The horrific tale of The Tragedy of Julius Caesar is a well-constructed play written and produced by the notorious William Shakespeare. Shakespeare always edits his plays to create a tragic hero that is Marcus Brutus in this play. Brutus, the honorable Roman, endures different types of conflicts, which creates distinctive tragic flaws that lead to his death at the Battle of Philippi all for the love of his city. Brutus exemplifies a man that is continuously diligent and discreet, which raises him up to become highly acclaimed throughout Rome (Mack 356; Hacht 339). Cassius ponders about the trust and reliability of Brutus and whether he can maintain these attributes (Shakespeare I. iii. 305-310). Although these attributes can change, he still does the necessary requirements to keep Rome alive and wealthy (Hacht 338). Brutus describes two opposite scenarios for the people: bondman under the rule of Caesar or become independent in a Republic capital, which concludes why he says, “Not/that I loved Rome less, but that I loved Rome more” (341; Shakespeare III. ii. 21-22). His pride brings out great judgment and reasonable actions for killing Caesar (Cahn 327). Although his actions are noble, he eventually decides the assassination can be his greatest mistake (Mack 359). Brutus does not engage in violence because he wants to, but he does it to keep Rome in the balance of good (Shakespeare IV. iii. 18-25). The conflict of Brutus versus Caesar begins with Brutus showing an image
Brutus in William Shakespeare's Julius Caesar In 'Julius Caesar', Shakespeare intended us to see Brutus as 'noble'. I wish to review his actions, and the motivating factors behind those actions. I intend to prove that Brutus had a strong and well-grounded character. He had good intentions, however, he made one fatal mistake and that was his downfall. When learn that Brutus is dedicated to the public, when Brutus decides Caesar must die, because he fears his ambition, this comes as a big shock to the Shakespearian audience as well as the modern day audience.
Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on
To start off, the character Brutus alienates from his indecisive, good hearted nature into a more powerful corrupted character who easily makes decisions that may not always be based off morality. For example, in the beginning of the play Brutus shows his good-hearted character when he states, "Nor construe any further [his] neglect than that poor Brutus with himself at war forgets the show of love to other men"(Shakespeare, 1.2.45-48). Clearly, before Brutus gained power he was unsure of himself, and still wasn’t against Caesar because his heart still pushed for moral choices. Furthermore, without power Brutus did not appear to be corrupted in anyway, and rather seems to want to do everything he can for the good of Rome. While it is true, that Brutus began as an innocent it is clear that further on in the play he began to be corrupted by power and this is seen when he states, "Our course will seem too bloody, Caius Cassius, To cut the head off and then hack the limbs, Like wrath in death and envy afterwards; For Antony is but a limb of Caesar" (Shakespeare, 2.1.162-165). Obviously, Brutus quickly becomes more confident and decisive in his decisions, and is even willing to tell the other conspirators what courses of action they must take. Therefore, further proving that as Brutus gains power his arrogance, and sense of control also increase.
Shakespeare's play Julius Caesar is a tragic play, where the renowned Julius Caesar is on the brink of achieving total control and power by becoming emperor of the Roman Empire. Ironically enough, when he thinks he is one step away from pulling it off, his "friends" (most from the senate) decide to overthrow him, with Caesar's most trusted friend, Marcus Brutus, acting as leader of the conspirators. Though the fall of Caesar from the most powerful man in the world to a man who's been betrayed and stabbed 30 times is a great downfall, he is not the tragic hero. Shakespeare's main focus is Marcus Brutus, a noble man who brings upon himself a great misfortune by his own actions,
He states that Brutus is just as noble and worthy as Caesar. (Act 1, scene ii). He says that Brutus cannot see what everyone else does and recognize his worthiness. Cassius and the other senators do not want Caesar to be king because they would lose all their power. Cassius is slowly luring Brutus in to do his dirty work. He builds Brutus’s confidence up to make him thing that killing Caesar is the right thing to do. Cassius is basically playing with Brutus’s head because he knows Brutus will listen. So, Brutus joins the conspirators in killing Caesar. Cassius tells Brutus that it is for the good of Rome, and that he is saving them from a dictatorship. Cassius is going for Brutus’s weakest point, his care and concern for Rome. He knows that if Brutus believes the people distrust Caesar, then he will be convinced that Caesar must be thwarted. Brutus knew that if Caesar was crowned, he would never have a chance, and he was power hungry. This is what ultimately leads to the tragedy of Julius Caesar. After Brutus kills Caesar off, he starts to feel guilty for killing his friend, thus creating an internal conflict. Brutus was so confident that the plan would go exactly as planned that he fell apart when they encountered problems. If Brutus and the other conspirators had taken more time to think things through, they probably would have been more prepared for the situation that was handed to them.
