Five Principles Of Tragedy

The play, Oedipus the King by Sophocles presents a grim hamartia caused from a terrible deed of long ago. Oedipus the protagonist is the powerful King of Thebes and held of high estate by the people of Thebes. As the terrible deed of Oedipus’s becomes apparent to both Oedipus and the City of Thebes his tragic flaw is slowly realized. The play will show “tragic power resides in human failing, hamartia, constantly underpinning any sense of the inevitable” (Walton). The play will show the author’s view of a tragic hero as seen in the play Oedipus the King does exemplifies Aristotle’s definition of a tragic hero.

When reading Oedipus the King, most people would conclude that Oedipus is an overall courageous character that, he belongs at the top of the list as the most courageous character. He was portrayed as a man well loved by his people. The love and respect that the people of Thebes have for Oedipus, is evident in some of the first lines of the play, in which the priest praises Oedipus as being the city’s “greatest power” (pg. 160-line 60). The chorus and the priest then go on to praise Oedipus for the noble and courageous things that he has done for the city of Thebes in the past:

A “tragedy, for Shakespeare, is the genre of uncompensated suffering” (Dutton and Howard, 2003, p. 9). To really understand the play Othello is to truly understand a tragedy; thus, this researcher will analyze Aristotle’s view point and compare it to phrases (or quotes) from Shakespeare’s Othello.

A tragic hero exhibits both tragic and heroic qualities, and Oedipus was no exception. Oedipus conquered the Sphinx and earned his title as King of Thebes. He humbly placed the people of Thebes first and was considered very selfless. Moreover, Oedipus stood with integrity and justice. Oedipus was courageous in trying to change his fate the gods had cursed him with. And finally, he embraces truth of who he is and

Oedipus, the model Greek hero in Oedipus the King, was the protagonist that saved Thebes from the curse of the sphinx. Accomplishing this task gave him favor in the people's eyes and absolute power as the king of Thebes. This power did not last long and in time, this led to his downfall because of his hubris. He was prideful, steadfast in his strength over Thebes and the foreboding prophecy the Oracle had warned him about. After becoming the king of Thebes, he values power over family and

The task of tragedy is to bring ‘Catharsis’ to all its spectators, the belief of witnessing a spectacle consisting of tragic themes, is to provide the spectators a feeling of being cleansed and renewed which purges the spectators’ emotions. However, the idea was to strike pity and fear to all who go to see it. Tragedy is commonly defined as a play involving a main character who is born of royal blood with good intentions, the mistakes they commit leads to their downfall. However, what makes Oedipus The King a highly-regarded piece of Greek Theatre is due to Oedipus not realising that he has already fulfilled his fate by committing the deeds that were

Tragic fates and the downfalls of others have always seemed to interest a crowd. Audiences will travel from afar and pay to witness such performances. They listen and sit at the edge of their seats wondering when and how the catastrophe will occur in the protagonist’s doomed life. The reason for this is because almost all of the spectators can relate to the protagonist due to the fact that the protagonists of these tragedies are tragic heroes. These tragic heroes have qualities that render them both tragic and heroic, and they display five key characteristics according to Aristotle’s definition. The criteria of a tragic hero is that they must suffer throughout the play, have a tragic flaw, eventually recognize their tragic flaw and take responsibility for their actions, be neither completely good nor completely bad, and arouse pity and fear in the audience. These traits allow the people in the audience to relate to the tragic hero because no one is completely good, no one is completely bad, many have felt suffering, fear having a tragic flaw of their own, and long to recognize their own tragic flaw and take responsibility for their actions. This reliability has helped tragedies, specifically Greek tragedies, become some of the most influential pieces in theatre and literature. In the play Oedipus the King, the protagonist Oedipus is an excellent example of a tragic hero.

The dictionary describes a tragedy as, “a serious drama typically describing a conflict between the protagonist and a superior force (as destiny) and having a sorrowful or disastrous conclusion that elicits pity or fear.” Aristotle’s “Poetics” have long been the standard of a proper tragedy. Yet, could there be more to the perfect tragedy than what either the dictionary or Aristotle suggests? What are the actual characteristics that form a “true” tragedy? In Sophocles’ “Oedipus the King” and Shakespeare’s “Hamlet” (two of the most renowned tragedies ever written), lay the keys to unearthing the facts about what characteristics produce the ultimate tragedy.

