Film Genre Of Western Films

When asking most people why they think superhero movies have made such surges in popularity over the last

In Matthew Bernstein’s essay, The Classical Hollywood Western Par Excellence, he states that while Stagecoach (John Ford, 1939) “appears to glorify American history, particularly its expansion westward at the expense of Native Americans” (299) it also develops an “acute social observation” of life on the Frontier and it challenges elements of the myth constructed around this history (316). The film Stagecoach depicts not only the struggles faced by pioneers traveling through Indian territory, but the belief among people during this time period that anyone can go to the West to get a “fresh start” and live a completely new life without social prejudice. However, Stagecoach proves this myth to be false for various reasons. One example of this would be when Mr. Hatfield offers Mrs. Mallory water from the water canteen on the stagecoach. Once she accepts his offer, Mr. Hatfield pours it into a silver cup for her and does not offer anyone else in the stage coach water. Ringo then makes a comment to Mr. Hatfield that he should give the other lady in the stagecoach, Dallas, water as well. However, Dallas has a reputation of being a prostitute. So, Mr. Hatfield decides to give her some water but refuses to lend her the silver cup to drink out of, he makes her drink it out of the canteen instead. This example proves that these people were not getting a “fresh start” and only the upper class can share such luxuries as a silver cup with only other upper class people, social

Hundreds of movies are released every year. Filmmakers try to create the next jaw-dropping movie that audiences will stand in line for hours and pay top dollar to see. The key to success is finding ideas that appeal to a mass audience. Viewers are the lifeline of any production company so making something for everyone is a savvy business move for the film industry. To cover all bases, there are over fourteen different genres of movies. Film making is not a solo effort. It is a collaboration between the actors, directors, producers and other key contributors. This combined effort or mise-en-scene includes all the elements of the film to include actors, backdrops, costumes, props and lighting used to meet the director’s vision

Everyone loves movies. People usually choose movies as their initial option to spend their leisure time. Nowadays, the high technology of cameras and exquisite techniques of filming give the audiences a best quality and high definition of vision. Therefore, watching movie become the most popular activity among the teenages. Different genres of films help us to gain different kinds of informations or knowledges those we would never learn in the reality. If I am given a choice to choose two favourite genres of the movies, I will definitely select adventure and disaster. Both of the genres have their own characteristic and styles. Adventure films are very similar to the action film genre, in that they are designed to provide an action-filled,

Having built an empire on which the marketing sun never sets, Marvel should now be facing audience fatigue—how many stories of superheroes can this world bear?

Genres of film generally possess certain traits that define our fundamental understanding of the genre’s structure. These are referred to a genre convention. The genre of drama within film lends itself to a few fundamental ideals (Grant, 2007:10). Firstly is the concept of a grounded and realistic setting, which in essence relates to characters dealing with conflicts that could be experienced in our reality. The second ideal presents itself through the characters dealing with their conflicts, both internal and external, in what is generally quite an emotional and intense manner (Grant, 2007:21). This can also feature a growth in character, as well as a shift in status or power dynamics between characters in a film. Finally, another important ideal of the drama genre is the way in which addresses a social issue that is prevalent in society (Right Direction, 2014), such as abuse, addiction and

Development and adaptation of the western genre has occurred throughout the twentieth century in relation to the shift in context, this is still relevant. Stereotypes of a western genre and the context are determined by the time in which the film is being produced. The time in which they were produced determine how social construction, gender ideas, values and attitudes, the setting and SWAT codes are demonstrated. I have chosen to present this speech by looking at the film studied in class, and a film of my choice and how the difference in context has changed in the tie of these two films.

The medium of film and television have not been effectively coding the many American conflicts of the past decades. The roles of superheroes, villains, and antiheroes have always been used in every film and media directly or indirectly, introducing which is which. Since the beginning of modern film, many movies’ plots and conflicts have revolved around a protagonist or several protagonists faced with an opposing force that is disturbing the order of things, usually another individual bent on malicious intent. A battle between the good and the bad, the heroic and the villainous. Unfortunately, the conflicts between good and bad have not been effectively introduced through this medium. Throughout history, the definition of what is good and what is bad has also changed slightly as a result of the effects of the Sexual Revolution and the Judeo-Christian ethic, and this has indeed been reflected in the more modern movies of today.

Recognition of genre forms was always something to be expected, and was seen by authors such as Thomas Schatz as the driving force behind generic evolution. Yet what occurred in the sixties was profoundly different. Individual genres had reached the point of over-familiarity and died out before (as with screwball comedies), but in this case the rise of television meant the entire body of classical film was being exposed, and the classical Hollywood model itself was therefore vulnerable. The sudden awareness of the artifice that was Hollywood cinema meant that for at least some of the population the old models, if taken completely at face value, could only function as camp or nostalgia. Traditional genre narratives seemed hopelessly naive to an audience increasingly composed of the young, cinematically literate, and (to a lesser extent) politically radical. The search for a solution covered most of the sixties and seventies; it was the eighties before the rise of the blockbuster(5.5) once again gave Hollywood a consistently profitable model to work from. In the meantime, many different strategies were employed to try to deal with the

The producers will develop a test and the audience will tell the producers whether it is something they want to see or they are not going to see. This can affect the next text to be produced in an attempt to conform to the audience demands. Looking at the development of different types of genres and the development of films within the same genre, it’s possible to look at similarities and differences and identify changes in society and audience ideologies and tastes.

Motion Pictures have always had a strong influence in today’s culture, but maybe none as prevalent as Star Wars. Originating with Episode 4 A New Hope, the series boomed from 1977 to 2005 with yet another addition coming in 2015. The strongest of the series was the original trilogy episodes 4, 5, and 6, all generally released in the 1980s. As one of the strongest film francaises still today, it’s impact within the 1980s was only the tip of the iceberg. Children and adults alike still anticipate the new edition of this seemingly endless journey. If any singular film series still holds prevalence in its future decades it is Star Wars: Original Trilogy.

The Western film genre is typically set in a secluded village in the middle of the desert, normally in the American West. The setting includes wooden buildings, tumble weed, cacti, trains, horses and carriages. The storyline for western films is usually the same, namely, a hero travels to a remote village, usually on a horse, and brings peace to the warring villagers.

B. Relevance: Have any of you seen a Spider-Man movie? What about Thor or Iron Man? Very few of us in this room can say we have not seen an action packed Marvel movie at least once. Since its humble beginnings in 1939, Marvel has revolutionized not only the comic book world, but also set the bar incredibly high for all potential superhero movies. Marvel is completely relevant to the yearly cinema culture we find ourselves in the midst of, and continues to grow in popularity.

The costs, methods of distribution, and themes of Hollywood and Nollywood films reflect strongly their target audiences; how the target audience affects the production of a film and how the production of a movie is designed to capture a specific

The constant battle between our favorites has shown itself common now more than ever. Who do we like better? What do we like better? What is the absolute best? Are these questions necessary? No. But do they keep our lives interesting? Oh yes. In the spring of every year, there always seems to be a new superhero movie that debuts and leaves us on the edge of our seats, waiting for the next one. This year, we are being blessed with two movies, from two separate corporations, Marvel and DC; which leaves us with the question… Who did it better?