Comparing Fitzgerald's The Great Gatsby And The Tragic Hero

Gatsby’s goal for a part of his life was to become rich and be a better man in Daisy’s eyes. Now that Daisy could finally see what he had accomplished, Gatsby is in a daze, as if nothing that is happening is real. Next, he starts to think that the five years of dreaming and imagining of this day did not seem as great in reality. He had formed such an ideal of how Daisy would perform, that it did not seem to be living up to his dream.

According to Aristotle, there are a number of characteristics that identify a tragic hero: he must cause his own downfall; his fate is not deserved, and his punishment exceeds the crime; he also must be of noble stature and have greatness. These are all characteristics of Jay Gatsby, the main character of Fitzgerald's novel, The Great Gatsby.  Jay Gatsby is a tragic hero according to Aristotle's definition.

During the first chapter we learn that from Nick that Gatsby is a very optimistic and hopeful man. He's done his best to prosper in life but we learn that he has hopes for more. Also we learn that his hope is what drives other characters. Then we find out through Jordan that Gatsby wants to meet with Daisy but is afraid. That is why he always holds such lavish parties, Jordan tells Nick,"I think he half expected her to wander into one of his parties..,but she never did.". Later in the story after Gatsby has spilled the beans of he and Daisy's affair he hopes and waits for her to come to him. In the end she does not and this is where we actually see a genuine act of despair in Gatsby, "Nothing happened.., I waited, about four o'clock she came to the window and stood there for a minute..". Overall, Gatsby goes through having his hopes crushed entirely by the end of the novel. But the hope he actually had was false because all along he knew what he had dreamed for wouldn't really work out and you can see this in many chapters of the book.

Jay Gatsby, the title character of the novel is an incredibly wealthy young man, living in a medieval mansion in West Egg on an imaginary area of Long Island. Gatsby has many laudable traits. For example, he is filled with optimism and the ability to transform his dreams into reality. Jay is also extremely faithful to his true love, Daisy Buchanan, even to the point of death. When we first meet Gatsby, he is the aloof host of the fantastically opulent parties thrown every weekend at his mansion. It appears he is surrounded by wondrous luxury and is courted by beautiful women and the rich and powerful men of the time. Jay is also a very admirable character due to his status of wealth and being a hero of War World I, “In the Argonne Forest I took two machine gun detachments so far forward that there was half a mile gap on either side… I was promoted to be a major, and every Allied government gave me a decoration- even Montenegro”. However, Nick who narrates the book views Gatsby as a flawed man who is dishonest, deceitful, a liar, and a dreamer whom is searching for answers in the past, “he talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself, perhaps, that had gone into loving Daisy… if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was…”

Although Gatsby was unrelenting on reliving the past, Gatsby vaguely lived for the present. This is evident when he cancels his biology by leaving home, changing his name, and leaving his heritage behind which was not done by following the past. In the past Jay Gatsby made a platonic notion of himself. What Nick said about Gatsby's spiritual theory of himself was that Gatsby "...was a son of God?" (104). From Jay Gatsby's hypothesis he makes an ideal conception of himself, of which he projects himself into the future. Eventually, Gatsby is left with the choices to "...suck on the pap of life, gulp down the incomparable milk of wonder," (117) or kiss Daisy and "...his mind would never romp again like the mind of God". In Gatsby's choices he is to ascend "the ladder" to God which represents Gatsby's future, or choose Daisy and the past. Since Gatsby idealized the past could be his future, from Gatsby's kissing Daisy, he is leaving his past perfect platonic conception of himself by choosing no longer to have his mind think like the "mind of God". In conclusion, Jay Gatsby begins to make his future from his present even

According to Aristotle, a tragic hero character can be defined to be of noble status, but not necessarily virtuous. There is some aspect of his personality that he has in great abundance but it is this that becomes his tragic flaw and leads to his ultimate demise. However, his tragic ending should not simply sadden the reader, but teach him or her a life lesson. In The Great Gatsby, by F. Scott Fitzgerald, Jay Gatsby is the tragic hero who portrays the corruption of the American dream through his tragic flaw. His devastating death at the end of the novel portrays the dangers of centering one’s life on money and other materialistic things and warns the reader not to follow his foolish steps. Jay Gatsby is the epitome of a tragic hero; his

