Film, Fruitvale Station, Directed By Ryan Coogler

Movies and entertainment outlets speak volumes about the current state of a nation’s culture. Cinematic creations in the United States allow small voices to be heard and controversial issues to be addressed. However, a repetitive and monumental issue continues to be addressed, yet continues to persist in our 21st century culture, racial inequalities. Since the inception of the United States, black men and women alike have been disenfranchised at the hands of the “white man” in America. Instead of continuing the conversation today, the issue is continually silenced referencing the successes and achievements of the Civil Rights Movement in the 20th century. Nonetheless, an unfortunate reality looms upon this great land; racially based systems and structures continue to exist in 2015 the in United States. This paper synthesizes three films focused on racial inequalities in different time periods. Separate but Equal (1991), Selma (2015), and Crash (2005) illustrate how influential the Civil War amendments are, while serving as an uncanny reminder of how the racial prejudices during the 20th century continue to exist in our great nation today. Needless to say our nation has made great strides, but still has a long way to go.

The concept art imitates life is crucial to film directors who express their views on political and social issues in film. In regard to film studies, race is a topic rare in many films. Like America, many films simply refuse to address this topic for various reasons. However, more recently, Jordan Peele’s 2017 box office hit Get Out explicates contemporary race relations in America. In the form of an unconventional comedy horror, Get Out is intricate in its depiction of white liberal attitudes towards African Americans. In short, Get Out suggests a form of covert racism existing in a post- Jim Crow era. Similarly, Eduardo Bonilla- Silva’s book Racism Without Racists acknowledges the contemporary system of racism or “new racism,” a system

The much applauded and critically acclaimed film, “Crash” (2004) directed by Paul Haggis is a film which appears to want the viewers to observe themselves and their world inversely. This film presents a truthful representation of race relations, racial discrimination, and social and cultural tensions in modern American society. It shows the stereotypes and racial myths that still occur today and continue to create racism. The film presents the intricacy of the relationships between diverse social groups and about the effects of discrimination on the everyday life experiences of a number of people. More specifically, the movie touches on three different types of discrimination. First and foremost, it deals with racism. Next, it depicts

While the 1970’s and 80’s marked a decline in movies featuring black actors and a lack of black directors, the mid 1980’s through the 1990’s invited a new generation of filmmakers and rappers, engaging with the “New Jack” image, transforming the Ghettos of yesteryears into the hood of today. A major director that emerged during this time was Spike Lee. According to Paula Massood’s book titled, Black City Cinema, African American Urban Experiences in Film, “…Lee not only transformed African American city spaces and black filmmaking practices, he also changed American filmmaking as a whole.” Lee is perhaps one of the most influential film makers of the time, likely of all time. He thrusted black Brooklyn into light, shifting away from the popularity of Harlem. By putting complex characters into an urban space that is not only defined by poverty, drugs, and crime, it suggests the community is more than the black city it once was, it is instead a complex cityscape. Despite them being addressed to an African American audience, Lee’s film attract a mixed audience. Spike lee’s Do the Right Thing painted a different image of the African American community, “The construction of the African American city as community differs from more mainstream examples of the represents black city spaces from the rime period, such as Colors…, which presented its African American and Mexican American communities through the eyes of white LAPD officers.”

In the film ‘Crash’ directed by Paul Haggis in 2004, several lives cross paths because of an adage, ‘it’s a small world’. The characters come from different backgrounds and social class, consequence, the underlying tone of race is presented in a facet which is a cause for concern. In today’s current tension infested race topic, stereotypes tend to push the notion that one’s perception of race, gender and class must be reality. The question becomes, where does an individual develop these notion and perception and does the blame belong to media and film. Looking at the movie ‘Crash’, it was nominated for over 100 awards and won 3 Oscars; impeccably depicted the intertwining of gender, race and social class that one would assume that the movie’s a depiction of reality. One may conclude that movies are responsible for the perpetual class and virtue given to the middle and upper classes only. Although Parenti’s belief that Hollywood films always attach virtue to the well-off middle and upper classes this is not always the class. Hollywood media and films are guilty of assigning privilege to some and strife to others, however the characters in the movie Crash, Brenden Fraser, Chris Bridges and Thandie Newton all form different economical classes display different types of class and virtue.

The movie “Crash”, by Director and Writer Paul Haggis, follows 8 ethnically diverse families/ individuals facing the struggle of modern day racism and stereotypes created and faced in modern Los Angeles, California. These individuals take the roles of individuals living their daily lives within Los Angeles, California while facing stereotypes. The cast portrays: 2 caucasian white male police officers, an African American director and his wife, a white district attorney and his wife, a Persian immigrant family, and a Hispanic father whose occupation is a locksmith. The scene chosen from this film involves the police officers (Officer Ryan and Officer Hanson) pulling over the African American Director (Cameron Thayer) and his wife (Christine Thayer) at a traffic stop. This scene establishes two different types of theoretic sociological concepts of Thomas Theorem and cognitive dissonance.

