Finding True Freedom in The Awakening
Kate Chopin's novel, The Awakening details the endeavors of heroine Edna Pontellier to cope with the realization that she is not, nor can she ever be, the woman she wants to be. Edna has settled for less. She is married for all the wrong reasons, saddled with the burden of motherhood, and trapped by social roles that would never release her. The passage below is only one of the many tender and exquisitely sensory passages that reveal Edna’s soul to the reader.
"The voice of the sea is seductive; never ceasing, whispering, dancing, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the
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She would sometimes gather them passionately to her heart; she would sometimes forget them" (37). There is nothing wrong with lacking the maternal instincts that Edna does. What is wrong is living in a society that makes you feel guilty for not bearing litter after litter, and then fussing about them until your dying day. Thus, Edna endures her thoughts in secret shame: "Their absence was a relief, though she did not admit this, even to herself. It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her" (37). Mrs. Pontellier was not meant to be some matronly icon. This situation is a prime example of the life she did not voluntarily choose, but was forced to live. Edna was, in truth, no less of a woman for her instincts (or lack thereof). She only had the misfortune of living at a time when such choices were unacceptable, when women were still judged by the softness of their bread and the size of their brood.
In addition, Edna had more or less stumbled into her marriage, which was "purely an accident" (36). She did it to spite her parents, because Leonce "worshipped her" (37), and because she realized that "no trace of passion or excessive and fictitious warmth colored her affection, thereby threatening its dissolution" (37). While this is practical and realistic, it sounds remarkably unlike a marriage out of love; a marriage that would fulfill her desires.
Edna may
But they need not have thought that they could possess her, body and soul" (504). Although Edna did perform her duties as a wife for some time, she is not the typical housewife. She does not worship her husband or idolize her children, which makes both Edna and Leonce begin to sense that Edna is different from the other mother-women (Lin 1). Edna never realized the reasons she neglected her duties as a wife until she fell in love with Robert and acknowledged that her desires and needs exist outside of her marriage. Thus, after her experiences with Robert, Edna is ready to neglect her husband even more, because she now realizes that her husband is holding her back from her needs. When Leonce tries to make Edna act like the other women that obey their husbands, his attempts to control Edna further instigate Edna's desire for independence from him. For example, the scene when Edna is lying in the hammock, Leonce says: "I can't permit you to stay out there all night. You must come in the house instantly," Edna replies: "I mean to stay out here. I don't wish to go in, and I don't intend to. Don't speak to me like that again; I shall not answer you" (492). Edna is carefree and spirited, and she refuses to conform to her husband because she does not want to lose herself. Becoming the perfect, obedient wife would mean losing her individuality, and Edna realizes she can gain no fulfillment
In The Awakening, Adele is a pivotal character in causing Edna’s awakening but another character I view as the most pivotal and significant in causing Edna’s awakening is Leonce Pontellier. Mr. Pontellier constantly views Edna as his finest possession and disregards all feelings she has almost as if he is taking care of her like a pet. In essence pampering her with money and gifts similar to how a pet owner gives their pet treat, in return he expects a well behaved wife that will follow through his every command, such as when a pet does tricks for their owner on command. The earliest examples of this pet treatment in the book is when Mr Pontellier comes home from Klein’s hotel and awakens Edna from her slumber just to express how his night at the hotel went while she was left behind. Without regard to the fact that she was
She didn’t care about her children she completely abandoned her Tuesdays at home and did not return the visits of those who had called upon her. She made no ineffectual efforts to conduct her household, going and coming as it suited her fancy, and, so far as she was able, lending herself to any passing caprice. (Chopin, 1899, pg 45) based on this quotation Edna isn’t herself anymore and does anything she wants without her husband’s permission. Edna is also cheating on her husband by “awakening” and hanging out with her true love Robert. Based on chapter XXVI “You are purposely misunderstanding me, ma rein.
The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.
The ending/suicide of the protagonist of Kate Chopin’s novel The Awakening, Edna Pontellier, is complex and controversial. In the 19th century, motherhood and wifehood were women’s priorities. Edna Pontellier, as a wife and mother, does not enjoy her duties. The encounter with Robert and the sea awakens her spirit and passion, which changes her inner self but also eventually leads to her death.
