Five Key Roles Of A Musical

All the performers who would come up on stage were male professional actors, singers, and dancers and some people would help them to represent a vast variety of human and non-human characters by wonderful costumes and highly decorated face masks. The main actors and two other actors performed in all of the speaking parts. Sometimes, a fourth actor could be allowed to perform only if this actor was non-instrumental to the plot. These restrictions were to ensure the equality of the competition and to keep down the costs to the state, which funded the professional actors. The Chorus, costumes, musicians, and rehearsal time were funded by an appointed private citizen, a khorēgos, who was carrying great prestige.

Firstly, the role of a director is important because they have to make sure they have someone that can manage all aspects of the company and they can make sure

It calls for need to identify the central idea and unify the interpretations of different scenes with their relevant characters. Important as well to be able to harmonized the movement of actors on the stage and merge them with the pace of every scenery and line. Necessary also is the ability to plan and coordinate lights, sound effects, scenery musical accompaniments and all other production components. Directing is the function that brings quality and completeness in theatre production enabling the team to achieve their artistic visions(Innes and Shevtsova 34). Directing requires collaboration with other sub-disciplines hence the need to have various skills in each of them for a harmonized work relationship. To occupy the position of directing one should be able to assume varying authority and responsibilities. One must as well b e able to utilize a wider assortment of philosophies, techniques and collaborative levels. Due to this fact there is growing demand for professional training programs in directing. Theatre directing however presents an opportunity for the person to learn the skills involved while on the job. Theatre house therefore have in-house education systems which provides a chance for constant and continuous learning. Directing is an evolving aspect of theater due to emerging trends and new

Theatre and Musical Theatre has been a form of entertainment since before North America was “discovered”. Broadway shows have been dated back to the early 1920’s and 1930’s. By 2016, over 25,000 tickets are sold to Broadway shows in a week. Thousands of people enjoy the shows that are featured on Broadway but have no idea the work and process that brought it to life. The process of getting a show on to Broadway can be broken down into three phases: pre-production, staging, and performance/promotion.

Technical Virtuosity. Choreography has form and structure, harmony and order, repetition and symmetry. Similar to court dance. For example: The Swan Lake has 32 Fouetes, Shortened toutus support virtuosity movement, pointe shoes got harder and wider, pas d'action becomes only a small part. Narrative tells about Good vs Evil, Hierarchical form.

1. Executive director: we have one executive director and is responsible for the day-to-day operation of the center, which includes developing the business plan with board members, managing staff and meeting with other

Producers have financial and administrative control over the making of movies, plays, and TV shows. Producers hire directors, principal members of the cast, and negotiate contracts with artistic personnel, often in accordance with collective bargaining agreement (“Actors, Directors, and Producers” 180). Together with the

The deputy stage manager is especially important in the rehearsals and the time running up to the performance. They will work with the director in the rehearsal to make decisions about blocking and notes for the actors. The DSM will also work closely with the technical crew, they will inform them when their cues are coming up during the performance.

Starting in the golden age of 1950, a Broadway musical's critical judgement depended on how well the show’s elements were formally integrated. Meaning the outlook of the plot in relation to the music, lyrics and characterization of gender roles. Gender is a fundamental element of Broadway musical theatre, constitutional to the musical’s architecture. It is essential as a building block for characters, music/lyrics, and stage settings. Broadway musical is a popular art, in which conveys social issues in the female gender from the representations of women in the 1950's to today. The Broadway musical participates in a larger conversation about gender and sexuality because it is a commercial, profit-seeking, artistic commodity, entertainment form, and cultural product. Broadway musical is a mainstream form that needs to relate to middle-class audiences’ desires and expectations, one might expect only social issues and stereotypical representations of women. The female gender stereotypes are represented in Broadway musicals portrayed by the character's roles. As time went by, the portrayal of the female characters in musicals changed because of the representation that women in today receives. Thus, these musicals explore social issues of the day, including women’s rights and changing roles in U.S. culture, sometimes directly and sometime obliquely. Therefore, the Broadway musical venerates female performers and provides substantial roles for women.

I feel that having a good beat and interesting dance numbers is important for captivating the audience. The costumes and sets are the most interesting production aspect because they are easily overlooked yet, they set the mood and tone of the musical and create the atmosphere on which the whole plot of the musical revolves. I am most curious about the choreographers because when you watch a musical you see the dancers doing the steps but I’m interested to learn about the creative process that goes into creating the dance scenes. I am also interested in how or if the choreographers work with the composers. Do they collaborate in composing the music to go with style the choreographer wants for the dance piece or is the music composed first and the choreographer works based on the music? An aspect of the American musical theater and dance entertainment business I would like to pursue research on is the producing of musicals, because beyond providing money for the creation and execution of the musical I am interested in how much input and involvement in the shows creative aspects the producer has. I would like to learn more about what

Dance was not a new element in the theatre realm. It had been used for years as a way of interpretation of feelings of a character that the writer or director wanted the audience to feel visually. Through movement, expression of those feelings was portrayed and helped the audience to somewhat

​Choreographing isn’t like most passions. It gives complete artistic freedom to mold thoughts into existence. It gives me joy, challenge and influence. Evidently, dancing is what led me to finding my love for choreography. I’ve been a dancer for fourteen years of my life and now I want to lead the future dance industry in to new places. I want to make dance available for all people. Dance is very subjective so non-dancers become intimidated by the uncertainty on whether their opinions are valid, because they haven’t been exposed to dance since pre-school like many dancers. Overall, I want to make the future of dance

In relation to theatre, Much like a general contractor or engineer supervises an architectural project, the technical director oversees the design, management, and execution of all technical elements of a live show. Because all production companies and theaters operate differently, the exact scope of this person’s job varies, but essentially the responsibilities are the same. The TD establishes a production budget and allocates funds to individual departments like sets, costuming, and audio; she or he assesses the equipment needs of the production based on the artistic designs and hires appropriate crew. In conjunction with the prop master, master electrician, and other crew chiefs, the technical director coordinates the show build from the ground up. She or he makes sure the audio array is hung and costumes are fitted in accordance with the production schedule. A certain amount of administrative tasks fall under the TD’s purview, as he or she is the person responsible for securing permits, adhering to OSHA safety standards, and liaising with the fire marshal. The technical director is both a lead technician and a business administrator who must account for payroll, expense reports, and inventory.

Lastly, but likely the most important part of theater is the orchestra. In its simplest form the orchestra is simply a circular plot of land designated as a place for dance.

Maintains the agenda, arranges travel, and coordinates meetings, conference calls and appointments. Organizes and coordinates meetings and conference calls.