Shakespeare shows how power and the prospect of power changes people through the character of Brutus. Brutus’ attitude changes as he acquires power and detects the possibility of being powerful. Originally, everything Brutus does is for the good of the people and Rome itself. He recognizes that he has “no personal cause to spurn at [Caesar]” (I.I.11); however, he considers doing it “for the general” (I.I.12). Power has not yet changed Brutus’ attitude; he still focuses on the good of Rome as a whole and not just gaining power for himself. As the play continues, Brutus’ ongoing internal struggle of whether or not he should kill Caesar ends when he decides to kill him. He wants to kill him in a very specific way so that the people hate Caesar rather
Marcus Brutus was a reputable man to the people of Rome and to his friend Caesar. Brutus had good intentions for Rome’s people, which is why he did not think Caesar would be a good leader. Although Caesar was in shock to see Brutus included in the men that stabbed him, Brutus only did it for the good of the people. Brutus reveals his nobility to his people when he says in Act 3, scene 2, “…If then that friend demand why Brutus rose against Caesar, this is my answer: not that I loved Caesar less, but that I loved Rome more”(126). Brutus’s statement explains that he had all the respect for Caesar as anyone else, but the love for his people and home was much more prized. He killed Caesar out of fear of what may happen to the beloved people of Rome. This proves that Brutus’s intentions were just as honorable as the man he was. In addition to both characters being honorable, their actions got the best of them and may have changed them for the worst.
In the beginning of the play, we meet Brutus, a highly respected, much loved, senator of Rome. He loved Rome as a republic and he has a good life until he is led astray by Cassius. When he becomes embroiled in the assassination of Caesar, he is very reluctant to do so. In the way he acted, you could tell he has sleepless nights over what he should do. He decided to kill Caesar for
After reading the Tragedy of Julius Caesar, think “who best fits the role of a tragic figure In this play?” There are many tragic figures, but the one who stands out the most and who practically defines the play as a tragedy would be Brutus. In the Tragedy of Julius Caesar, William Shakespeare portrays Brutus as the tragic figure. Marcus Brutus fits Aristotle’s definition of a tragic figure.
The play, The Tragedy of Julius Caesar, by William Shakespeare, has two main tragic heroes. Set in Rome and spanning from forty- four to forty-two B.C., the play tells of Brutus and Caesar whom both fall from the highest positions to the lowest of misfortune and then are enlightened on their mistakes. Brutus is the stronger example of a tragic hero in this story. Throughout this play, Brutus commits many faults, falls more drastically than all other characters, and regrets his previous actions by the end of the play.
