Foreshadowing In The Outsider

Furthermore, Camus uses family and personal relationships as a way to develop the protagonists’ isolation in the novel, working in providing context for the developing plot. In The Stranger, the author uses this methodology

All the facts the prosecutor presents are valid and true, though unrelated to his case. From the prosecutor's point of view, Meursault is a “monster, a man without morals” (96). Even Meursault agrees that "what he was saying was plausible" (99). The reader, who knows all of Meursault’s thoughts, knows how absurd the prosecution’s accusations are. Throughout the trial, Camus explains that perception means everything, and there is no absolute truth.

The solitude of man with the innate endeavoring nature to incessantly find passion, be fruitful, and embrace the tangibles causes us to lose focus of the scornful end. The condemnation we find ourselves in subsequent to the impotent attempts to satiate our inexplicable questions, is the puncture to our ideal notion . The disenchantment the truth of our obscure being offered is masqueraded with the absurdity through which we seamlessly wander through this life. The irrefutable desire to numb the conscious is the bittersweet burden which we carry to suppress the abyss of disparity which we are floating amidst. Monsieur Meursault in Albert Camus’ The Stranger is the blaring anomaly. Fortifying himself through his indifferent nature and blunt honesty, Meursault is ostracized. Deemed with a psychosis he finds comfort in the unruly inescapable solace of life, death, which morphs into his gradual declination. The sun tracing his unusual circumstances, catalyzing his imminent reactions provides itself as the only paradigm to symbolize Meursault. The intricacies which unfold are reiterated by the Sun which juxtapose the indigenous contingency to find meaning. Meursault’s paradoxical compel and abhorrence to the sun highlights the idea that the what we choose to learn may not be abiding in beauty. Our choice in this duality sets forth the invitation to introspection offering its only absolute form through our own willingness. Meursault understanding himself is bonded to the sun

The core idea of Albert Camus’ philosophy of absurdity centralizes upon the idea that humans exist in a meaningless universe, and follows that humans must simply accept this fact to live life to the fullest. In addition to this absurdist notion, Albert Camus also uses The Stranger to show how humans still strive to create superficial meaning to fulfill their own personal needs. Through the experiences and interactions in Meursault’s life, Camus illustrates that in spite of how events in life follow no rational order, society attempts to futilely create meaning to explain human existence.

Meursault is a psychologically detached man on trial for murder. However, it is ultimately his psychological detachment, not the murder of another man, that proves to be most damaging to his reputation and judicial case. Deemed a monster by society for his lack of emotion and general indifference, Meursault is sentenced to public execution by guillotine. The Stranger, a philosophical novel by Albert Camus, explores the concept of alienation as a result of failing to adhere to society’s accepted moral standards. Camus begins with the idea of extreme indifference in a world that expects deep human emotions and feelings, continues with the murder of the Arab man, and ends with the concept of human life ultimately having no grand meaning or importance

The theme of absurdity can be seen through three different lenses in The Stranger, by Albert Camus: life, decisions, and reflection. The first lens in which the reader can see absurdity in the novel is when the protagonist lives for the sensual pleasures of the present moment. The second lens in which the reader can see absurdity in the novel is when the protagonist absurdity of the protagonists decisions on how he does or doesn’t decide to kill the Arab. The third lens in which the reader can see absurdity in the novel is when the protagonist how he reflects back on his decisions and life and concludes that life means nothing between birth and death. The changes in the lenses of Meursault ‘s absurdum are projected through the author’s choice of different language.

Camus, in ?The Outsider?, makes a conscious decision not to use figurative language in his story, once again creating the illusion of spontaneous thought. When using everyday language or when thinking we do not include metaphors, similes or onomatopoeias, for example, ?Today, I should not have fought Tracy in the office like a tigress who hasn?t eaten in a week, sinking my long, sharp claws and teeth into her flesh?. Or at least it is uncommon to anyway. Camus is very economical with his language.

