Foils are Friends in A Doll’s House by Henrik Ibsen

Christine is an independent woman who has been out in the world and has held multiple jobs. Nora is seen as a child who does not have knowledge of how the world works because she is trapped in a “dollhouse”. Christine supports this idea when she calls Nora a child and says, “For you (Nora) know so little of the burdens and troubles of life.”(Act 1) When the reader learns what Nora did for Torvald, it shows that Nora is more intelligent than she seems which is a characteristic that Christine also possesses. In order for Nora to pay back the loan she took, Nora did repair work for extra money. Nora and Christine both had a sick parent who needed their help, which caused them to make a tough decision and they each chose the most important person to them.

In Henrik Ibsen's A Doll's House, Christine Linde surprises Nora Helmer with a visit to her house. The two women were childhood friends and have not seen each other in many years. As both characters' qualities unfold during the play, it is easy to see how Mrs. Linde's character traits underscore those of Nora's. Mrs. Linde's serious, responsible nature amplifies Nora's playful, childlike personality; Mrs. Linde's taking care of her sick mother and two young brothers emphasizes Nora's abandonment of her dying father; and finally Mrs. Linde deciding to marry Krogstad heightens the ending of Nora's marriage.

Throughout A Doll’s House, Torvald views Nora’s actions as being deceiving not only towards him but also towards her family. However, Nora gain her perspective on her own actions and begins observing it differently than Torvald’s. The play states, “ It was me they told that his life was in danger...well, well, I thought, you’ve got to be saved somehow. And then I thought of a way-,” (Ibsen 35-36). Within Nora’s and Mrs. Linde’s private conversation, Nora conveys that her manipulation of money revealed how she deceives her husband even though it was in good intent to save his life. In addition, this demonstrates Nora’s willingness to think about others, such as her husband, before realizing for herself that there were going to be consequences for her later on. Within the play, Nora states, “ You have never understood me. A

In A Doll House, authored by Henrik Ibsen, honesty is one of the key concepts in a relationship. Honesty is an important aspect of life in general. If honesty is not present and hidden, when the truth actually does come to the light, it can damage you more than intended in the beginning. Ibsen uses the character Christine to open the door to the lies that are kept in secret in the marriage. Ibsen also uses Christine to show that honesty is important in life in general to get you farther, not just in relationships. When Christine first arrives in the home, Nora confesses that she has hidden secrets while still keeping a few things hidden. With Christine being her friend, I believe that Ibsen sketched her up to want the best for Nora.

Henrik Ibsen creates many interesting and complex characters in his play A Doll’s House. Both the Helmers and Christine and Krogstad have very fascinating relationships. Nora and Torvald have a very insubstantial relationship in which Nora has no say or independence and is completely under Torvald’s control. Christine and Krogstad have their share of issues but they are able to work them out like reasonable adults. Nora/Torvald and Christine/Krogstad are two fundamentally different sets of people.

A Doll 's House by Henrik Ibsen, is a play that has been written to withstand all time. In this play Ibsen highlights the importance of women’s rights. During the time period of the play these rights were neglected. Ibsen depicts the role of the woman was to stay at home, raise the children and attend to her husband during the 19th century. Nora is the woman in A Doll House who plays is portrayed as a victim. Michael Meyers said of Henrik Ibsen 's plays: "The common denominator in many of Ibsen 's dramas is his interest in individuals struggling for and authentic identity in the face of social conventions. This conflict often results in his characters ' being divided between a sense of duty to themselves and their responsibility to others." All of the aspects of this quote can be applied to the play A Doll House, in Nora Helmer 's character, who throughout much of the play is oppressed, presents an inauthentic identity to the audience and throughout the play attempts to discovery her authentic identity.

In the play “A Doll’s House” by Henrik Ibsen, Nora goes through a transformation of self-realization. Nora lives a doll-like existence. she responds lovingly to her husband’s pet names such as “my little lark” or “my little squirrel” (Ibsen, 793). She does not mind playing a role for her husband. As the play progresses, Nora show that she is not a little girl. She understands how business work by taking out a loan behind her husband’s back to save his life. When she is blackmail by Krogstad, her eyes open to her unfulfilled and underappreciated life. she realizes that she been putting on a show for her husband. Nora has pretended to be someone else in order to fulfilled a role for not only her husband but also her father

Ibsen’s character Nora in A Doll’s House, shows gradual development throughout the play to support his theme that above all else, you are human; even in marriage both parties should be given the equal opportunities, rights and respect. While Nora may at first seem happy with her life inside her “doll house”, she begins to recognize that she must find herself, and stop being a toy in the lives of men.

People cannot survive on their own in this world, so they form relationships. Relationships play an important role in a person's life; it influences and defines one's character and ideals. It can make someone the happiest person in the world or the most miserable. In order to establish a stable and long lasting relationship, there must be proper communication at the base of this bond. The rules of proper communication include: listening to each other, understanding the other person's emotions and needs, truthfully expressing one's view's, and supporting each other during times of adversity. In Henrick Ibsen's play, A Doll's House, he uses the character development of Nora Helmer, the protagonist, and Torvald Helmer, the

It is Christmas time when the play begins and with a larger income starting after the New Year, Nora is excited for a arrival of a new life. Yet, this ideal life for her begins to change when an old friend by the name of Mrs. Linde pays a visit to the Helmer household. Mrs. Linde, looking for a job has come to Nora looking for help

At the end of their first reconnection, Nora reveals that her transformation from obedient doll to liberated woman had already begun. She now admires Mrs. Linde for her long years of work and independence and uses it as inspiration for her own. In Mrs. Linde’s trust, Nora exposes her personal act of sovereignty: a few years ago, she had secretly borrowed money to save her husband’s life, incriminating herself. Even though she did the morally correct thing, Nora’s actions are condemnable and

In “A Doll’s House,” Ibsen presents us with the drama of Torvald and Nora Helmer, a husband and wife who have been married for eight years and whose lives are controlled by the society in which they live. Their relationship, although seemingly happy, is marred by the constraints of social attitudes around them and their perceived gender roles. Creating even more conflict is the thin veil of deceit between them, which inevitably breaks them apart.

When the audience is presented to Mrs. Linde, she seems to be quite a contrast to the childish Nora. Nora is presented as a immature and insecure women. Mrs. Linde is a harsh and wise woman. This character has been through a lot of hard

Mrs. Linde married her late husband, because he was “well off” at the time, and she needed to take care of her mother and two brothers. She tells Nora “I don’t think I was justified in refusing his offer” (of marriage) (Rosefeldt). It is unclear why her late husband offered a proposal to her, but her actions can be thought of as beneficial to herself, as well as pleasing to him. He wanted a wife, and she needed money. Society plays a role in her character as well. It was expected of the male gender to “take care of” the woman, only this included the needs of her family as well. “Christine then offered to help Nora escape her troubles with Krogstad by marrying him (Benedict). Because she did have eyes for him earlier in her life, her intentions seem selfless, but again not for true reasons.

Another woman, having a different role in society, such as Nora´s friend, Christine Linde, a childless widow, that proves to be an individual capable of surviving on her own, in a society who thought that a respectable women should be married and dependent of her husband. She once had been a “doll” like Nora. She also shows that she is a resourceful woman. When Nora tells Christine what is happening with Krogstad, Christine tells Nora not to worry that she will help her dissuade Krogstad (and she does), because she was once in love with him, but didn’t marry him since she needed money to help her sick