Finch Andrus

Have you ever wonder how Pixar create their movies? Although Pixar movies look like drawings there is a lot of math and science that goes into them. Danielle Feinberg is Pixar’s director of photography she uses math, science, and code to help create our favorite Pixar characters. During the TED Talk, The magic ingredient that brings Pixar movies to life the speaker Danielle uses pathos, ethos, logos in the speech to keep the audience engaged.

Almost every fall, Disney and Pixar would team up and create a family friendly film that would have “anthropomorphic creatures or objects rendered with state-of-the-art computer graphics.”(Babich 235) Then later on in the summer Disney would come out with one of its more classic movies ,a 2D animated film

As any cliché artist would say, “I started drawing a lot when I was younger;” but not me –I can’t remember when I started to enjoy the arts. I have always been driven to create and express myself. I painted scenery to calm my nerves, draw intricate objects to focus on details, and draw dynamic poses to allow development of my eye. The mountain of used sketchbooks fills its’ own bookcase, dating back to early elementary years when I would create little stories much like a comic book. Despite my deep love for the arts, I always loved animation much more. Animation is the perfect blend of drawing and creating visual aid, while elaborately designing a storyline and plot to engage the audience –animation lets the average audience member to feel

What images come to mind as you reflect on your childhood? Playgrounds, blackboards, and soccer balls may be among the warmest of memories. Yet for many mermaids swim their thoughts, princesses get swept of their feet, and lions roar to their loyal place in the animal kingdom. There is no doubt that today’s entertainment has most of its touch using classical influences. Walt Disney has produced animated films that have captured the heart and imagination of audiences of all ages around the world through the magic of storytelling and imagery. Many of us appreciate the imagination and magic that Disney puts into its animations with out knowing they are based off of classical and traditional storylines

The Beak of the Finch by Jonathan Weiner explores evolution through the most famous examples in history—the finches of the Galápagos Islands. Charles Darwin’s theory of natural selection and the process of evolution are applied directly to what scientists refer to as Darwin’s Finches. Weiner follows scientists Peter and Rosemary Grant as they study the finches in real time on the Galápagos. Years of previous work, study and data is collected and analyzed. Different species of animals are observed and explained throughout history. The Grants have one goal, and that is to find the origin of the species, how organisms first began. They find that it really is about the “survival of the

In the book “To Kill a Mockingbird” Scout Finch is the narrator (DBQ Project, p.7). She tells about the different things that happened in the town of Maycomb, Alabama during the 1930s (DBQ Project, p.7). She also talked about the people in the town. Scout talked about a specific trial that completely rocked the town. The case involved a white girl named Mayella Ewell and an African American man named Tom Robinson (DBQ Project, p.7). Mayella Ewell had no friends, she was poor, and because of her gender was not looked at as superior, although under those circumstances she was able to have influence within the case based on her class, gender, and race (DBQ Document A, p.13).

Characters of Walt Disney Animation Studio movies have become beloved all over the world since releasing its full-length animated feature film Snow White and The Seven Dwarfs in 1937, and all the way to the musical fantasy-adventure film, Moana. Young or children at heart, Disney has hit the hearts of many across the world but is there more behind the classic stories of Cinderella, Belle, and Mulan than first thought. As for the development of Disney female leads, Walt and his animators looked for stories to tell, from fables, fairy tales, legends, to the universal realities that can be found there. As the part of women has lengthened and altered, particularly in the twentieth century and now the twenty-first century, the stories are tending

When it came time to hire Eisner, Schneider, a Disney’s first president, explained, “…Michael [Eisner] had an amazing track record coming from Paramount. He’d had hits, Oscar nominations, Terms of Endearment. He was a winner when he was hired to come in and run Disney. He also was a man who liked to blow things up.” Eisner had a lot of experience in the film industry and was very successful, too; he was the perfect fit to help bring Disney out of their downward spiral. With Eisner’s help, he was able to use his previous experience at Paramount to lead Disney to success once again. Similarly, Katzenberg was willing to help lead Disney out of their misery by being the lifeline of the film division. Eisner recalled, “He was a worker. He was committed. He was obsessed”. When the film division no longer had hope, Katzenberg was there to guide it to something more than it had ever been before. He made the animators excited and pushed them to the next level. He held them to high standards. He never stopped until the drawings reached perfection; if that meant hundreds of edits to one drawing, then he would wait for the edit that eventually made the drawing flawless. With his determination, he was able to lead the film division to produce The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King, and many

Animation these days is about the bigger picture. It’s about the idea of not losing faith. It’s about how powerful a tool ‘hope’ is, and that anything is possible if you believe in it. It’s about how people are equal and they all have the same opportunities,

Almost Half of a century of working for Walt Disney Productions went by when Les Clark decided to retire from the animation industry 1975. Clark was the first of Walt Disney’s legendary “Nine Old Men” (an affectionate term in which Disney adopted from Franklin D. Roosevelt when referring to his key animators). In 1925 Walt Disney was pleased with some drawings a young man who he had met at a candy store near the Walt Disney Studio in Hollywood. On their first meeting he had been impressed by the lettering Les had done on the menus. Two years later, with no formal art training but an avid interest in the new medium of animation, he asked Walt Disney for a job. He was cautioned that it might be temporary and that temporary job lasted 48 years

Life is unpredictable, good and bad things are inevitable. Things are going to happen that will change you forever. In the book To Kill a Mockingbird by Harper Lee there are young kids that all experience things that help them mature and change quicker than most children their age, but as you know everything happens for a reason.

In a world where technology is rapidly developing and evolving, it is sometimes hard to keep up with the changes that are made. When looking back on changes that are made it is particularly interesting to look at the development of animation over history. Today when one thinks about animation it is impossible not to think of Disney and their major motion pictures. The Shreck films, Finding Nemo, and Happy Feet, to name just some of the dozens of animated films Disney has produced, raked in million upon millions of dollars at the box office, and have been hit films with people in all age groups.

Pixar has exceptional talents not only in art and film making but also in science and technology. It has a group of engineers

Pixar Animation Studios as we know today, was started as in 1984 when John Lasseter, chief creative officer of both Pixar

Pixar Animation Studios was founded in 1979, initially specializing in producing state of the art computer hardware (Carlson, 2003). In 1990, due to poor product sales the company diversified from its core business and began producing computer animated commercials for outside companies. Success came for Pixar after the production of its first computer animated film ‘Toy story’ in 1995 (Hutton and Baute, 2007). Since then, Pixar has made many innovative animated feature films, with well known ones including - A Bug's Life, Toy Story 2, Monsters, Inc., Finding Nemo, The Incredibles, Cars, Ratatouille and WALL-E, six of which are in the top grossing animated