Essay on Flannery O’Connor’s Good Country People

In Flannery O’Connor’s short stories, “A Good Man Is Hard to Find” and “Good Country People,” the main characters’ trust is put to the ultimate test. Trapped in vulnerable situations, the protagonists become powerless and have to put their trust in the hands of the “bad guy.” As a result, the main characters fall victim to manipulation. Those who were once in total control of their situations are now stripped of their superior titles and are taken advantage of by the person they once trusted. Egos are bruised in the game of trust and manipulation in “A Good Man Is Hard to Find” and “Good Country People.” The grandmother and Joy-Hulga are taught lessons of a lifetime that changes the way they see themselves and life forever.

Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her

This particular literary device is so significant in this story because it explains why Joy is considered as weak as her mother. In addition, Joy’s leg had been removed due to a hunting accident that occurred when she was ten. She was also told she may live to see the age of forty-five because she had a weak heart. Therefore, she felt hopeless and no words of encouragement. In “Good Country People,” it states “All day Joy sat on her neck in a deep chair, reading. Sometimes she went for walks but she did not like dogs or cats or birds or flowers or nature or nice young men.” This statement exemplifies a hyperbole. O’Connor does this intentionally to demonstrate how much faith and confidence she had lost within herself to express to readers her particular role and actions in the story. O’Connor also uses ambiguity in the text. “Her name was really Joy but as soon as she was twenty-one and away from home, she had had it legally changed. Mrs. Hopewell was certain that she had thought and thought until she had hit upon the ugliest name in any language. Then she had gone and had the beautiful name, Joy, changed without telling her mother until after she had done it(O’Connor,274).” This statement displayed how Mrs. Hopewell was unsupportive as well as too lenient. It also proved how weak woman were in society. It proved it because woman are usually known to be strong, independent, and confident. Identity is important, however, Hulga did not believe so. Which

Everyone wants to believe that they are beautiful. For this reason, we tend to seek out that approval from others including our parents, friends, and other loved ones. Flannery O'Connor's story, "Good Country People," focuses on this particular theme. In her narrative, a young girl named Joy Hopewell longs for her mother's approval. When she does not find it, Joy begins to believe that she is unworthy of anyone's admiration. This basic premise allows for Manley Pointer to easily win Joy's trust. Flannery O'Connor includes this string of events in order to show the significant role parents play in developing their children's self-esteem, as well as reveal that even though Joy Hopewell begins to believe that she is not beautiful, she

Thesis Statement: In Flannery O'Connor's short story "Good Country People," the expulsion of the outside world allows for more emphasis on the symbolic nature of each of the active characters.

Flannery O’Connor was a short story author from Savannah, Georgia. She has produced many critically acclaimed pieces and has won several awards for them. Two distinct pieces she wrote are titled The Life You Save May Be Your Own and Good Country People. While both of her stories are unique, the underlying storyboard and character creation process that O’Connor used is the same throughout her stories. Her stories usually involve one or more self-centered woman, a younger person who become the victim of egregious crime, and a conniving male driven by his own motives. Good Country People and The Life You Save May Be Your Own do not stray from this rule. In either story, the narrative is driven around a shocking tragedy that is very unexpected. Even though in the tragedies committed in the book always have a belligerent and a victim, it is not easy to discern who amongst the two are the antagonist and the protagonist. In either of these narratives, the tragedy that occurred within the stories blurs the line between antagonist and protagonist.

Characterization is the most prevalent component used for the development of themes in Flannery O?Connor?s satirical short story ?Good Country People.? O?Connor artistically cultivates character development throughout her story as a means of creating multi-level themes that culminate in allegory. Although the themes are independent of each other, the characters are not; the development of one character is dependent upon the development of another. Each character?s feelings and behavior are influenced by the behavior of the others.

