Film Analysis : The Film ' The Help '

Movies and entertainment outlets speak volumes about the current state of a nation’s culture. Cinematic creations in the United States allow small voices to be heard and controversial issues to be addressed. However, a repetitive and monumental issue continues to be addressed, yet continues to persist in our 21st century culture, racial inequalities. Since the inception of the United States, black men and women alike have been disenfranchised at the hands of the “white man” in America. Instead of continuing the conversation today, the issue is continually silenced referencing the successes and achievements of the Civil Rights Movement in the 20th century. Nonetheless, an unfortunate reality looms upon this great land; racially based systems and structures continue to exist in 2015 the in United States. This paper synthesizes three films focused on racial inequalities in different time periods. Separate but Equal (1991), Selma (2015), and Crash (2005) illustrate how influential the Civil War amendments are, while serving as an uncanny reminder of how the racial prejudices during the 20th century continue to exist in our great nation today. Needless to say our nation has made great strides, but still has a long way to go.

America has a long history of oppression, discrimination and injustices towards African Americans, however the 1960s has brought important political and social changes. People who have not lived through this decade of change can gather some information of this time through historical documents such as letters and films that portray true events. An example of a film that is based on a true story is “Mississipi Burning” and a powerful historical document is “A Letter from Burmingham Jail” by Dr. Martin Luther king. Each of these materials describes/portrays some of the issues African-American faced during the 1960s, specifically in the south. After analyzing these materials, we are able to understand some of what African-Americans endured during the 1960s.

Similarly, Patricia Hill’s work “Black Feminist Thought” explains the need for black feminism. For Hill U.S. black feminism is needed in order for black women to survive, cope with, and resist their differential treatment in society. Black feminist thought creates a collective identity among this marginalized group of African-American women. Hill provides several features that make U.S. Black feminist thought different than any other set of feminism. The first feature Hill speaks about is ‘blackness’ it is this concept that makes U.S. black feminist a different group that suffers a “double oppression”. Thus, U.S. Black women collectively participate in a dialectical relationship which links African American women’s oppression and activism. Hill speaks on the U.S. black feminist thought and the dilemma they face in American society. During the women’s right movement there was a tremendous difference between black and white women’s experiences, “while women of color were urged, at every turn, to become permanently infertile, white women enjoying prosperous economic conditions were urged, by the same forces, to reproduce themselves”. It is this difference in attitudes that demonstrate why there is a need to focuses on the linkage of experiences and ideas experienced by the black women in America. Consequently, Davis analyzes the hypocritical differences of the government of the

Underlying the feminism movement of the 1960s and 1970s was the “white racist ideology.” The women’s movement of the 1960s was in fact the white women’s movement. It was an opportunity for white feminists to raise their voices, but they only spoke about the plight of the white woman and excluded themselves from the collective group of women across all races and social standings. White women assumed that their experience was the experience of all women. When black women proclaimed that the movement was focused on the oppression of white women, the white feminists asserted “common oppression” and retorted with “oppression cannot be measured.” Ironically, feminists in the 1960s compared their oppression to the oppression of African Americans as

African-American women have often been an overlooked group with the larger context of American Society. Historically, oppression has been meted out to the African-American woman in two ways. Historically, everything afforded to African-American, from educational and employment opportunities to health care have been sub-par. As women they have been relegated even further in a patriarchal society that has always, invariably, held men in higher regard.

The film “The Help” (2011), is a story based on the daily lives of prominent white women and the relationships with their African-American housemaids in Jackson, Mississippi, during the 1960s Civil Rights movement in America. A well-to-do white woman and central character in this film, Eugenia “Skeeter” Phelan, aspires to be a journalist and decides to write and publish an exposé of the stories of the housemaids in Jackson to achieve this goal, however, only two maids, Aibileen Clark and Minny Jackson are willing to discuss their experiences with her. The other maid’s in Jackson resist telling Skeeter their stories, fearing the punishments they would endure if the authorities were to find out. In spite of this, after the malicious arrest of one of their befriended maids, all of the maids begin to share their experiences, which consist of racial hostility and being treated as intrinsically subservient to white people. The story Skeeter publishes entitled The Help, creates a disturbance among the white families in Jackson, by exposing the racism the maids are faced with, forcing the white families to reflect upon how they have treated their maids. The storyline represented in The Help exhibits examples of the primordial approach to race and ethnicity, as well as numerous sociological concepts including segregation, internalized oppression, and white privilege, which will be exemplified in this paper in order to uncover the race relations evident within this film.

During the 1960’s black women were beginning to challenge the stereo-types that defined them, these types were hold over classifications from slavery.

Kathryn Scott’s The Help takes place in Jackson, Mississippi during the 1960s. This movie emphasizes tense racial conflicts that dominated the South during this post-World War era.  Segregation of whites verse blacks was a prevailing and dominating theme of the decade. The Help attempts to depict this time period by focusing on a white woman, Skeeter Phelan, who aspires to become a journalist. Society considered Skeeter as an oddity for wanting to leave her family and pursue an education. She goes against all social norms and secretly asks her maid, Aibileen, to help her write a book about the lives of maids. Despite the overwhelming danger associated with their relationship Aibileen agrees and even encourages other maids to take part. The intention behind Skeeter Phelan’s book was to spark a movement and change the way white people view their help. The Help suggests that education is the only route to social change.

