set in the prohibition era, which was right at the start of the 1920’s. Prohibition can be described as a law that made selling and manufacturing alcohol illegal. By putting this law into effect, it actually increased the amount of crime and violence throughout cities in the US. This was ultimately due to the rise in organized crime, also known as gangs. In the movie specifically, it was centered around the rise of the Mafia in Chicago. By looking at the production of the movie, we can see how during prohibition, the Mafia controls everything and the violence ultimately it leads to.

The story itself was beautifully written by Lang and his wife. It was the first science fiction film ever made, no one had made a futuristic story about robots before, but that’s just what Metropolis was on the surface. Inside it was a story of love, a story of indifference, a story of struggle, it was a human story, and that’s what made it so successful. It was written simply, it was easy to understand yet it told a complex multilayered story. The lighting only brought more emotion and mood to the film. For all the close ups the faces were light very brightly, the natural shadows in the face in contrast with the bright light stressed the state of the characters. The lighting in Rotwang’s lab however was very dark, and there were a lot of shadows, which exemplified the nature of his character.

These characteristics definitely helped the film and didn't hurt it at all, but the distortion was definitely the film's main focus, as it was used the entire time, and was executed perfectly by the director. Derricksons use of these characteristics was able to effectively leave a lasting mark on the movie, even if it wasn't his intention, these characteristics were easily spotted and made the movie better from a movie goers opinion. This film, in honesty, showed even more characteristic but the ones mentioned definitely proved themselves to be the top ones to be mentioned. In conclusion, it's made clear that even in American produced films, German expressionist characteristics can be seen and found even if the intention wasn't to include

The untouchables is a movie based on the true events that occurred when the eighteenth amendment was passed. The eighteenth amendment established the prohibition of production, transport, and sale of alcohol. The Federal Agent Eliot Ness wants to stop Al Capone, who is the top of organized crime. It was a hard job for Eliot Ness because Al Capone with his money bought many policemen, politicians, and other important people, therefore Eliot Ness could trust anyone. Eliot Ness had to choose no more than twelve men to form his squad. The Untouchables were formed by Eliot Ness, and another nine men he picked, they were called the Untouchables because they never accepted any bribes. Al Capone One of Al Capone’s men offered Eliot Ness $2,000 to stop interfering with the organization and an additional $2,000 if he continued to cooperate. Eliot Ness’s plan was to make an impact in the income of the gangsters, so they couldn’t pay for protection. (Biography.com)

A novel choice of shots and angles added to the films value. In the scene where Rocket was stuck in the middle of the gang and the police, it was interesting to see how they chose to use a wide shot to capture the gang’s strength in numbers but a long wide shot was used when show how few police there were. The gang looked so

In this paper, I will write about “Thelma and Louise” (1991) movie. I choose a last scene of the movie which the police came to arrest them in the Grand Canyon (from 122 to 125 minutes).

Perfect Blue is an ultimate example of the “animation for grown-ups”, or anime rated R. In conveys numerous topics and symbols. Through critical perception and national symbols, it exploits the issues of feminity, independence, over-consumerism, appearance preoccupation, personality disorders, etc. The visual of the chase sequence deals with three levels of symbols explored below: a) “evil twin” symbolic meaning; b) personality disorder visuality; c) allusions to thriller representation. The analysis aims at defining the traditional Asian symbols particular to anime expressive features along with media borrowings from Hollywood thrillers’ legacy.

He developed this visual style with legendary film icon, a cinematographer known mostly refer to cameraman. In addition, the stop motion scenes and the way that colors our oversaturation has come to associate with Wong kar Wai film becomes in-stock trading their different visual style involving direct cuts, frames is what amusement in an entire shot in the scene by scene, montage and intense Street camera and foreground which the part of the picture or scene closest to the