Film Review: Blackfish By Gabriella Cowper Waite

David Kirby’s book describes the complex issues of whales in captivity. The death of a SeaWorld trainer brought up many objective reasons of the training practices of this business were not effective at keeping trainers safe in the water. Currently this debate is still being tested in a court of law. OSHA claims that even with the precautions that SeaWorld tries to use, it still cannot guarantee the safety of trainers in the water. This cultural topic has been gaining ground, and recently prompted a movie based off this book titled, Blackfish. The audience of this book includes animal activists, followers of David Kirby, and people that are interested in the topic of killer whales in captivity. Rob Grom was contracted to create a book

The documentary “Blackfish” uses Ethos, Pathos, and Logos several times throughout the documentary. While some individuals think there are more of one than the other, there is more of pathos than the others. Blackfish appeals to more of emotion through the entire documentary. At the beginning, the documentary shows former trainers, who used to work there. The former trainers tell personal experiences of what they felt when they first got a job at SeaWorld. The director was showing what everyone thinks when they go to SeaWorld. As the documentary progress, the film shows how the whales are emotionally destroyed and incidents that have happen with the killer whales. Between this, there are personal stories from prior employees, that hit close

Gabriela Cowperthwaite’s documentary Blackfish explores the harm captivity causes to whales and their trainers. Throughout the film the orca whales undergo a transformation from defenseless creatures into molded killers. The orcas in the film are portrayed as intelligent and caring creatures who are capable of grief. Through this character the development the documentary has affected how these animals are treated, as well as the public’s opinion on the issue.

          The website for SeaWorld Parks and Entertainment is speaking towards anyone that has seen the documentary BlackFish, or anyone who thinks that SeaWorld is abusing or mistreating the orcas or other animals by keeping them in captivity. They also attract the corporate side of SeaWorld as a business. The website gives information about what the business does to give back to the community, how their animals are treated and shows their credibility to draw in customers.  The tab titled “The truth about Blackfish” states multiple points about how the producers of the documentary were lying about their facts or over exaggerating to appeal to multiple viewers. The purpose is to fight back against

The coat Blackfish by Gabriela Cowperthwaite employs pregnant strategies to sustain the shocking luck prowl orca whales experience in captivity. The overcoat follows the unfathomable sake of the garbage orca search Tilikum and the twosome fleshly fatalities he is responsible for. Letterhead. Cowperthwaite uses interviews in dismayed obsolescent trainers and plague experts as a force to into the fissure between the conglomerate SeaWorld’s public image and its palpable reality. The corrupt orcas lose concentration researchers depict as step little by little socialized, tender animals are juxtaposed with the creatures portrayed in footage from SeaWorld’s marine parks. The backside are ill-treated, constrained to dusky cages, and observe in consolidated

Sea World rebuttal was not considered in the documentary of “Blackfish” which clearly defines the bias views of the creator. So without choice, viewers are marked to take the side of the creator or leave the documentary feeling like a kid in a fine china shop, unable to touch or lose your balance for fear of shattering the look of the shop. Unfortunately, the problem with animal activist groups is that they force their religious views of animals on others with no other biases to consider. Hence, their real arguments are skewed and we are unable to clearly see the real poignant side without the opinions.

The documentary, Blackfish, proves that there was and still is quite a bit of controversy over whether it is ethical to keep Orcas in captivity. Some people believe that it is acceptable since the Orcas are being treated and fed well. Other people, however, believe that this is not ethical because being kept in a tank for twenty years leads to aggression and therefore is too dangerous for humans. The documentary proves that there are many incidents, in the past, where a whale has harmed their trainer. One example of this, that made people more aware of the danger, was the death of Dawn Brancheau in 2010 (Cowperthwaite & Oteyza, 2013). The incidence has led to many different debates over the years and Sea World has had to try to refute the claims that were made about them. The claims were regarding their treatment of the whales and other issues. However, Sea World was not

Blackfish, a documentary by Gabriela Cowperthwaite, analyzes the horrific treatment, containment, and use of Orca whales within entertainment facilities. The discussion of treatment began in 2010, when Dawn Brancheau was killed and drowned by the whale, Tilikum. Since this incident, there have been multiple investigations into SeaWorld and similar facilities. It is argued that the whales should be released from these facilities due to the posed dangers they have to humans, and themselves.

In terms of pathos, Blackfish is also strong in delivering an argument appeal to emotion. These SeaWorld trainers gave their personal stories in the documentary, all sharing how they were so excited to work with the animals when first applying and getting the job. They all explained how they truly were able to develop relationships with Tilikum and the other orcas during their time at SeaWorld. When talking about the incidents between Tilikum and trainer Dawn Brancheau, the trainers’ emotion is shown when they stutter in their words, cry, and give their deepest regrets

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

Ideas that are powerful effectively influence and evoke cognition of the audience, hence composers aim to present powerful ideas in their documentary. Blackfish is a documentary which concerns the captivity of Tilikum, an orca held by SeaWorld involved in the deaths of three individuals, and the consequences of keeping orcas in captivity. In the documentary "Blackfish" composed by Gabriela Cowperthwaite, the idea of animal cruelty is explored. Through various documentary and cinematic techniques and emotional appeals, Blackfish exemplifies their argument and engages its audience in the discussion of the Marine Park industry and the effect of animal conservation.

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be

“Blackfish” the documentary film was created to reveal how confinement of killer whales can lead to dangerous behavior toward human trainers. The main claim this film displayed is how the captivity of Killer Whales triggers aggression and is unsafe for humans and other marine mammals. Blackfish uses the story of Tilikum (most aggressive killer whale who killed the most amount of Sea World trainers), interviews of previous trainers, and court hearings regarding OSHA and Sea World to support their claim.

‘Black Robe' is the story of a young Jesuit Priest from France who embarks on a religious journey to convert, to Christianity, the Aboriginal tribes of New France. Set primarily in Ontario during the mid 1630's, Father Lafargue travels from Quebec via the Ottawa River to the home of the Huron people in what is now referred to as the Simcoe Region of South Central Ontario. He is aided by a band of Algonquin-speaking people, numbering roughly 20 and a young Frenchman with aspirations of Priesthood in the motherland. Blackrobe offers an intriguing insight into the relationships between the French and the Aboriginals. That being said most of the background for the movie is taken from a massive archive of