Quentin Tarantino’s film Jackie Brown, released in 1997, challenges the pervasive stereotyping of not only blacks but specifically black women. Nowhere is the cinematic devaluation of African Americans more evident than in images of black women which, in the history of cinematography, the white ideal for female beauty has overlooked. The portrayal of black women as the racial Extra has been fabricated through many semblances in the history of American film. Film scholars and feminists alike have long been plagued with lament for the negativity and stereotyping that sticks with black women in American cinema. In this paper, I will argue that Jackie Brown highlights and stresses the racial variance of the female African American protagonist,

In the film The Help, directed by Tate Taylor, an important scene included is when Eugenia, mostly known as Skeeter, confronts her mother Charlotte about her childhood maid Constantine. The main purpose of this scene within the film is to help Skeeter find the truth of why Constantine had left Skeeter and her family after all the things they had been through, for the audience watching this answers the story created within the film. Four significant aspects in this scene are dialogue, voice overs, cinematography and the use of sound effects.

Based off of Kathryn Stockett’s 2009 novel, The Help is a movie told from an African American’s point of view during the early 1960’s in Jackson, Mississippi. The three main characters include, Aibileen Clark, Minny Jackson, and Eugenia (Skeeter) Phelan. Skeeter is a young writer who has recently returned from the University of Mississippi. She has been advised by the Elaine Stein, who is the head editor at Harper & Row, to write about a topic she is passionate about, that way she can continue her dream of becoming a serious writer. In addition, Skeeter accepts a writing job down at the Jackson Journal where she writes a housekeeping column. Ironically, she has no housekeeping experience as she grew up with in house help. In order to keep her job she goes to Aibileen, her friend Elizabeth Leefolt’s housekeeper. At this point in her life, Aibileen is just trying to get by. She writes out her prayers on a daily basis as a way to clear her mind since she is fairly reserved on the outside. On the contrary, Aibileen’s friend Minny is also a housekeeper, but she has a rather sharp tongue which doesn’t usually work in her favor. Consequently, she is trying to find a new employer, but is having trouble since there is a bit of discord between her and the most influential socialite in Jackson, Mississippi.

In the Feminist Theory, bell hooks provide vivid examples and assertions on how mainstream feminism exclude the issues of women of color. Mainstream feminism in America pertains to the ideals of “white, middle-class privileged woman” as they “reinforce white supremacy by negating the issue of race and class amongst woman of color” (hooks, 2000, pg. ). Due to not fulfilling the attempt to gain equality, as they may claim to do, it also can be an organization that displays “narcissism, insensitivity, sentimentality, and self-indulgence” (hooks, 2000, pg. 3). As mainstream feminism shuns the needs and interests of African-American women, it allows current social issues and inequalities to persist.

“The Help” is a movie about African-American maids working in white households in Jackson, Mississippi. The two black maids, Aibileen Clark and Minny Jackson, tells their side of the story to a young white woman, Eugenia “Skeeter” Phelan, who is a journalist who decides to write a book from the maids point of views. Skeeters intention for writing this book is exposing the racism they receive while working for white families in Jackson. Aibileen Clark takes care of white children and helps raise them and cleans around the house, while her best friend, Minny Jackson, is an outspoken black maid but has a quick short temper which gets her into trouble later on. Eugenia “Skeeter” Phelan is a white single independent woman, she earned a double-major

In America, racism as well as race relations are generally extremely sensitive subjects that are often brushed underneath the rug. Earlier this year, Jordan Peele’s Get Out graced the big screen, and left audiences with a great deal to digest. Peele’s first cinematic debut touched on the delicate topics of racism and the continuous devaluing of African American culture by “liberal” Caucasians in American suburbs. In this essay, one will explore the ways in which works written by modern political thinkers such as Nietzsche and Marx effortlessly add perspective through various theories on the difficulties brought to light in the motion picture, Get Out.

Part 1 - In American author's 2009 book, The Help, the primary thesis is the relationship between Black maids and white households in Jackson, Mississippi during the early 1960s. The story is really told from three perspectives, Aibileen and Minny are Black women, both maids, and Skeeter is the nickname of Eugenia Phelan, daughter of a prominent White family. Skeeter has just finished school and hopes to become a writer. In general, the relationship between the Black maids and the White employers is six sided: On one side we have the White employers who have three views: 1) Their personal and private beliefs that can range from extreme scorn and bias to kindness regarding race; 2) Their public persona that must have the "proper" attitude about Blacks and "the help," and 3) Their employer attitude, which is condescending and parental. The Black view also has three segments: 1) Their personal and private beliefs that usually range from understanding not all Whites are the same and an extreme love and empathy for the White children for whom they care; 2) The public persona that is deferential, polite, and stoic to their White bosses; and 3) Their attitude and view among the Black community, which usually separates the "poor and ignorant but rich" White souls from the Black view of family and common sense. All in all, the relationship is contentious, phony, and based on economic advantage.