Fire and Heat Imagery in Charlotte Bronte's Jane Eyre Essay

To set the stage in “Jane Eyre” our Protagonist, Jane Eyre is deceived by Mr.Rochester, one of the antagonists in order to “protect” his love, Jane. Mr. Rochester’s deception begins

Jane is desperate for love and therefore her vibrant passion creates her vivid personality. Charlotte Bronte’s writing style is complex, and emotion filled. Her sentences are contain numerous adjectives and sensual images. Brontes unique style is powerful and strong and filled with emotion and imagery as we captures in the life of Jane eyre. Jane is a strong willed and a strong-minded individual which shines through even at her earliest years. Living a Gateshead, Jane displayed her strong nature. For example, Charlotte writes about Jane after she was hit by her cousin, “my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigor." (p. 22)

We first encounter this relationship between Jane and Rochester during their first dramatic meeting. She encounters him when he falls off his horse and she is required to give him assistance. Jane’s first impression of his face is that ‘He had a dark face, with stern features and a heavy brow’. This may portray the dimness in his face awaiting to be enlightened by a woman which, in this case Jane. Further on in this chapter, unaware of who he is, on her return home, Jane is amazed to discover that the gentleman she assisted in the road was her employer, Mr. Edward Rochester. Jane’s future relationship with Rochester is most clearly set out in their first meeting. Although without any money, reserved and socially dependent, Jane is not

So, Rochester showed the brother (Richard), the priest, and Jane his wife. He explained how Bertha had lit his bed on fire, stabbed Richard, and destroyed Jane’s wedding veil's; she was more a monster than a wife. Heartbroken by learning of this marriage, Jane fled to her room where she stayed for hours upon hours. "Jane Eyre, who had been an ardent expectant woman - almost a bride - was a cold, solitary girl again: her life was pale; her prospects were desolate (341)." When she finally emerged, Rochester tried to convince her to stay with him. “I have for the first time found what I can truly love–I have found you. You are my sympathy–my better self–my good angel–I am bound to you with a strong attachment (363).” This was not something she could not do; as Rochester said, "...[It would] strip you of honour and rob you of self-respect (346)..." The next morning, Jane left Thornfield Hall with some money and few possessions. She did not say goodbye to

On page 83, Mr. Rochester has a “massive head”, “granite-hewn features” , “great dark eyes” and fine eyes too”. The reader is supposed to think of him as someone who is a predator towards Jane because of his mean looking and dark features and because of Jane’s past experience with men in power. Readers are supposed to be wary of Mister Rochester.

The definition for a motif is essentially an important idea or subject that is repeated throughout a book (Merriam-Webster). A motif of fire and ice was present in this novel through a binary of love and hate. In Jane Eyre, written by Charlotte Bronte, binaries were created using different elements within the novel, symbolism, imagery, etc. While profoundly reading Jane Eyre, I tracked the image/motif of fire and ice. The fire and ice are used throughout the story to thoroughly develop a binary between love and hate.

The love relationship between Jane and Mr. Rochester is not one to be called "at first sight", because at their first encounter, Jane does not seem to feel any kind of attraction towards the one who in the end will become her husband. Their love grows steady, it is not spoken and it is built with baby-steps, through gestures I believe the two protagonists are not completely aware of. Jane finds Mr. Rochester fascinating in a good and bad way, at the same time: "The ease of his manner freed me from painful restraint; the friendly frankness, as correct as cordial, with which he treated me, drew me to him" (Chapter 15). A new territory is revealed before Jane's eyes and her strict religious beliefs seem to fade in front of her growing passion for her master. The passion I am arguing about is so strong that it eventually makes the heroin think of nothing but her ideal lover. Passion is physically present in the novel through the symbol of fire, first in the night when Rochester's bed is set fire and finally, when the castle of Thornfield burns to the ground. In the first situation the reader surprises an intimate moment between the protagonists, when Jane rescues her master and he speaks to her in a manner which confused and yet gave her wings: "Strange energy was in his voice, strange fire in his look. [...] But he still retained my hand, and I could not free it. I bethought myself of an

Furthermore, Jane says “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Chapter 27, Bronte.) This statement greatly represents the growth that Jane has undergone. She no longer dreads the solitude that once haunted her because she respects herself enough to realize that she did not deserve to experience such great dismay. Through independence and self-recognition, Jane has discovered the importance of loving oneself. Without the reliance on the thoughts of others, the once extremely troubled girl found bliss through a lack of outside control. In regards to her relationship with Mr. Rochester, Jane understands that she must leave him behind to maintain her own well-being. She does not allow the wealth or proclaimed love from Rochester to skew her decisions and she does not linger to dominate the life of her lover. Instead, she moves forward to continue her endless pursuit of happiness and independence.

