Film Editing Paper

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

Editing in Breathless is used to great extent to not only assist in the telling of the narrative, but also to convey certain feelings to the audience. By employing a mostly discontinuous style of editing, the film puts emphasis on the crime genre of the film as well as the events unfolding around the main character. This method of editing mostly calls attention to itself as a film technique, rather than a more continuous, concealed style of editing like in Casablanca. At the same time, however, this approach of editing for the film also creates very steady pacing and a discernable rhythm of the shots presented.

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

When I was a little girl, I wanted to become a film director. By the time I was ten-years-old, I had already come up with an idea of where I wanted to attend college, what I wanted to major in, what kind of movies I would make, and even what age I would most likely win an Oscar at. Even though my dreams were a bit unrealistic, my parents told me to keep my head up high and maintain the one thing behind my aspirations: determination. As I grew out of my movie director phase, I became interested in what was going on, on a global scale. Every day after school I would find my mother watching the news religiously and my curiosity drew me next to her on the couch so I could also be informed. I became very disappointed to see all of the horrible things happening in the world and I would often tell my mother about how I would come up with solutions to help those in

The movie genre thriller has one main goal in mind and that is to keep the audience on the edge of their seats at each new turn in the movie. One of the first films of this genre was Harry Lloyd’s Safe at Last! (1923). This film featured a character who performed daredevil stunts on the side of a skyscraper. Then Alfred Hitchcock debuted with a film by the name “The Logger” (1927) which proved to set the pace for all thrillers that would follow. The genre was then mainstreamed until Alfred Hitchcock made another revelation in thriller films in the mid 1950’s with the addition of Technicolor (a form of cinematography using synchronized monochrome films each of a different color, to produce a movie of color)

We talk a lot about what it means as a director to set a tone for your room. I really like the idea of the director as the guide who leads everyone on a path, but isn’t necessarily large and in charge. And a lot of that has to do with being able to create an environment where we can work and play and collaborate effectively while also being the one to make decisions. So what does it say when everyone in your room in miserable? When at a cast party, the stage manager turns to the set designer and says “we’re free?” What sort of a tone does it set when half the time, no one can find the director, setting everything to a halt?

For the past few decades now, this production studio has created many classics appealing to generations all over the world, creating different genre films for people to enjoy. For years this company has been overwhelmingly successful, winning multiple awards and receiving love from millions of fans. Studio Ghibli is one of the most successful production companies in all of Japan because of the awards they won for their films.

Buster Keaton wrote, directed, and acted in the film The General (1926). The silent film is a chase comedy enriched by realism. Siegfried Kracauer states that film represents reality as it evolves in time with the aid of cinematic techniques and devices. Film literally photographs reality to record and reveal physical reality. Physical reality being called material reality, physical existence, actuality, and simply nature. The movement in the film The General emphasizes the motion of the chase. There is a continuity of suspenseful physical action during many of the scenes where Buster Keaton’s character Johnny Gray is chasing his stolen engine then he himself is being chased once he gets his engine back. This is continuous throughout the film with non-stop motion. In a realistic tendency, film gives image movement. It recreates stage reality through both actions and characters and even the surrounding world.

Australian story is a national documentary series, produced and broadcasted by ABC Television. The program grounds its premise on observing the personal recounts of known and unknown Australians - with extraordinary circumstances or achievements. The Voice is a chapter in the stories which features Gurrumul Yunupingu, a shy indigenous male bearing the life-long burden of blindness, perseveres in the face of adversity and carves a pathway to success through his raw musical genius. Turning the Tables is an episode that showcases a young and eager man, Jack Manning Bancroft, who through immense dedication constructs a non-profit organisation (NPO) for Australia’s flourishing indigenous youth. The producer, Ben Cheshire scrupulously composed both instalments to represent and portray the individuals in his spotlight; this is done through the

The truth if the film was that the Jewish people had nothing. The SS and the filmmakers embarrassed the Jews by disrespecting their religion: making men and women wash their sins in a holy bath, and giving little portions of food so they would starve. The ghetto was a temporary place for most Jews, but was the extermination of some. But the journey for the Jewish people in the ghetto had just began. A Film Unfinished showed what the ghetto was like before the Jewish people who lived took their next stop in their journey. The Jewish people who didn’t die in the ghetto was sent to concentration camps in other parts of Poland. The Concentration camps and the ghetto itself was established by the SS.