Sophocles' play Oedipus the King has endured for over two thousand years. The play's lasting appeal may be attributed to the fact it encompasses all the classical elements of tragedy as put forth by Aristotle in Poetics nearly a century before it was written. According to Aristotle, tragedy needs to be an imitation of life according to the law of probability or necessity. Tragedy is serious, complete, and has magnitude. It must have a beginning, middle, and end and be spoken in language that is fit for noble characters. Furthermore it must be acted, as opposed to epic poetry, which is narrated. Tragedy shows rather than tells. Finally it must result in the purging of pity and fear, or a catharsis. Tragedy is based in the fundamental order of the universe, it creates a cause-and-effect chain that clearly reveals what may happen at any time or place because that is the way the world operates. Tragedy arouses not only pity but also fear, because the audience can envision themselves within this cause-and-effect chain. Tragedy as a whole is composed of six elements: plot, character, language, thought, spectacle and melody. Melody and language are the media by which the effect of imitation of action is carried out, spectacle is the manner or way the tragedy is carried out, and plot, character and thought are the means that initiate the action. Oedipus the King possesses all of these elements.

During the Ancient Greek period, Aristotle, a great philosopher, wrote a book called the Poetics to describe what makes a great tragic play. Using the Oedipus Rex by Sophocles as the basis for his book, Aristotle goes into great detail about plot, character, and much more, breaking up the components of a tragedy. Since Oedipus Rex had a huge part in the creation of Aristotle’s book, it fulfills many of the Greek philosopher’s requirements for a tragic play.

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

The plays Oedipus Rex and Antigone, written by Sophocles, display the themes defined by Aristotle. Are we the authors of our fate or is our fate written and destined to happen? In both plays, Oedipus and Antigone face their downfall because of self-will. They bring on their own doom because of their actions. The author explores many themes such as the high-standing and heroic traits of the tragic heroes as well as to the flaws and pride of Antigone and Oedipus. Finally, the author explores the theme of recognition and catastrophe. These topics are directly linked to the poetics of Aristotle. The two plays display many literary devices, the most significant ones being characterization and conflict. Oedipus and Antigone were of high-standing and had many heroic traits which influenced their actions.

Recognised a dramatic masterpiece, the Sophocles’s fifth century drama, Oedipus Rex, evaluates the idea of sin, divine justice, identity through employment of dynamic characters alongside developing conflict of the novel. Centered around the story of King Oedipus and the city of Thebes, the drama’s swift plot and context is expanded through strong use of narrative techniques and figurative elements. Although the drama introduces a plethora of figurative devices to expand its intended themes, the use of dramatic, situational as well as verbal irony is arguably the most crucial toward the overall understanding of the literature. By emphasizing the central theme of fate and destiny and its respective components, irony forms a prominent and effective

exercising his free choice by making bad decisions . Oedipus certainly meets these portrayals of a tragic hero. The dialect of tragedy consists of two circles: one is a relative point and the other is impacted and the effect on its audience. Sophocles and Aristotle’s achieve that task with absolute clearness. The modern reader, coming to the classic drama not entirely to the enjoyment, will not always surrender himself to the emotional effect. He is apt to worry about Greek ‘fatalism’ and the justice of the downfall of Oedipus, and, finding no satisfactory solution for these intellectual difficulties, loses half the pleasure that the drama was intended to produce . In dramatizing stories, there will dependably blends of passionate sentiments, suspense, and fervor to discover what’s

In the greek drama, Oedipus the king by Sophocles, King Oedipus shows all the characteristics of a tragic hero. By definition A tragic hero is, “A privileged, exalted character of high repute, who by virtue of a tragic flaw and fate suffers a fall from glory into suffering”. That definition perfectly describes Oedipus and his life. Throughout this whole story we see the real Oedipus emerge. Oedipus starts out in the beginning by being the best king around but by the end of the story we see the ups and downs of his life and how it changed forever. In the story we here Oedipus say these words, “ah! My poor children, known, ah known too well, the quest that brings