The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not

Camus follows the idea of the paradox of free will in both stories in order to exemplify how no matter the choice a person makes in their life it will not let them escape death. Meursault begins the story as an emotionless human being who dares not weep at his mother 's funeral. Additionally, Meursault only focuses on the physical struggles of life like when the caretaker speaks of how “If you go slowly, you risk getting sunstroke. But if you go too fast, you risk a sweat and then catch a chill in the church” while walking (17). This reveals despite

Camus also references to the sun “glint[ing] off Raymond’s gun” as Raymond handed it to Meursault (Camus 56). Furthermore, the sun initiates the pressure of conformity in society. “When the sun got too hot, she dove off and I followed,” displays Meursault’s natural instinct to follow Marie into the ocean and escape the harsh truths of reality (Camus 20). The sea is a symbol of freedom which Meursault uses often as a getaway with Marie, who has come closest to forming a companionship with him and provides Meursault with a distraction. In contrast, the prison represents isolation and confinement. Although Meursault was always an outsider of society, he has a hard time accepting himself on the other side of the bars. He often thinks of other people, and at first he struggles with no longer being a free man, and he longs for the water. In prison, where Meursault lacks all possibilities of escape or distraction from his flaws, he confronts himself and his ideology. Despite the looming threat of death, Meursault still chooses to stand by his beliefs and ultimately does not hold any ill will toward those he’d known in his

Life is often interpreted by many as having meaning or purpose. For people who are like Meursault, the anti-hero protagonist of Albert Camus' The Stranger, written in 1942, the world is completely without either. Camus' story explores the world through the eyes of Meursault, who is quite literally a stranger to society in his indifference to meaning, values, and morals. In this novel, this protagonist lives on through life with this indifference, and is prosecuted and sentenced to die for it. Through Meursault and his ventures in The Stranger, Camus expresses to the reader the idea that the world is fundamentally absurd, but that people will react to absurdity by attaching meaning to it in vain, despite the fact that the world, like

The novel The Stranger, by Albert Camus, translated by Matthew Ward, follows the story of a man, Meursault, and how his emotionless way of living and his one grave mistake ends up killing him through a court of law. Throughout his journey, there is tension in him, and between him and other people and groups. This tension is represented throughout this novel with the motif is heat. And as tension can grow and is part of everyday life, it is part of Meursault’s as well. Furthermore, through tension and it growing, it can result in a conflict of multiple varieties. This motif comes up at scenes such as the trial in the courtroom, the conflict on the beach with the Arabs, and the magistrate and his heated argument. And due to Camus specific placement of the motif during these scenes, it also foreshadows conflict and trouble throughout the novel. Camus’ motif of heat shows a tension between opposing sides to foreshadow various types of conflict which demonstrate the theme that tension leads to conflict.

In addition, Meursault cannot find a solid place in society. He lives alone due to the death of his mother. Society cannot accept the manner in which Meursault addresses his mother’s death. Since he thinks that “Maman died today. Or yesterday maybe, [he doesn’t] know” (Camus 3), society believes that he does not care that his mother dies. Everyone judges him because he does not relate to the rest of the people. Meursault receives immense criticism at his trial concerning his murdering another man. At his trial, Meursault can “feel how much all these people [the jury] hated” (Camus 90) him. The jury does not commend him or even regard him with understanding about his mother’s death. Some people react to death without actually reacting to it; Meursault subconsciously chooses to do so but receives condemnation. Both characters experience isolation from society.

Albert Camus, born in colonized Algeria, a father to absurdism, and author of The Stranger confronts the philosophical themes of purpose, integrity, and passivity. The Stranger’s main character, Meursault, is a laconic man whose passive actions and brutal honesty lend to connections in his court trial. Those of which condemn him to execution. Meursault falls victim to his complete honesty, complete passivity, and disregard for the purpose of action. He is straightforward, and his actions usually follow his thoughts. Actions and decisions that most average people regard as serious, Meursault regards as arbitrary. Meursault’s exemplification of absurdism proves to not only lend to his characterization, but as a comfort in his death as well.

It is often seen to be a symbol of life, power, strength and energy. But in the outsider is used to symbolize something else. The sun is the indicator to Meursault’s emotions and actions. He is constantly referring to the sun and using it in a way to express how he is feeling. “And what with the sun and the smell of leather and horse-dung from the hearse, and the smell of vanish and incense and the sleepless night I’d had, I was so tired that I could hardly see or think straight.” (Chapter one, Part one pg. 21) Meursault uses the sun as one of his excuses to his disinterest and so called tiredness at his mother’s funeral. Again when the murder of the Arab occurred he mentions