For years, Gatsby has designed and obsessed over this moment in his mind, creating his ideal reunion with Daisy. All he has thought about is the day they would once again meet. Daisy, of course, does not live up to these impossible expectations. As Nick Carraway states in his narration, “No amount of fire or freshness can challenge what a man will store up in his ghostly heart” (96). Gatsby became disillusioned, realizing he will never have exactly what he wants, for Daisy to be completely devoted to him. Gatsby knows this deep down, and now his life has been built around a disappointment. Gatsby’s one reason for life has slipped through his fingers and all he is left with is a big empty house and meaningless money. Furthermore, Gatsby’s actions and thoughts reveal the reality of life: disappointment is inevitable. Sven Birkerts further explains the feeling of disillusionment, in his article A Gatsby for Today, when talking of “the reckless rush away from the centers of gravity, and the sudden, terrible realization that gravity writes no exceptions” (123). Often times one builds up expectations, as Gatsby did, only to realize they are

However, Gatsby’s life is ultimately taken away due to his burning desire for hope. His naivety in re-creating the ‘love’ he had with Daisy causes him to become a victim of his own wrong doing, the lies and the wealth all catch up to him in the end.

     In The Great Gatsby, by F. Scott Fitzgerald, the main characters Tom and Gatsby are both similar and different in their attitudes and their status. Both Tom and Gatsby have attained great wealth and live in very lavish conditions. They differ greatly, on the other hand, in the way that they acquired this wealth, and the way in which they treat other people. Even though both characters have great amounts of wealth, they are almost complete opposites due the way in which they acquired their wealth.

The 1920s is the decade in American history known as the “roaring twenties.” Scott Fitzgerald’s novel The Great Gatsby is a reflection of life in the 1920s. Booming parties, prominence, fresh fashion trends, and the excess of alcohol are all aspects of life in the “roaring twenties.”

When Cody died, he left the boy, now Jay Gatsby, a legacy of $25,000. Unfortunately

In the novel, The Great Gatsby, by F. Scott Fitzgerald, many of the characters live in an illusory world and only some can see past this. In the novel, West Egg and its residents represent the newly rich, while East Egg represents the old aristocracy. Gatsby seeking the past, Daisy is obsessed with material things, Myrtle wanting Tom to escape her poverty, George believing that T.J. Eckleburg is God, and Tom believing he is untouchable because of his power and wealth are all examples of the illusion v. reality struggle in the novel and Nick, the only character aware of reality, witnesses the fall of all the characters around him to their delusions.

1. We see all the action of The Great Gatsby from the perspective of one character whose

Any American is taught a dream that is purged of all truth. The American Dream is shown to the world as a belief that anyone can do anything; when in reality, life is filled with impossible boundaries. In the novel, The Great Gatsby, F. Scott Fitzgerald gives us a glimpse into the life of the upper class during the roaring twenties through the eyes of a moralistic young man named Nick Carraway. It is through the narrator's dealings with the upper class that the reader is shown how modern values have transformed the American Dream's pure ideals into a scheme for materialistic power, and how the world of the upper class lacks any sense of morals or consequence. In order to support Fitzgerald's message

I sat across the booth from Luke. I looked at him with a pessimistic glare, judging him for the old, tattered sweatshirt he wore on our date to what used to be our most beloved diner. Every disinterested move he made towards me felt like a dagger to the chest; each comment or shrug he gave proved again and again that he had given up on our relationship a long time ago. The fire was gone—he felt nothing. And for some reason, there were six words that came back to mind and my mouth again and again: “I just want the passion back.” They represented perfectly everything I had felt. And yet, these words were futile and hopeless—they bounced right off of him and hit me back in the face harder with each time I said them. The strangest part of the whole situation: I was and never have been in a relationship with Luke. In reality, we have never actually been on any dates, and I can say with pretty high confidence that I am not attracted to men. And yet, we still shared this experience and had this conversation. I had even taken away major lessons from it. However, these lessons were not about what my status was in finding a soulmate. Instead, they were deeply rooted in self-awareness and the importance of knowing your purpose when performing as a character. It was just another day in class.