Film Review : Hollywood Themed Resort Essay

In the reading, Violence in Movies: Cinematic Craft or Hollywood Gone Too Far?, the response that states "Point: Hollywood, Stop Exposing Our Kids to Violence" is more persuasive than "Counterpoint: Hollywood Filmmakers Should Not be Villainized for Movie Violence" because it provides better-supported facts that are reliable and credible. The "Point" response explains how violence in movies has become very excessive and is allowing children to act out and think it is okay because of what they see on TV. While, the "Counterpoint" response explains how Hollywood filmmakers should not be punished for their creative writing and that parents should monitor their kids and decide whether or not they should be watching it.

The documentary “T Shirt travels” follows a young Zambian named Luka through his daily life as a second hand clothes seller. We are taken on a journey through the struggles and issues from both a micro and macro level. We learn about issues facing the country as a whole such as rampant poverty, to an economy destroyed by slavery and further setback due to larger nations dictating economic policy for Zambia. To the smaller scale with individual families such as Luka’s trying to make ends meet in a hand to mouth industry and shows how hard it is for them to succeed. The whole film gives us a deeper understanding of how Zambia is being

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

It’s no doubt that creating a family oriented theme park based on popular, beloved cartoon characters and imagination was a good idea. From Cinderella’s castle to the famous Main Street, U.S.A, there’s something extraordinary lying around every corner. Walt Disney World, other wise known as “the happiest place on earth”, or the place “where dreams come true”, was founded by a man with a dream of creating a place where children and parents could spend time together while making amazing memories. However, this extravagant amusement park is only one of the major accomplishments of Walt Disney.

"Life is like a box of chocolates. You never know what you're gonna get." (Forrest Gump)

Even though a vast majority of us wish that it was possible to turn back the hands of time and change or rewrite history. However, the truth of the matter is that we simply cannot. Everything happens for a reason, and we should learn to accept it. Accept it for what it is, rather than what we would like it to be.

The film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville, with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour, mise-en-scene, camera shots, costumes, music and dialogue to effectively tell the story.

How would you react if you found your wife in the shower with another man? Any sane person would furious, but would you lose control and beat the other man senseless? Bradley Cooper’s portrayal of bipolar disorder in The Silver Linings Playbook how untreated the disorder can take control of a person’s life giving them manic episodes and major depressive episodes. This film aims to accurately display the struggles any person with bipolar disorder will deal with in their daily life while trying to manage the extensive mood swings they experience. The intended purpose of this paper is to analyze not only in what ways the director and cast accurately display the everyday life of an individual with bipolar disorder, but also the quality of the film. Throughout the movie themes of divorce, medications, the need for social support when dealing with mental disorders and a person’s unwillingness to accept help, will all be brought up in order to help an individual manage their disorder.

This movie is about a man (Chuck) who is always kept up on time and how important it is to be and keep track on time. In the movie, Chuck gets stuck on an island and is challenged by nature to survive on the island and later get off the island. Once he finds a way to get the island he is reunited with the real world and has a feeling of gratefulness for everything that he has. He realizes he needs to live every moment like if it was your last. The theme of Cast Away is that there is always a way to survive the difficulties in life whether it may be physical, mental or emotional obstacles. The movie portrays this through symbols, settings and character development.

The movie, The Shawshank Redemption (1994), is based on a character Andy Dufresne. Andy is a young and successful banker who is sent to Shawshank Prison for murdering his wife and her secret lover. His life is changed drastically upon being convicted and being sent to prison. He is sent to prison to serve a life term. Over the 20-years in prison, Andy retains optimism and eventually earns the respect of his fellow inmates. He becomes friends with Red, and they both comfort and empathize with each other while in prison. The story has a strong message of hope, spirit, determination, courage, and desire.

Paradise Now is a 2-hour film released in 2005, it depicts a perspective alternative in a highly controversial topic of suicide bombers or also known as a ‘martyr’. The movie takes place in Palestine during the Israeli occupation and illustrates the mundane life and frustration felt by the main characters Said and Khaled due to the oppression experienced during the conflict. A key feature that is also portrayed is the reasoning, and almost justification of an attack on that level. However, the perpatrators can be seen showing feelings of hesitance and even inquisitiveness in relation to the afterlife that they are promised and whether violent resistance is the last option. This paper, will discuss how “Paradise Now” provoked my views and

In this paper, I will compare my real world experiences at local Alcohol Anonymous’ (AA) meetings, which I attended while enrolled in this course with that in the movie, Thanks for Sharing. Both are based on the lives and experiences of recovering addicts of either substance abuse or sexual activity. This paper will cover the stories and lives of the characters involved. Stuart Blumberg directed the movie in 2012. All movie character references in this paper are taken directly from the actual movie.

Edmonson, J. (2009). Let's be clear: How to manage communication styles. T & D, 63(9), 30-31.

To give a proper analysis of "The Grand Budapest Hotel", it is necessary to understand the several layers through which the story is told. The film begins with a monologue from the narrator (presumably in the present day) describing to the audience what it is to be a storyteller. He then proceeds to give an exact account of how he, a writer, came to meet and have dinner with an old gentleman named Zero Mustafa when he was staying at Grand Budapest during its "decline into shabbiness." The body of the film is then presented from Zero 's perspective during the course of an elaborate dinner, as he tells our narrator how he came to own the Grand Budapest. The storyteller seems to be an omnipotent paradigm of the film, and Wes Anderson seems to be encouraging people to tell the story of others. As stated by the narrator at the end of his opening monologue: "Of he who tells the story of many, many stories will be told." "The Grand Budapest Hotel" is the story of relationships; the relationship between Gustave and Zero, and the relationship between the Grand Budapest itself and the characters that inhabit it the relationship between storyteller and audience.

I remember planning for this day for about two years. When I would finally get the chance to be with my best friends and take a road-trip to California to go to Disney Land, and now that the time to take that trip has come and gone I would like to talk about my most important journey.