Film Noir - Rational Versus Evil, Femme Fetal, Investigations, Private Detectives And Atomic Anxiety

The 1946 film The Killers is a renowned film noir based off of Ernest Hemingway’s short story of the same title, focusing on the detailed backstory and investigation for the motive of the murder of Pete Lund/Ole Anderson, commonly known and referred to as “The Swede.” A film noir is a term made originally to describe American mystery and thriller movies produced in the time period from 1944-1954, primarily marked by moods of menace, pessimism, and fatalism. Although the film does not focus on the war itself at all, it still puts forth interesting new ways in how gender relations can be stereotypical as well as divergent proceeding the Second World War.

The America in the 1930s was drastically different from the luxurious 1920s. The stock market had crashed to an all time low, unemployment was the highest the country had ever seen, and all American citizens were affected by it in some way or another. Franklin Delano Roosevelt’s New Deal was effective in addressing the issues of The Great Depression in the sense that it provided immediate relief to US citizens by lowering unemployment, increasing trust in the banks, getting Americans out of debt, and preventing future economic crisis from taking place through reform. Despite these efforts The New Deal failed to end the depression. In order for America to get out of this economic

This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.

After the Golden Years, which brought great prosperity back to the economy and saw the middle class turn away from the extremists, the Wall Street Crash in 1929 occurred. The middle class turned back to the Nazi’s, especially in the industrial north of Germany. The German

Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the death of his partner but does not show any signs of remorse but instead for his greed for riches.

In the years following World War I, the United States was comfortable with returning to its prior state of traditional values. In the government, this was reflected as the 1920 election was won by Republican candidate Harding, who ran with the slogan “A Return to Normalcy.” Americans simply wanted to recuperate after the intense global conflict that had just ended; however, changing and new attitudes were at battle with their desire of normalcy. It was movements like “New Morality” that contested traditional stances of those who sought security in their lives. As a result of the constant battle between old and new values, tensions were mounting between citizens. The Roaring Twenties was a time of innovation in American life; however, tensions surfaced between traditional and new values, shown through court rooms, national politics, grass roots campaigns, and media revolutions, due to a rise in differing theological views, women’s fight for independence, racial conflict, technology, and advertising.

The liberal ideas of FDR’s New Deal were coming to an end. The failing economy, poor political leaders, and drastic social issues that took place in the 1970s left Americans searching for salvation. Over the next decade, the United States will later find that salvation in conservativism.

The Great Depression quickly altered America's view of liberalism and therefore, Roosevelt can be considered a liberal and Hoover a conservative, despite the fact that they did occasionally support very similar policies. The United States experienced political shifts during the Great Depression, which are described by Arthur Schlesinger’s analysis of eras in which public objectives were placed before personal concerns. It seems that the public view of what constitutes as liberal beliefs versus what is thought to be conservative beliefs shifts in a similar way.

America had been a generally conservative nation with a population that avoided personal debt. However, this would all change during the decade known as “The Roaring Twenties.” This prosperous period embodied huge changes in the general lifestyle and culture of the American people as they embraced consumerism. However, during the 1920s the economy also faced numerous unfortunate events and unstable practices that would lead to one of the world’s worst economic crashes. There were many reasons for the economic downfall, including mass production and consumerism, excess credit and ‘playing’ the stock market, which led to the stock market crash in 1929.

Film Noir, a term coined by the French to describe a style of film characterized by dark themes, storylines, and visuals, has been influencing cinematic industries since the 1940’s. With roots in German expressionistic films and Italian postwar documentaries, film noir has made its way into American film as well, particularly identified in mob and crime pictures. However, such settings are not exclusive to American film noir. One noteworthy example is Billy Wilder’s film Sunset Boulevard, which follows the foreboding tale of Joe Gillis, the desperate-for-success protagonist, who finds himself in the fatal grips of the disillusioned femme fatale Norma Desmond. Not only does the storyline’s heavy subject matter and typical character

American life prior to World War II may have not been the best from 1931-1939. Already in the Great Depression that started in 1929 people were left very discouraged and hopeless. In 1932 the economy was the worst it had ever been, it had hit rock bottom (p. 850). Many had lost their jobs and over 11 million Americans could not find work (p. 850). America was at its worst and people were hungry, suicide rates had risen and people were having less children than ever before. People’s reaction to the

Film Noir was a result of it's time - The war had just ended and It was time where prohibition had influenced an abundance in crime and corruption. Film noir serves to highlight the darkest aspects of human beings. ‘Society is making the machinery of it's own destruction.

This paper will discuss various elements of mise-en-scene, specifically; character development, lighting, performance, costume, makeup in the film "Casablanca".(Michael Curtiz,1942) The setting of the story sets the tone for the entire film. Shots of tanks and planes show the violence of war that coincides with the cutthroat city that is Casablanca. From there, those sentiments are reinforced when a man is shot in the street while another man pick pockets someone whom is distracted. The mood of the movie stays on the dark side of things when we enter Rick's Café, where we meet our protagonist played by Humphrey Bogart. In this scene we are treated to the jaded portrayal of night club owner. We see his utter disregard for a French woman

In 1929 one of the biggest crises in American history occurred, known as the Great Depression. In his book Daily Life in the United States, 1920-1940: How Americans lived through the ‘roaring twenties’ and the Great Depression, David E. Kyvig writes not only about the Great Depression, but of times leading and following the worst years of it. From prohibition, to women’s right, the uprising of automobiles and technology, the crash of the depression, a new deal, and how American recovered, Kyvig takes his reader through the works. Let’s take a deeper look into the lives of Americans during the 1920-1940’s.

From coloring and lighting to music direction and the score, there are many ways for a film's story to be told. Film noir mirrors its detective pulp book predecessors, where a strong narrative character is key and the protagonist walks a fine line between hero and villain. The use of voice over, black and white film, and evocative lighting techniques define the style we know today. Modern films, such as The Artist (2011) and Sin City (2005), attempt to incorporate these creative devices, but unlike their predecessors, these techniques don’t support and further thematic developments. In director/screenwriter Billy Wilder's classic features, Double Indemnity (1944) and Sunset Blvd.