Film Analysis Of The Movie Renaissance Man

This paper explores the Movie “It’s Complicated” a 2009 romantic comedy film, based of the novel written by Nancy Meyers. In this movie Jane and Jake Adler are a divorced couple of ten years. They start a secret love affair in New York, at their son’s graduation. While Jake is trying to have a family with his much younger wife, Agnes. I will be looking at if this is a possible mid-life crisis, genetics, or if it a developmental issue of Jake for wanting to be with his first wife, Jane.

Throughout the movie Citizen Kane, Welles uses framing and the visual aspect of movies to bolster the theme he is trying to convey. Perhaps the most striking example of this is when Kane is sitting at the dinner table with his first wife, Emily. At first, the table is a normal size, and the two can have a conversation and live happily. However, as Kane becomes more engrossed in his business and the love of power takes over his life, the table grows to the point where the couple is a whole room's length away from each other. This also shows in this emotional distance and lack of conversation.

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

Macario is a 1960 Mexican film. This film was based on the novel of the same name by B. Traven. This movie was directed by Roberto Gavaldon which was a very well recognized director in New Spain (modern-day Mexico). This ninety-minute film became so popular in Mexico. This Film was the first Mexican film to be nominated for an academy award! This film entered the Best Foreign Language Film. It became so popular that it won its entrance to the 1960 Cannes film Festival. Macario the films’ name, is also the main character in this film. Another main character that is seemed in the film is the death (la muerte). We also have our secondary characters such as Macario’s wife, God, the devil, and some members of the inquisition.

Imagine the world is invaded by aliens. Some of them eat humans, some live among humans, and others live outside of our world. You don’t know it, but many of the people who have shaped our lives and our culture aren’t even human themselves. This is the world of the 1997 film Men in Black, directed by Barry Sonnenfeld. Men in Black is a sci-fi comedy about a group of enforcement agents defending and regulating aliens from invading Earth. But if you take their costume off, Men In Black can be seen as far more than a comedy about space aliens. Under the lens of postcolonial criticism, the film reveals itself to be a veiled, political commentary on immigration. A lens is a way for us to look at a piece of literature in a whole new depiction that we may not have thought of the first time we had read or watched a piece of literature. Through the postcolonial lens, I can see the movie as a biased contrast between the immigrants and the immigration police. Interpreting the movie through this lens allows me to see that the Men in Black are the immigration police, and are considered to be the protagonists of the film. On the other hand, the aliens, or immigrants when looking through the lens, are the antagonists of the movie; The Men in Black protect the US from bad aliens, giving immigration police the positive reinforcement of the brutal evictions immigrants received in the 90s.

The Australian cinema in the 1960’s failed to communicate with the audience due to their lack of promotional messages that weren’t disseminated. Media is formed by cultural, political, economic and social conditions. These influenced or even directed its characteristics and its intended meaning. After a devastating blow to the film industry in the 1960’s, filmmakers of Australia had stopped creating and making quality Australian films. However, the Australian New Wave brought a revival of the Australian film industry during the 70's, 80's and 90’s. It introduced Australian qualities into film, including larrikinism, mateship and a classless social hierarchy. The Castle and Gallipoli confirm, promote and explore features of Australian identity

“Man From Reno”, a bewitching independent neo-noir film, may trap you in its mysteries and moods while transmits all the anxiety and uncertainty that its characters are subjected to. This is the second time (the first was “Daylight Savings” in 2012) that the screenwriters Joel Clark and Michael Lerman join efforts with the co-writer and director Dave Boyle. They were able to fabricate a wonderful story, set in San Francisco, and involving a popular Japanese writer from Tokyo, Aki (Ayako Fujitani), who in the face of a creative/identity crisis, decides to stop writing and vanish during her press tours in the city. After an unenthusiastic meeting with some old friends from college, she stealthily checks into a hotel, where she meets an astute,

The Australian Film ‘The Castle’ released in 1997 explores the life of the Kerrigans, a typical Australian working class family. However, their home is placed in an unusual spot; right next to Melbourne’s busiest airport. I believe that the Kerrigans are positioned by the film as being powerless. My first argument is that the Values, attitudes and beliefs that the Kerrigans follow are not really up to date. They do not have a sense of how the legal system works which adds to their powerless theme. Secondly, the Kerrigans think that it is very easy to stop a big business from taking some land. And finally; the Kerrigans have no real education so they don’t turn out to look formal at a court, they dress as if they are true Australians; Shorts and a T-shirt.

During the end of the 3rd Century, the Playwright Plautus wrote many of the first Roman comedies. A Funny Thing Happened on the Way to the Forum is a musical comedy film adaptation of Plautus's comedies.Set in ancient Rome, many aspects of Roman theatre, including stock characters, were included in the film’s production. While the film is based off of multiple comedies, Plautus's Pseudolus character Calidorus is nearly identical to the film’s Hero. During the time Pseudolus was written, the Crisis of the Third Century led to up to 25% of Roman population being comprised of slaves(Southern). Of the many stock characters Platus included in his comedies, Calidorus/Hero, the son of Pseudolus’s owner and the stock character adulescens, best

The hero’s journey model, (also known as the monomyth), is a pattern of events and characters that appears in most movies, books, tv shows, etc. In this pattern, the hero leaves her/his mundane world, plunges into the unknown, undergoes test and trials, and returns with new knowledge and power. In the movie Citizen Kane, a rich man and a reporter covering the story after his death learns the power and problems with money and greediness. The movie starts with him being given away from his mother, the only truly happy place he would know. A very rich banker “adopts” him, as he has stakes in a mine that was thought to be worthless but turned out to be priceless. His threshold guardians are his conscience, and make him want to return to the

The Abolitionists shows a long journey of ending the slavery. How they fought for the freedom for slaves and how they scarify what they had in the way of the human being equality. This documentary helps people to think about the long process that some people toke and they put their life in danger everyday by speaking against slavery. They main point of this story is in these people: Frederick Douglass, William Lloyd Garrison, Angelina Grimke, Harriet Beecher Stowe, and John Brown. Angelina Grimke was from a famous family in South Carolina. Each member of her family had their own slave but Angelina broke slave owning from her family. She was thinking that slavery is sin and God will punish the person who has slave. In 1829 she moved to North and she

The movie started with a great hook that really lured the watcher in. The lady screaming grabs your attention and makes you want to find out why she is screaming. After that, the hook continues in showing Lennie and George running away from men who are hunting them. This would make people want to see who they are, why they’re running, and who the people chasing them are.

Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that that journey is not the same for every individual. For Charles Foster Kane (Orson Welles), the main character of Citizen Kane, directed by Orson Welles, the path towards riches and a fulfilled life is being well liked. He serves to please others. He strives for that attention. This view cost him his happiness in the end. In this man’s rise and fall through prosperity, Welles shows the futility of striving solely for likeability.

According to Marshall Berman, Modernity is a term of art used in the Humanities and Social Sciences to designate both a historical period as well as the ensemble of a particular socio cultural norms attitudes and practices that arose in post medieval Europe and have developed since in various ways and at various times around the world. (Berman 2010, 15-36)

The film “The Prestige” is one of many masterful Nolan films that walks the line between being a meta film about the film industry, and being focused on immersing the audience in the actual content of the film. At a close inspection, comparisons to the film industry can be seen, but they are not so obvious to distract the audience from the central conflicts that are at the forefront of the film. The subject of the film could most easily be defined as surrounding the topics of obsession or fame. More specifically, the obsession of fame, and the illusion of happiness that fame projects. The main characters of the movie both urn for the fame of being the world’s most successful entertainer, even if for different reasons.