Flapper And Gibson Girl Research Paper

Flappers were not in fact only concerned with standing out and being noticed. They were not simply fashion and image-driven, selfish women, but were strong, self-willed, independent young feminist citizens who were fighting passionately for their right to stable equality amidst a prominently male-driven world. These women pushed aggressively for their social, professional, and sexual freedom which they felt were hard-earned and well overdue. Many flappers wished to pursue positions in careers which would otherwise be deemed unacceptable for the average women of the time. They hoped that by breaking away from social normality's that they could eventually obtain equality in all important aspects of life while hopefully also allowing them entry into many professional fields which would normally be unaccessible to women.

The flapper was the harbinger of a radical change in American culture. She was a product of social and political forces that assembled after the First World War. Modernization adjusted the American life. Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern by Joshua Zeitz analyzes the people who created the image of the flapper. This work is an incorporation of narrative, statistics, and scholarly work that provide a distinct insight on the “New Woman.” Joshua Zeitz asserts the flapper was not a dramatic change from traditional American values but reflected the “modern” decade under mass media, celebrity, and consumerism.

People did not like the flappers dresses. They "emphatically rejected the style beginning in the 1920s because it did not show the curves of the female body." Their dress was a "boxy shape that hung straight from the shoulders and fell in an unbroken line just below the knees." This type of dress "looked best on flat-chested, small-hipped androgyne who has come to typify the freewheeling, emancipated, working 'Mew Woman ' of the world." Women were "no longer constrained by corsets and long skirts, nor by the discomfort and time it took to dress oneself in such styles." Their dresses had a "loose cut and shirt hemline [which] allowed women unprecedented freedom of movement." Their freedom of movement allowed them more room to dance up closely to men and change the thoughts on women. (Makela)

The 1920s was a very special time for woman. Women started standing for up for themselves and making points to men that women can do just the same as them, and that women should be equal to men and have the same rights. That’s where flappers came from. Flappers were basically woman who stood out and did what they wanted. Women's rights were changed drastically because of flappers, now women are more equal to men. Flappers had a large impact on the American culture going from woman’s right, music and their fashion.

In selection #15 by Sara M. Evans, “Flappers, Freudians, and All That Jazz” Evans strikes a recurring theme that increased personal freedoms assumed by women in the 1920s came at the price both of conformity to consumerism and of the loss of female solidarity (or sisterhood, as she called it). According to this article, how were the young women of the 1920s different from their Progressive Era, reform-minded Mothers? To answer this question, focus both on the new pressures placed on women to marry and get a husband (pressures enhanced by American consumerism) and on the differences between the goals of the League of Women Voters and the National Woman’s Party (hint—one was concerned with equal rights for women the other with traditional female

Both “A Flapper’s Appeal to Parents” by Ellen Welles Page and “Thunder” by Imagine Dragons, express and embody a specific generation and address their elders, which are the parents and grandparents of these individuals. Although, the two pieces use a different variety of appeals and rhetorical strategies in order to achieve their purpose. These items both have their common similarities, they also contain aspects that set them apart.

From coast to coast people were reading the exploits of a new type of woman called flapper. Prior to World War 1 Victorian ideals still dictated the behavior of American women and girls. Frederick Lewis Allen describes the traditional role of women. Women were the guardians of morality. They were made of finer stuff than men. They were expected to act accordingly. Young girls must look forward in innocence to a romantic love match which would lead them to the altar and to living happily ever after. Until the right man came

The 1920s was the era of the Flapper. Young women started to cut their hair, shorten their skirts, so that they could more easily dance the wild, flapping dances of the age (hence the term 'flapper'). They drank and smoked and wore makeup, and went out with boys without a chaperone. They played sports, golf, tennis, and swimming were all very popular. Sunbathing became popular with women for the first time.

Flapper by Joshua Zeitz is a book that tells an epic story about the American women during the time of the 1920’s. For a better understanding, a flapper would typically be a young girl who blurred the gender roles by taking on a more masculine lifestyle. They wore their hair short, drank and smoked frequently, and explored their sexuality. With this behavior, it didn’t destroy their femininity; it just simply provided the society’s perception of what a woman should and should not be.

Frederick Lewis Allen, in his famous chronicle of the 1920s Only Yesterday, contended that women’s “growing independence” had accelerated a “revolution in manners and morals” in American society (95). The 1920s did bring significant changes to the lives of American women. World War I, industrialization, suffrage, urbanization, and birth control increased women’s economic, political, and sexual freedom. However, with these advances came pressure to conform to powerful but contradictory archetypes. Women were expected to be both flapper and wife, sex object and mother. Furthermore, Hollywood and the emerging “science” of advertising increasingly tied conceptions of femininity to

War is often followed by change; World War I is no exception. World War I is often labeled the cause for the rise of a feminine revolution-“the flapper”. Before the term “flapper” began to describe the “young independently-minded woman of the early Twenties” (Mowry 173), the definition that is most prominent today, it had a 300-year long history. The young woman of the 1920’s was new and rebellious. In her appearance and demeanor, she broke the social constructs of her society.

Flappers: A Setback to the Women’s Rights Movement Looking back at the 1920s, when the flappers became a popular trend among younger women, one might recall bobbed hair and short, unfitted dresses. Delving deeper into what it meant to be a flapper, one learns of the strict fashion sense and idea of perfect body. One discovers the party life that led these women though a reckless decade and one can’t help but notice how these flappers quickly destroyed the positive reputation of women that feminists had been working so hard to demonstrate. Feminists were working to prove that a woman was fit for a higher role in society and the flappers that were running around acting young and foolish only hindered the women’s rights movement.

The South is a culture all of its own. Known for its fried food, college football, and country music, one cannot help but fall in love with this distinct culture. Residing within the already unique South is a group of even more unique college-aged girls. These girls are often referred to as the Preppy Southern Belles. All though these Belles are materialistic and sassy, there is a part of every girl that dreams of fitting this mold.

The illustration had appeared in popular magazines, it not only had showed physical ideas, and it also had represented the behavior and the social status of the perfect American women in that time. Gibson girls had portrayed the “new woman” a women who was educated, taking advantage from the access that women obtained to have secondary and college education; a woman who had more independence. The Gibson girl was illustrated like a Caucasian woman, tall and slim with a body in “S” shape helped by the corset. The facial features were big eyes and a tiny mouth and nose.

The Roaring Twenties was a time renowned for partying, drinking, and a time without war. F. Scott Fitzgerald is just one of the many writers during this time to write about such times. Fitzgerald, however, is an author that defined this era also known as the Jazz Age. Known for novels such as The Great Gatsby, This Side of Paradise, and The Beautiful and the Damned, and many short stories, Fitzgerald is described by famousauthors.org as “one of the greatest writers American soil has produced in the 20th century. F. Scott Fitzgerald is one of the most influential writers of the twentieth century. He had an amazing writing career driven by an interesting personal life. His death and legacy cut his career short and we still celebrate him now.