Flannery O Connor Analysis

The Power Of Good And Evil in Flannery O'Connor's A Good Man is Hard to Find

Flannery O’Connor uses his description of characters to show that people are not who always who they say they are. When we start reading the story we are introduced to Mrs. Hopewell, who is the mother to Joy/Hulga, who is stuck up and thinks that she is superior to everyone else and is an independent woman. She is a patronizing woman that does not care about anybody except for herself. She is a rude lady that is two faced when it comes to new people that she is meeting. Then we meet Joy who is thirty-two-year-old woman with a doctor's degree in Philosophy, who changed her name to Hulga at the age of twenty-one, she lives at home with Mrs. Hopewell because she has health conditions that have to deal with her heart and she needs to be taken care of. Also, with her health conditions she has a fake leg that got shot off in a hunting accident. Hulga always thought of herself superior to everyone because she had a doctor's degree and because she went to school to get an education. She thought that she could outsmart everyone that she lives with because she reads many books and has a lot of knowledge. Next is Manley Pointer, who is a traveling Bible salesman, he is portrayed as a good country folk with good intentions. He plays an act and tricks everyone into thinking that he is a nice and kind person, but him selling Bibles and believing in God is what catches Hulga’s and Mrs. Hopewell's attention because Hulga does not believe in anything but Mrs. Hopewell does believe in God. Lastly, we have Mrs. Freeman, who has worked for Mrs. Hopewell for the past few years because her husband is the farmer. The story does

Flannery O’Connor was an American author who often wrote about characters who face violent situations. These situations force the characters into a moment of crisis that awakens or alters their fate. Her short stories reflect her Roman Catholic faith and frequently discuss questions of morality and ethics. O’Connor’s Catholic upbringing influenced most of her short stories, often accumulating criticism because of her harsh portrayal of religion. O’Connor incorporates the experience of a moment of grace in her short stories to contribute to the meaning of her works and to represent her faith.

The twist and turns of “A Good Man Is Hard to Find” leave the reader perplexed and riveted, relaying that the utmost thought went into the outline of the story. The author leaves the readers waiting for good to prevail over evil but never lets them have their intended ending as most stories do which is what gives this story it 's intriguing draw. In “A Good Man is Hard to Find” Flannery O’Connor uses literary techniques such as conflicts, foreshadowing, imagery, simile, and irony to create eccentric characters and a twisted plot.

To the casual reader, the writing of Flannery O'Connor can seem cold and void of emotion. Her storylines are like a misty fog in the dead of winter, enveloping the reader with a harsh even violent atmosphere. Her short stories regularly end in traumatic, freak deaths or, at the very least, a character's emotional destruction. An analysis of “Greenleaf,” “Everything that Rises Must Converge,” or “A Good Man is Hard to Find,” will leave the reader feeling empty. The imagination of the reader is not engaged on any level. There is an under current of anti-religion which is intensified by cruelty. O’Connor’s writing is filled with symbolism which is camouflaged by her writing style. Although her writing style is not considered by experts as

Religion is a big influence in Flannery O 'Connor 's writing. “The Life You Save May Be Your Own” stresses the idea of good and evil. This can also be viewed at the evil in Christ. The story is set in the early 1900s. “The Life You Save May Be Your Own” begins with a woman and her disabled daughter sitting on their porch and she notices a man walking towards their home. The man, Mr. Shiftlet, sees an old car that he wants. The old woman, Lucynell, is also craving something and takes the opportunity to achieve it. By her use of symbols, imagery, and irony, she reveals that there is corruption within Christ.

The short story "Greenleaf" shows us some of the central themes of Flannery O'Connor's literary work.

Unwinding - If I discovered my parents had signed an order to have me unwound I would feel betrayed and an extreme sense of anger. I would likely take a similar route to Connor, realizing there was nothing that could change the unwinding order, I would become a runaway and try to find a way to survive. If running away were not an option I would likely injure myself in a way that would prevent me from being unwound. The severity of the injuries would likely depend on how far away I was from reaching an age where I would be exempt from unwinding. Ideally a broken bone would be enough.

O’Connor borrowed these characteristics from her life and used them in the complex characters she would later create. Her Catholic faith is another point that drove O’Connor’s writing, especially given that she grew up in a Protestant-majority region. “Flannery O'Connor put much conscious thought into her dual role of Catholic and fiction writer” (Galloway). Her devout faith plays a huge role in her writing, as most of her characters grapple with salvation and grace. O’Connor’s influences in life were so powerful, they became the same topics that impacted her philosophy in writing.

Throughout the development of mankind, human beings have been shown to be quite selfish. In “The Life You Save May Be Your Own”, Flannery O’Connor sets the story on a discrete farm of the Crater’s. The story begins as Shiftlet is approaching the front porch. He ends up living on the farm for his own needs. Through O’Connor’s use of characterization, symbols, and images she reveals that mankind is selfish and is only concerned about himself.

Flannery O’Connor’s dismissal of the outside world allows you to understand more of the symbolic quality of all of the active characters. Even the names she chooses for each character help her to establish their significance in the story. O’Connor uses symbolism, good versus evil and the psychological and physiological problems of the characters to create irony in “Good Country People”. O’Connor also uses Biblical parallels for inspiration to depict events in the story. All of O’Connor’s stories have characters that aren’t your typical run of the mill people; she also uses a lot of symbolism and irony in her characters physical appearances. The story is divided into four distinct sections which helps

O 'Connor writes in ways that let us know the characters thoughts without really coming out and telling us. O 'Connor often changes the mood of the story very quickly from amusement to horror and vice - versa. In her stories, grotesque is often used to tie together the seriousness and the comedic situations. "Flannery O 'Connor said of her work, 'the look of the fiction is going to be wild... it is almost of necessity going to be violent and comic; because of the discrepancies it seeks to combine. '" (Walters 7).

Upon initially reading Flannery O’Connor’s work, one would have no problem recognizing her use of shocking, violent, or despairing themes. It may not be as easy, however, to completely accept or understand her style. According to Patrick Galloway, one must be “initiated to her trademarks when reading any of her two novels or thirty-two short stories (1).In many of her works, she paradoxically uses styles that are grotesque and brutal to illustrate themes of grace and self-actualization. As O’Connor herself says, “I have found that violence is strangely capable of returning my characters to reality and preparing them to

Flannery O 'Connor’s works are nothing short of extraordinary. They frequently step into the realm of the extreme to make a statement or prove a point. The result is that her messages are stark and vivid, and O 'Connor is able to make bold positions on controversial subjects. She achieves this effect through a number of means, which consist primarily of Christian symbolism, character foils, and literary irony. Combined, they create rich, intense environments in which radical events push and twist characters. As a result of this stress, the characters are defined more clearly. In many instances, they achieve a kind of self realization, and their revelations usually come with an ironic factor or consequence. O 'Connor’s stories, notably

Flannery O’connor is one of the most shinning stars in American literature. Her distinct writing style makes her work recognizable and outstanding from other literature works. Many critics have commented on Flannery O’connor’s narrative voice. Louise Blackwell discovers Miss O’Connor often wrote according to southern tradition by using symbols in people’s daily life to convey the theme in a more profound way. From the perspective of the O’connor’s writing technique, Shirley Foster speaks highly of Miss O’connor’s works: O’connor’s skilled technique establishes the complicity between the readers and narrators. These two evaluations reveal the most important characteristics of Flannery O’connor’s works, directing readers to understand O’connor’s works much easier. Readers can understand the two critics’ comments by exploring the special narrative voices in Flannery O’connor’s well- known stories: “ Everything That Rises Must Converge” and “A Good Man is Hard to Find”.