Flannery O’Connor was born on March 25, 1925, in Savannah, Georgia. She was an American writer. O’Connor wrote two novels and 32 short stories in her life time. She was a southern writer who wrote in Southern Gothic style. In the Article, Female Gothic Fiction Carolyn E. Megan asks Dorothy Allison what Southern Gothic is to her and she responded with, “It’s a lyrical tradition. Language. Iconoclastic, outrageous as hell, leveled with humor. Yankees do it, but Southerners do it more. It’s the grotesque.”(Bailey 1) Later she was asked who one of her role models was and she stated that Flannery O’Connor was one she could relate to. One of O’Connor’s stronger works was “Good Country People” which was published in 1955.

At the beginning of the story on paragraph one, the author mentions Mrs. Freeman has two sides of expression such as her “forward and reverse.” The author also describe the first phase of Mrs. Freeman demonstrating a perseverance of a character who will not stop for anything, but at if the second phase is needed she would be like a rock with only a state described as “ Well, I wouldn’t of said it was and I wouldn’t of said it wasn’t.” This allows Mrs. Freeman to free herself from a complex situation which could be more conflicting. Another way of how peoples body change would be with Joy also known as Hulga who has the character of a top scholar with her descriptive Ph. D in philosophy, but with an artificial leg. This can hold her back from completely some tasks, but give her the ability to think imaginatively.

Feminism and Historicism play a major part in Flannery O’Connor’s short story, “Good Country People”, first published in 1955. The story focuses on the importance of identity and the parallels between truth and deception. In “Good Country People”, the Hopewell family, maintain a small farm in rural Georgia with the help of tenants the Freemans. The pious Mrs. Hopewell’s mottos ‘nothing is perfect’ and ‘it takes all kinds to make the world’ are manifested in her unmarried thirty-two year old daughter, Joy who later changes her name to Hulga, wears a prosthetic wooden leg because of a childhood accident. Hulga who has a Ph.D. in Philosophy, cannot advance her academic aspirations because of a weak heart; because of this she must live in her

The quote acts as foreshadowing for what her attitude towards life will be. We later find out that she is right, but that she does not live by her credo. Manley Pointer exploits this weakness as soon as she opened her door. Showing up as a pathetic bible salesman with an ailing heart (which is coincidentally exactly what Joy-Hulga had) laying the old guilt trip on Mrs. Hopewell on how no one wants to deal with a simple country boy like himself, he attacks her weakness right at the heart of it. Not more than two minutes after he knocked on the door, he ends up eating dinner with them and at the conclusion is even invited to return any time he’d like. His persona blinds Mrs. Hopewell and prevents her from being somewhat suspicious of Manley. At the end of the story, we see that Mrs. Hopewell is still clouded by her weakness and refers to Manly as simple as he passes through a field by Mrs. Hopewell and Mrs. Freeman. Unlike Mrs. Hopewell, Joy-Hulga faces and comes to a realization of her weakness.

In comparison to, Mrs. Freeman who is the complete opposite of Mrs. Hopewell whom she has worked for, for four years. O’connor does not show her point of view in this short story only what Mrs. Hopewell and Hulga describe her to be. She is described as very outspoken on whatever he thoughts are. She is very familiar and used to the unexpected due to her daughter Carramaes early marriage and pregnancy at the age of fifteen.

Good Country People'; by Flannery O’Connor is an excellent example of irony in literature. From beginning to end it has a steady procession of irony, much of it based on the title of the story: “Good Country People.';

In her short story, Good Country People, Flannery O’Connor employs all the elements of humor, irony and, paradox intermingled within the system of Christian belief in evil and redemption. This is no more evident than in the character of Joy, the daughter, who had lost a leg in a hunting accident at the age of 12 and who now has a wooden leg in his place. Throughout the story, it becomes increasingly clear that Joy’s physical affliction is closely paralleled by a spiritual one as well. As the narrative unfolds, the great lengths Joy has gone to recreate her inner self, her soul, are revealed in painstaking detail. It appears she has succeeded in fashioning her own soul into a spirit that is as

After the wonderful success of Cannie's first novel, she is happily to be comportable in her life outside of Philadelphia writing science fiction under the pseudonym Lyla Dare. Joy finds a copy of her mother's highly sexualized novel and learns what she believes to be the truth about how she was conceived. Cannie's marriage to Peter proves stable yet surprising when he suggests that the couple try to have a child by using a surrogate.