The film industry has continuously changed since its inception due to rapid technology advancements. Camera technology has been a key factor that has influenced the growth of filmmaking. The first motion picture in the world was produced in the early 1880s, and the first public screening occurred ten years later. It didn’t take long for the quality of films to improve as new filmmaking equipment emerged. Ever since the first movie was produced, the film industry has been continuously changing in response to emerging filmmaking technology. Introduction of digital photography and digital data storage along with the development of internet significantly influenced the film industry (Barsam, 2015). These technologies contributed

Blow-Up, his second colored film, investigates how man deals with the flux even though he is separated from it. The viewer is first introduced to downtown London. A grayish-black jeep, teeming with shouting young adults, crawls over a cobble stone hill into a gray blue sky and turns the corner. The jeep reappears in a wide street, young adults, painted as mimes, pour from the vehicle and flood the road. A small group passes by the protagonist Thomas, who hands one begging girl a crumpled bill from the back seat of his car. The camera attaches to Thomas, and the viewer stares down at him as he drives through a tunnel.

Every so often a movie is released with such tense anticipation and glamorous visual art that the public is drawn to this dramatic rendition of life in the theatre. For even just two hours or so, you are put into a different lifestyle. Action, drama or comedy it may be. We are thrust into a different way of thinking. We are forced to learn the characters thoughts and feelings. The hard work and artistic skill that goes into these magnificent films is not an easy thing to mimic. Out of the thousands of movies released worldwide each year only a handful are truly worthy of the label film art. Most of the great movies are either produced by a multi million dollar

The introduction of motion picture drastically changed the world as we know it along with introducing new and advanced ways of making and presenting media to the masses. Before the introduction of motion picture the only way people were able to hear about the news or new products was either by newspaper or word of mouth. Before we had T5i’s or any other new and elaborate camera we had to film with black and white picture with no sound, like the old classic super eight film cameras. The process of editing has changed over the decades from where film was just cut and scenes would be placed right after the other with hard cuts with the raw material, literally they cut the film, to now where most editors use non-linear editing with a computer to add transitions, text, and other video effects to produce the most visually appealing and most understandable when producing a video production. The way the video productions are shown to the public have also adapted throughout its brief existence. When commercials and films first made their appearances in the early twentieth century Directors and Producers had no idea how to use color to catch the audience’s attention by using their sub conscious, they didn’t realize that the length of the production would play a role in rather a person will watch it or not. Nowadays there are entire books on how to grab the audience’s attention.

At the beginning of the module my understanding of what adaptation meant was that you would take a work and recreate it in a different form. Adaptation, according to the traditional comparatitive model, is the process of adapting one original, culturally defined ‘standard whole’ in another medium,’ (Cardwell, 2002, p19). I believed the definition of adaptation to require a high level of fidelity to the source text. My opinion before the module was based on the adaptations in popular culture, mainly those of books being made into films. With Peter Jackson’s Lord of the Rings films, there was definitely an expectation from the audience that the films would be like they imagined the books to be: that the director would be true to Tolkien’s novels. There is a commercial pressure for the director to stay as close to the original as possible, to ensure its success. Cardwell makes the distinction between genetic and cultural adaptation, saying that where genetic adaptation is linear, with each one being linked to the one before, whereas cultural adaptation always comes from the original source (2002). ‘Each subsequent adaptation is understood to hold a direct relationship with the culturally established original, (pg14).