In the novel Jane Eyre, author Charlotte Bronte reveals the emotional constraint and imprisonment of the protagonist Jane. Bronte unravels these feelings through the application of imagery. Bronte further emphasizes the constraints by connecting the images. Author Bronte portrays Jane as frail and secluded when she says, "I sat cross-legged like a Turk... having drawn the red moreen curtain nearly closed." By utilizing imagery, Bronte successfully paints the image of Jane closing herself off.

While Jane’s time at Gateshead demonstrated her immense sadness, Jane’s time at Thornfield reveals her sadness through depression, as it begins to evolve into anger and an internal struggle. Her correlation with madness and anger begins to appear when she goes into the attic. She states “I climbed the three staircases, raised the trapdoor of the attic, and having reached the leads looked out afar over sequestered field and hill, and along the dim skyline- that then I longed” (Bronte 114). Jane is trapped inside herself. She longs to escape from her emotions and internal struggles, yet cannot. The attic, the abode of Mr. Rochester’s insane wife, houses Jane’s emotions. She climbs up to the attic and views the world beyond it. She

Jane is filled with passion, however, and her willful disobedience is often her attempt to explain her feelings.  We see her passion find its fulfillment and understanding in Rochester.  When they meet, we see Jane's all-consuming passion and not much less of a fire in Rochester, "'I saw it in your eyes when I first beheld you: their expression and smile did not (again he stopped) did not (he proceeded hastily) strike delight to my very inmost heart for nothing...My cherished preserver, good night'.  Strange energy was in his voice, strange fire in his look" (Bronte 133).

“One is very crazy when in love” (Freud). Freud made this statement nearly one hundred years ago. As one of the founders of modern psychology what would he have to say about the mad woman in the attic? Was she mad, in love, suffering from hysteria, or simply a product of nature versus nurture? Neither of which were very kind to her. In Jane Eyre we as the readers are presented with a singular perspective in nearly true to form autobiographical narrative. From Jane’s viewpoint and from a mid 19th century depiction of mental illness, the original Mrs. Rochester is hardly a person to sympathize with. Yet there is much more to this tale that is desperately begging

    Charlotte Bronte wrote the novel Jane Eyre in the mid-eighteen hundreds. In her novel she expresses her views on many important factors present during this time including social problems such as race, class, gender, and the role of religion. Each of these factors affects the way that the protagonist, Jane Eyre, grows as a person. Throughout the novel Charlotte Bronte uses images and symbols that either influence or represent Jane's growth. Bronte uses a common imagery throughout the novel reflecting images of "fire and ice." She also uses symbols in Jane's life such as the red-room, from her childhood, and the character Bertha Mason Rochester, during her time at Thornfield. Other characters who

Towards the end of the book, Rochester redeems himself to be made worthy for Jane. When Jane leaves Rochester, he is left with his mentally insane wife. Although, we have the impression that Rochester is a cold, harsh man, Charlotte soon portrays us that he is brave and is kind. We know this because, soon after Jane leaves, Bertha sets Thornfield Hall on fire, and then tries to jump off the roof. Rochester tries to stop her,

Bronte takes the fire and transforms it to illustrate the image of sexuality and passion. By doing this, she also proposes the way in which internalized feelings of opposing ideas give into self-depleting energy through the loss of self-control. Here, Jane has the fear of becoming like Mrs. Reed. She comes to the realization that if this is not what she wants to be like, then she must keep her passions under control. Otherwise, she could become "black and blasted after the flames have died." This is presented to embody what Victorian society believed to be true and is a fine example of everything that it despises, which is namely the expression of passion. The fulfillment of self becomes the foundation of society's views, on which the fears of women and their passionate behaviors are laid.