Discrimination, racism, classism, prejudice and more plague today’s society. These horrible issues do not affect one race, sexes, class, ethnicity, or age group; these issues affect all races, both genders, all ethnicities, and all age groups. For this film analysis, I have chosen to discuss the racism portrayed throughout a three-time Oscar award winning movie called Crash.

The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun.

Fruitvale Station, directed by Ryan Cooger, released on July 12, 2013, consists of moments where stereotypes were shown. Although movies have portrayed black men as non-working, Fruitvale Station exploits the stereotype that black men do not like work through the use of camera shots.

New Year’s Day, 2009, a man is brutally shot by the BART Police of Oakland, California. Fruitvale Station, written and directed by Ryan Coogler, took audiences by surprise as it resonated with twenty-two year old Oscar Grant, a man who was shot down by the BART Police. This movie takes viewers on an emotional expedition as it takes a peek into the life and death of Oscar Grant and his family. The struggles of originating from an African-American background become apparent as Oscar Grant struggles with steering away from racial stereotypes and the misunderstandings of racial profiling.

Its almost difficult to too determining whether “Fruitvale Station” does in fact show images that are so called, “nice” but actually have a wider spread of racism or doesn’t show any sign of racism at all. It can be argued that this film shows no signs of racism because it is only a story of what a man had to go through but then we can argue that the film does have a wide spread of racism due to the fact that we might see images of what a “African American” stereotypically does in the city of Fruitvale. When Louise Spence and Robert Stam discuss the dangers of “positive images” its hard to put this upon “Fruitvale Station”, because it’s a story of a man who does all he can for his daughter, but he so happens to live in the a very rough neighborhood.

Fruitvale station, is a story about the real life Oscar Grant, a black man who was shot and killed by a Bay Area Rapid Transit police officer in Oakland. This film follows Grant and his last days before the shooting on New Year’s Day. Written and directed by Ryan Coogler, Fruitvale station was his first feature film. Coogler expressed that he was interested in making this film because he wanted people to get to know Grant, get attached, so that when a situation like this occurs again, people will care more about that human life (Wikipedia). In addition, the cast includes Michael B. Jordan (Grant), Octavia Spencer (Wanda Johnson), and Melonie Diaz (Sophina Mesa), amongst a few others. However, there is an underlying concept in this film. This film relates back to Double Consciousness and the internal conflict and struggles within African American men.

The weather is sizzling hot and tensions are slowly coming to a boil in this Bedford-Stuyvesant Brooklyn neighborhood. Slowly but surely we see the heat melt away the barriers that were keeping anger from rising to the surface. The Blacks and the Hispanics own the streets the Koreans own the corner store and of course the Italians own the pizzeria, the Cops who happen to be all Caucasian, prowl the streets inside out, looking for anyone to harass. Toes are then stepped on and apologies are not made. Spike Lee creates the perfect set-up for a modern day in Bed-Stuyvesant. Without fail Spike Lee is transformed into an anthropologist. Spike Lee’s goal is to allow viewers to glimpse into the lives of real people and into a neighborhood they

Fruitvale Station is a movie that has the capability to bring many emotions to the surface. This movie can foster critical thinking, but it can also draw the viewer in to experience the raw emotions and suspenseful moments of this real life story. Unfortunately, Oscar Grant’s life was ended abruptly after he spent the night celebrating the New Year with his friends and girlfriend, Sophina. From this story, it is clear that Oscar was attempting to change his story by being a better father to his daughter, Tatiana, thinking about marrying Sophina, and better providing for his family by getting a stable job and being a man that his mother and sister could rely upon. While the incident that occurred at Fruitvale Station could be analyzed from any variety of theories, this paper will examine these events from the lens of Conflict Theory and Social Learning Theory. These theories intertwine in many ways, but they also differ from each other in very important aspects. Fruitvale Station is a cinema depiction of a true story involving the death of Oscar Grant in a train station in Oakland, California during the early morning hours of January 1, 2009. This incident has sparked many civil rights related protests and discussions. Oscar Grant was survived by his mother, who has been very vocal since the incident, fighting for equal rights for minorities, his sister, and his daughter, Tatiana (Johnson).

In America, racism as well as race relations are generally extremely sensitive subjects that are often brushed underneath the rug. Earlier this year, Jordan Peele’s Get Out graced the big screen, and left audiences with a great deal to digest. Peele’s first cinematic debut touched on the delicate topics of racism and the continuous devaluing of African American culture by “liberal” Caucasians in American suburbs. In this essay, one will explore the ways in which works written by modern political thinkers such as Nietzsche and Marx effortlessly add perspective through various theories on the difficulties brought to light in the motion picture, Get Out.