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Flannery O ' Connor 's Good Country People

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Flannery O 'Connor 's "Good Country People" and Nathaniel Hawthorne 's "Young Goodman Brown" explore the nature and range of religious hypocrisy congruently. Comparably O 'Connor 's theme focuses on the eclipsed personalities one can have, where Hawthorne 's short story pushes the meaning that everyone is secretly corrupt in their own way. While each tale marches to its own tune, the overlap is prominent; both authors strive to make a clear stance that the moral standing of an individual is only bound to themselves but peer pressure can deters ones beliefs. Manley Pointer in "Good Country People" is prominently the protagonist for hypocritical presentation.Besides the blatant demonstration and verbalizations of the contradiction that is Mr. Pointer 's religious virtues in the latter of the book, shakiness of concrete morality is speckled throughout the story. Pointer, or so he calls himself, is the pinnacle of human manipulation with Hulga. "When her glasses got in his way, he took them off of her and slipped them into his pocket" (O 'Connor). This is stupendous symbolism by Flannery to make Manley 's manipulation tangible in the tale. The glasses are a great representation of Hulga 's intelligence and decision making and this clearly explains that he has removed her clarity and taken it for his own. To further the claim that Pointer is not a credible Christian, the dramatic unveiling of what 's inside his suitcase, and bible for that matter, lay it out as plain as eggs

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