By giving her children a sense of independance early which may enable them for success later on. While other children of the times may have a pseudo unhealthy reliance on a mother, much like Robert's brother Victor who still lives at home. Another more risky thing she did was make a statement that most women even now wouldn't agree with. Edna states: “I would give up the unessential; I would give up my money, I would give my life for my children; but I wouldn't give myself.”(Chopin 47) This statement holds quite a lot of weight in the way we can view edna. Some may call her selfish for a lack of an undying love for her children. But I view it as brutal honesty. The fact that edna is coming to this conclusion and fighting the ever pushing stream of society really shows how she is trying to fight. Giving up one's self is a very dangerous thing to do. For once you give too much you can lose who you are. But too little and people can lose sight of what you can be/who you are. As a mother edna realizes this and decides to make herself known in a different way than as a mother-woman.
Edna’s children are different from other children, if one of her boys fell “…he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing”. Edna is not a typical Creole “mother-woman” who “idolized her children (and) worshipped her husband” (8) and at times that results in her husband’s claims that she neglects her children. Edna’s children leave her attached to her husband, and even if she is somehow able to escape the relationship with her husband she will never be able to escape her children. She realizes this and whether consciously or not, doesn’t care for her children the way this is expected of a woman in her time period. When Adele Ratignolle reminds her to, “Think of the children!…Oh think of the children! Remember them!” Edna finally realizes her decisions affect her and her children. Instead of accepting her responsibility as a mother Edna decides to give up, and does so by committing suicide.
We further notice Mr. Pontelllier’s traditional thinking in Chapter three, when he notifies Edna that one of their sons is suffering with a high fever. When she doesn’t instantly jump up and run to check on her son (whom she is quite sure did not have a fever), he accuses her of being neglectful and notifies her that it was her place to look after the children. This scene is where we first take notice of Mrs. Pontellier’s dissatisfaction with her marriage and perhaps her life.
In the novel The Awakening, Kate Chopin (2005) uses deep symbolism to show how the main character, Edna Pontellier, discovers her own independence in the society in which she lived. Edna was a traditional mother and wife seeking freedom and independence throughout her adult life. Chopin portrays Edna as being a rebel against her own life. The story takes place in the 1960s when women were to follow certain rules made by the society they lived in. Chopin also foreshadows the things that occur in Edna’s life through nature and death itself. Based on the many ways Chopin uses symbolic meanings through the novel, we can see the events of Edna’s life as one that rebels against society. Throughout this novel, Chopin proves that Edna’s actions
In Kate Chopin’s novel, The Awakening, forms of liberty are very prominent and show themes such as rebellion, independence, and freedom. In the novel feminism as well as stereotypes also help back up these themes, as they were especially effective during the time period during which the novel was published. The themes, tried to persuade a change in women’s civil rights no matter the controversy of the time. First and foremost, when talking about feminism, there has to be some sort of rebellion in order for any part of feminism to cause change in equality. Rebellion is seen right from the start of the book when Edna Pontellier, our protagonist, embellishes herself in an exotic and provocative outfit, an outfit of which was not ideal at all for
She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.
Leonce Pontellier, the husband of Edna, is the story 's antagonist. He is materialistic, due to him being a wealthy businessman, and also forty years old. His high status came at a cost; he is very concerned with appearance and how others view him."The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her goodbye, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet” (18). He also treats Edna as mere property "You are burnt beyond recognition," he added, looking at his wife as one
She was pressured to marry Leonce by her father and older sister. Along with marriage came the pressure to have children. She is forced into these roles but never actually succumbs to them. Edna not only has Madame Ratignolle's friendship and her marriage to wake her up to her dreams and emotions, her affairs wake up to her desires. The way the different male characters treat her reminds her that she will never happily fit into the role of a wife and mother, therefore awakening her.
The story, The Awakening, is about Edna Pontellier’s internal conflict between her desire for independence and her need to remain a high-class member of society. When away on summer vacation Edna has the realization that she has control of her own life and begins to focus on her self and not what others think. During her awakening, Edna is faced with much resilience from her husband and friends and instead of becoming someone she is not, Edna Pontellier ends her own life as she sees it is her only option. The author, Kate Chopin, uses many characters to exemplify the conflicting ideals emerging in Edna; particularly Madame Ratignolle acts as a foil to Edna’s newfound persona, instead symbolizing the conservation of a traditional
Kate Chopin’s The Awakening depicts Edna Pontellier’s struggle to find and assert herself within the cultural constraints of late 19th century America. Like her name “Pontellier”, which means “one who bridges,” it implies that Edna is in a transition between two worlds but not fully embedded in either. Her intent is to bridge the limited world of the mother-woman to that of selfhood.