Film Analysis: The Hudsucker Proxy

Based off Charles Webb’s 1963 novel by the same name, The Graduate is an American romantic comedy/drama released in the United States on December 21, 1967 starring Dustin Hoffman, Anne Bancroft, Katharine Ross, and William Daniels. The film was directed by Mike Nichols, produced by Lawrence Turman and the screenplay written by Buck Henry and Calder Willingham. The film was produced by Lawrence Turman/Mike Nichols productions starting in March of 1967. Mike Nichols has also directed other well known films such as Catch-22 (1970), Working Girl (1988), and more recently Closer (2004). The film was distributed by AVCO Embassy Pictures nationally and United Artists internationally. AVCO Embassy Pictures studio, founded by Joseph E. Levine, the films executive producer, also claims production/distribution for other hit films such as Godzilla, King of Monsters! (1956), The Fog (1980), and Prom Night (1980). The movie was well received due to its $104 million dollar box office opening tab. The score was produced by Dave Grusin and the songs written by Paul Simon and Art Garfunkel.

Working out conflicts face to face can and cannot make a difference in resolving the problem.“These face-to-face interactions build trust, understanding, and a real sense of a shared mission, and this has made all the difference in the world.” This direct quote from Forbes.com explains how this specific way can improve how the world communicates to each other. Many people will disagree with the previous statement, but it is just one of the basic elements of the social system. Admittedly, not everyone believes in face to face interaction. People can choose whichever side they want to, but people can solve their problems by talking to somebody.

This paper explores the Movie “It’s Complicated” a 2009 romantic comedy film, based of the novel written by Nancy Meyers. In this movie Jane and Jake Adler are a divorced couple of ten years. They start a secret love affair in New York, at their son’s graduation. While Jake is trying to have a family with his much younger wife, Agnes. I will be looking at if this is a possible mid-life crisis, genetics, or if it a developmental issue of Jake for wanting to be with his first wife, Jane.

1. What is the title of this film? When was it made? Who wrote the original novel?

The film was directed and written by Darabont Frank. The film talks about a banker by the name

In the opening scene is shows three boys playing street hockey, Jimmy, Sean, and Dave, when two men pull up in a car posing as police officers and abduct one of the boys (Dave) he is held captive and is tortured until he escapes. The movie then shows these three individuals in present day with their families. Jimmy owns small store which he runs with his daughter Katie, Sean who is a Homicide Detective for Boston and Dave who married and has a young boy.

Fargo is a movie directed by Joel Coen and Ethan Coen who are brothers. It is a 1996 American crime film. Unlike most common movies, Fargo has its own style. The story is linear. It tells a story in three different lines. The beginning of the film shows a few lines of subtitles. It is adapted from a true story took place in Minnesota in 1987. The reason why this is done, just to be more attractive, if audiences feel it is real, then they will go down. Coen uses lively narrative rhythm in this film. For them, manufactured suspense by concealing the story is far from clear, but can’t control the accident make more enjoyable. The rhythm is ordered, each person’s character and action are fully in the simple plot to show. All the clues seem to fuse

The film had several directors during the production of the film, two of them leaving the production to go and work on ‘Gone with the Wind’. The film had five directors but only one of those directors was credited during the film credits. All of the directors that did

The Frontline film Separate and Unequal discussed about creating a new school system; however, there are opposition by others who wants to maintain the current school system. If we look at the perspectives of the two groups, it is understandable in why there is support and opposition from the people of the city. The supporters of the new system wants a system that can provide better opportunities for their children without any violence. As the film claimed “the school was not teaching and were only babysitting the children”, which was likely a reason why there was a need for a new school system. With the chaotic and uncontrollable situation in the current system, many supporters have push forward the idea of a new system in a new city. From

The film is set in the late 1980s in Minnesota, where Jerry Lundergaard, a character played by William H. Macy, is in dire need of money that he plans to use to settle a debt. As a result, Lundegaard hires Gaear, played by Peter Stormare, and Carl, played by Steve Buscemi, and instructs the men to kidnap his wife. The kidnapping is aimed at luring his rich father-in-law to pay him 1 million dollars in ransom. Gaear and Carl botch the mission and as a result, there is a series of random murders. The police officer involved in investigating the case is Marge Gunderson, played by Frances McDormand) who is pregnant while her husband is a painter based working from their quaint home. In the film, Burwell's skills in employing music to portray silence are shown yet again. He uses a solo violin and a harp as the opening theme, and this succeeds in bringing out the lonely qualities of each character. The silence was used to mimic the loneliness experienced by the residents of Minnesota, especially when driving along the stretches of the frigid highway. During other times, Burwell utilized the sounds of the fields with sounds whistling, making the violent scenes seem more realistic. He avoids the musical gloss present in a majority of contemporary films resulting in a stylized film that captures the attention of the audience in an

directed by Francis Ford Coppola. The plot of the story contains various beliefs and ideals

The auteur theory is best described as a director taking the role of author. Auteur comes from a French word, meaning author or originator. Just as a reader can detect patterns in written works of the same author, viewers can detect patterns in films directed by the same director(s), if they’re auteurists. They control as many aspects of the film as they can in order to fully embed it with their vision. The Coen brothers do just that; they, down to the writing of the script, work to control many of the elements of their films. The patterns and style, though with slight alterations with time, carry over in their many works. Fargo (1996) and No Country for Old Men (2007), though almost ten years apart, still adhere quite strongly to the same patterns and style typical of the Coen brothers.

Throughout this class, various discussions and blogs have been used to analyze the different elements of films such as theme, cinematic techniques and genre. It is time to bring all of these separate elements together in the analysis of one specific film, according to class text, “analyzing levels of meaning below the surface story can greatly enhance enjoyment as well as understanding of a film” (Goodykoontz & Jacobs, 2014. p. 10.03). There are several different approaches to film analysis including formalist, auteurist, and generic or any combination thereof. Utilizing a genre theory lens, the 1956 film The Searchers will be analyzed addressing contextual information, story/plot, aesthetic choices, social/personal impact and how these areas come together to develop the film.

The film Sicario, directed by Denis Villeneuve in 2015 was classified as an American crime-thriller drama that starred Emily Blunt, Benicio del Toro, and Josh Brolin. The film Sicario (2015) was written by Taylor Sheridan.

Part 1 - In American author's 2009 book, The Help, the primary thesis is the relationship between Black maids and white households in Jackson, Mississippi during the early 1960s. The story is really told from three perspectives, Aibileen and Minny are Black women, both maids, and Skeeter is the nickname of Eugenia Phelan, daughter of a prominent White family. Skeeter has just finished school and hopes to become a writer. In general, the relationship between the Black maids and the White employers is six sided: On one side we have the White employers who have three views: 1) Their personal and private beliefs that can range from extreme scorn and bias to kindness regarding race; 2) Their public persona that must have the "proper" attitude about Blacks and "the help," and 3) Their employer attitude, which is condescending and parental. The Black view also has three segments: 1) Their personal and private beliefs that usually range from understanding not all Whites are the same and an extreme love and empathy for the White children for whom they care; 2) The public persona that is deferential, polite, and stoic to their White bosses; and 3) Their attitude and view among the Black community, which usually separates the "poor and ignorant but rich" White souls from the Black view of family and common sense. All in all, the relationship is contentious, phony, and based on economic advantage.