Douglas MacArthur once said “Duty, Honor, Country. Those three hallowed words reverently dictate what you ought to be, what you can be, what you will be”. In Julius Caesar, Brutus is an honorable man who keeps his word. At the same time, he places the good of Rome above all else. This, along with his sense of honor is what drives him down a rabbit hole of decisions. Out of all the conspirators who act out of selfish reasons, he is the only one who genuinely thinks that Caesar's death is for the greater good. These qualities in Brutus make him one of the most honorable men in Rome, but they also make him a difficult man to trust, as his loyalty is to Rome the country itself. As we can see, Brutus firmly believes in honor and loyalty, but to
Brutus, a conflicted senator obsessed with his civic duty, convinces the people of Rome that his motives in killing Caesar were just and noble by rhetoric. Brutus is the only conspirator to have impersonal motives in killing Caesar. In fact, his motives are trying to find the best solution for Rome, and in the end, he must make the hard choice of killing his best friend for his homeland. As early as Brutus’ conversation with Cassius in Act I, Brutus exhibits this deep love and respect for Rome and how this love is conflicting with his love for his friend, Caesar: “[P]oor Brutus, with himself at war, / Forgets the shows of love to other men” (I.ii.51-52). Brutus brings up this internal conflict again when he tells the crowds that although he did love Caesar, he loved Rome and its people more. After Brutus’ murder of Caesar, he realizes that the issue of the public opinion of Rome is of the utmost importance. Because of this love for Rome, Brutus uses rhetoric to persuade these plebeians to approve of him and his cause. When Cassius warns Brutus about “how much the people will be moved / By that which [Marc Antony] will utter[!]” (III.i.252-253), Brutus tells Cassius that letting Marc Antony speak “shall advantage us more than do us wrong” (III.i.261). In these cases, Brutus demonstrates his awareness of
Brutus a high-ranking, well-regarded Roman nobleman that killed Julius Caesar, went to the top of the ranks and was crowned king. Even though Brutus was able to become king, he was not going to get that title without killing Caesar. In the play Julius Caesar, Brutus agrees to kill Caesar and is one of the three murderers that stabbed Julius Caesar. In Act III scene i William Shakespeare writes “CASCA and the other conspirators stab CAESAR. BRUTUS stabs him last.” This is when Brutus’s fate begins because he starts listening to the wrong people such as, when Cassius uses his power and authority to convince Brutus that he loves Caesar but loves Rome more. This is quoted when Shakespeare writes in Act III scene ii, “ I say to him that my love for Caesar was no less than his. If, then, that friend demands to know why I rose up against Caesar, this is my answer: it’s not that I loved Caesar less, but that I loved Rome more.” This shows Brutus’s major flaw and when he starts to believe things that other people tell him. Brutus shows that he is the Tragic Hero right when he agrees to kill Caesar because this is his tragic flaw that begins the downfall of himself.
At the start of the timelessly classic play, Julius Caesar was in the final stages of parlaying his military prowess and growing cult of personality into enthronement as the long absent autocrat of Rome. His brother-in-arms, Marcus Brutus, after fighting at Caesar’s side for so long, was forced to weigh his loyalty to Caesar against his loyalty to Rome, setting the stage for the troubling events to come. As Caesar’s divine right to rule and infallibility were trumpeted throughout Rome, others were not so convinced of his purity and worthiness. Cassius, a dissident Senator, opened Brutus’ eyes to the circumstances unfolding before them and to what could be lost should Caesar take the throne. Cassius voiced his opposition strongly, saying:
Brutus possesses many ideals and mannerisms that make him the tragic hero in William Shakespeare’s tragedy. To begin with, Brutus has a deep sense of love for his city, and concerns himself with its well-being. His concern for Rome is actually what causes him to backstab Caesar. He worries that he is too arrogant to be an adequate leader, “I do fear the people/ Choose Caesar for their king.” (Shakespeare I.ii. 85-86). Secondly, Brutus has an undying moral compass that navigates him on his integrity driven choices. Brutus thinks long and hard before he joins the conspirators, and wonders whether or not it is the right choice and questions his choices, “Into what dangers would you lead me…/ That you would have me seek into myself/ For which is not in me?” (Shakespeare I.ii. 69-71). His strong beliefs are what ultimately convince him to join the conspirators, for the good of Rome. Also, Brutus believes in equality and respect. He gives a speech to the public because he feels they deserve to know the reason why Caesar dies, ‘And, waving our red weapons o’er our heads,/ Let’s all cry “Peace, freedom, and liberty!”’. (Shakespeare III.i. 121-122). This heroic quality is one of the things that drives him to be a good leader, and a good person as well. As much as these traits lead us to believe