Film Analysis: The Battle Of Algiers

The external thread of foreign armies on French soil and the internal threat to the french revolutionary government , which

In Zack Snyder’s 300, the battle of Thermopylae, the life of the Spartans and the glory of war comes to life on the big screen for all audiences worldwide. The movie, 300, released in 2006 is based on the graphic novel written by Frank Miller, 300. The movie focuses on the use of the Classical past to portray everything from the upbringing of a Spartan to the bravery of King Leonidas and the 300 Spartans on the battle fields of Thermopylae against the mighty Persians. Unlike most Hollywood movies proliferated based on real events, the movie 300, keeps accurate to the novel and the events that occurred in history. Despite the minor alterations and exaggerations such abandoning body armor and over-glorifying the Spartans, the movie still remains faithful to both the novel and history by using the classical past to explore social norms, accurately depict the way of life, events that occurred such as the battle of Thermopylae and the nature of people during 500 BCE.

The narrative of Davis’s monograph and Vigne’s movie has similarities and differences as well. For example, the return of Martin Guerre after eight years to the court in the neck of time is basically the same in both works, but the starting point is different in terms of time and place. The book starts with a detailed background of Martin’s family, their journey from the Basque region to Artigat, and how they adopt the life of the new place by changing their names, changing their customs, and learning the language so that they become like the villagers. On the other hand, the film begins with villages of Artigat and soon with the marriage of Martin and Bertrande in order to capture audience’s attention to be engaged in watching the film. However, the movie’s director ignores all the background of the Martin’s family.

One thing the film did not do so well was an accurate representation of the Arabian people.

Wouldn’t everyone want to defend their country of attacks by rebel soldiers? A far too young boy has seen the world at its worst in Ishmael Beah’s autobiography, A Long Way Gone, Memoirs of a Boy Soldier. Ishmael tells his tale when war hits Sierra Leone, and he becomes a killing machine, overcomes his mournful past, and rediscovers who he is. Literary themes used to show the violence include, the theme of hope, irony, and imagery.

Casablanca, the crowning achievement of director Michael Curtiz, which was released in 1942, is a film that had to work against the pressing concerns associated with World War II to stay relevant in both cinematic and general audiences. The writing, which was done by Julius J. Epstein, Philip G. Epstein, and Howard Koch, had to be inspirational yet uncontroversial. With actors like Humphrey Bogart as Rick Blaine, Ingrid Bergman as Ilsa Lund, Claude Rains as Captain Louis Renault, and Paul Henreid as the French revolutionary Victor Laszlo, Casablanca has a respectable cast. The movie initially appears to fit the film noir genre because of its smoky backdrops with muted colors,

Colonies have tried to gain their independence from imperialistic countries for hundreds of years. In the case of the Thirteen Colonies and Great Britain, colonists were revolting in the streets and even armed fights with the military broke out. In The Battle of Algiers, Algerians are portrayed as untamable, radical killers from the French standpoint. From the audiences’ perspective, film maker Gillo Pontecorvo wanted to show compassion for the Algerians. He wanted to show that their actions were justified. Nevertheless, Pontecorvo also wanted to show the French point of view, which he did by showing the manner in which high-ranking French handled battle plans and the way they spoke to the FLN.

The film and writing industry go hand in hand, as they often inspire one another. As a result, the translation of many novels into movie format and vice versa vary in success. For instance, many people prefer the film format over the novel since it is usually less time consuming and requires less active participation. However, films tend to overlook significant details which aid the viewer's understanding of the story. Therefore, the two separate forms of media have too many differences to portray the same work of fiction accurately, as they both have their strengths and weaknesses that appeal to different types of stories and plots. Numerous changes in the movie adaptation of the novel, A Separate Peace by John Knowles, affected the viewer’s

The “Lost Battalion” film was a great film about World War One. It showed a lot about the horrors of the war. It also brilliantly depicted the reality of the war.

All Quiet on the Western Front is a film about a young German solider named Paul Baumer, who is fighting in World War I. The film follows Paul and his comrades through the horrors of the war.

The Algerian insurgency used the strategy that Mao developed and perfected but every nation or country has to tailor their strategy based on the cultural and ethnic traditions and background. “The

Paradise Now is a 2-hour film released in 2005, it depicts a perspective alternative in a highly controversial topic of suicide bombers or also known as a ‘martyr’. The movie takes place in Palestine during the Israeli occupation and illustrates the mundane life and frustration felt by the main characters Said and Khaled due to the oppression experienced during the conflict. A key feature that is also portrayed is the reasoning, and almost justification of an attack on that level. However, the perpatrators can be seen showing feelings of hesitance and even inquisitiveness in relation to the afterlife that they are promised and whether violent resistance is the last option. This paper, will discuss how “Paradise Now” provoked my views and

What makes for a classic Hollywood film? Increasingly, films have evolved to the point where the standard by which one calls a “classic Hollywood film” has evolved over time. What one calls a classic film by yesterday’s standards is not the same as that of today’s standards. The film Casablanca is no exception to this. Although David Bordwell’s article, “Classical Hollywood Cinema” defines what the classical Hollywood film does, the film Casablanca does not exactly conform to the very definition that Bordwell provides the audience with in his article. It is true that the film capers closely to Bordwell’s definition, but in more ways than not, the film diverges from Bordwell’s definition of the typical Hollywood film.

Casablanca, first released on January 23rd, 1943 is undoubtedly one of the masterpieces of Classical Hollywood film. Written and released in the midst of World War Two it explores themes such as love, desire and especially sacrifice. Although the love story of the protagonists is the cause and catalyst for most of the narrative, one would not necessarily associate it with the conventional Classical Hollywood love story. Rather as a fabula based on the principle of the importance of sacrifice in order to overcome a common enemy, in this case the Nazis. Casablanca does indeed contain many of the common characteristics identified with the Classical Hollywood film. An example being the the way director, Michael Curtiz used a mainly chronologically ordered narrative structure and the utilisation of a Cause and Effect chain. In this essay I will looking at the various ways I believe this film does fall into the criteria of a Classical Hollywood narrative and also how some could perceive that it does not.

The suffering depicted in ‘Across the Line’ is a result of the Algerian Civil War, which occurred from 1992 to 2004 and amassed a death toll of roughly 200,000 people, with an estimated 15,000 missing. It began after the Algerian Military tried to prevent the FIS (Islamic Salvation Front) from winning the second round of the country’s first democratic elections. The conflict was escalated by the corrupt security forces, one senior officer, Smail Lamari who allegedly had been creating armed Islamist groups ready for the