Framework in the Goophered Grapevine Essay

1. Why was the vegetable patch “he and his mother planted in those first hopeful weeks” important to Carl? (p7)

Julius was a very opinionated person, who was all about himself and not looking after his own team or anyone else for that matter. For example when Julius was confronted by Gerry, during this conversation Julius said ‘I’m supposed to wear out myself for this team? What team? Nope that’s not what I’m going to do is I’m going to look after myself.’ When this confrontation was happening there were many close up camera shots, this was because the director wanted to show the emotion and anger in the faces of Gerry and Julius. This shows that Julius is a very opinionated person and he only cares about himself, this is shown in what he told Julius.

    The play Julius Caesar written by William Shakespeare in 1599, is about the murder of Julius Caesar, a great Roman general who conjured many lands, and helped to form the Great Empire that we read about today. Caesar was to be crowned king of Rome, but he was savagely murdered by a group of conspirators before he received the crown. After Caesar's brutal murder, Brutus a very honourable Roman, who helped in in Caesar's death, and Mark Antony, one of Caesar's closest friends, gave speeches at Caesar's funeral, trying to convince the crowd to agree with them and turn against the other. Brutus and Antony both made convincing speeches, but Antony came out on top, because Antony let the people make up their own mind, by appealing to their emotions.

Julius Caesar is a powerful, confident man who leads great armies and efficiently rules the Roman Empire.

Comparing character development in Julius Caesar and A Raisin in the Sun is beneficial in learning more

Unlike the common view of leaders, the potential leaders of Julius Caesar are not necessarily nice or giving. However, sometimes that is necessary. In the play Julius Caesar, a long tale of leadership shows the true qualities of the greatest leaders. Where the reader finds themselves started is at the point which Antony and Caesar, the overconfident leader of Rome, are discussing people around them. This discussion boils to a point in which Antony and Caesar discuss the possibility of Cassius being a threat to Caesar. Later, readers find Cassius is indeed a threat, as he and multiple others, including Brutus, stab Caesar to death. Antony then brings Caesar’s body to the multitude, and with a great speech inspires a hatred for those who wrongfully stabbed him. At the next point Antony is seen, he and Octavius are the new rulers of Rome. These two comrades go and finally eliminate the last of the traitors, Cassius and Brutus, in a battle that cements the two as the new leaders of Rome. Throughout all these actions, one man particularly showed that he should control the Roman Empire. Antony was created to be Rome’s leader in Julius Caesar, where William Shakespeare gave him inspirational abilities, persuasiveness, and fearlessness which are unparalleled.

There have been many rulers in history who have been betrayed by those they trust, but The Tragedy of Julius Caesar (William Shakespeare,1959) still holds a special place in Western literature as one of the most enigmatic human beings to ever exist. Powerful men like Julius Caesar shaped the life and times of the late Roman Republic, just before Rome would officially become the Roman Empire on the crowning of Augustus as the first Roman emperor. Julius Caesar was a powerful general who expanded Rome's power and who was beloved by the people for his generous charity after his successful conquests. Despite knowing the story of Julius Caesar to some extent, most 16th/17th century English would not have ever visited Rome, nor would know what the Roman Republic was like, which presented a unique opportunity to William Shakespeare to create a play unlike any other he had created before. (Shakespeare Julius Caesar, 1599) Shakespeare's Julius Caesar is a reimagining of Rome from a Elizabethan point of view, and despite some inaccuracies, the play depicts an enlightening view on Roman life, and the life of the Roman general, Julius Caesar.

There is a power struggle of these two characters from the very beginning—they are both narrating the story. Most, if not, all, stories are given one narrator for the story—the same thing goes for plays. The northerner is not more of a narrator than that of Julius himself. This shows one of the first conflicts that must be dealt with in the story: Who is going to be in charge because there cannot be two bosses. In the Theatre world of terms this is called a moment of intrusion. The moment of intrusion is when a character(s) breaks up what was already set in place—sort of like ‘The Given’. The former plantation is the stasis—a quiet, peaceful environment. The stasis is what the reader already realizes as the setting, it is what we are familiar with in the story and we know how it starts out. The northerner has now become the intruder of the story, he wants the plantation and plans to take it and make it his. This moment of intrusion displays a conflict and now there must be a challenger—Julius. The challenger, Julius, is the character who seeks to maintain the stasis; someone who wants to maintain their order that all are comfortable with. Julius is unwilling to see this, the North, come to fruition and now has the task of the challenger—the one who makes sure the intruder is not successful. From the moment these characters are given

It was just a simple narration of individual practice, and as it went on, hour after hour, with voluminous detail, specific and intense here, half disremembered and ambiguous there. Slowly it conveyed to the spectators the belief that it all happened – it was the truth. Falsehoods are not prepared as convoluted and intricate as that tale. Fiction so full of incident, so mixed of purpose and cross-purpose, so permeated with the play of human passion, does not spring offhand from the most marvelous fertile invention. Touching continually points on which there can be controversy, Orchard described undertakings whose purpose until to-day had been unknown, whose motive had lingered as clandestine. And as he continued to recount his story, the half-stifled gathering in the populated courtroom was so silent that his soft speech infiltrated to the farthermost area.

The Goophered Grapevine, written by Charles Chesnutt, is told from a business man who, due to an unfortunate circumstance of his wife’s illness, moved from Ohio to North Carolina. The story is majorly told from the position of a man named Julius McAdoo, who, due to the author’s intention, speaks in a heavy dialect that reflected southern slaves at the time. The author aggrandizes Julius’s dialect to mimic how a southern slave would have been seen from a northern man who was sophisticated at first meetings.

In the tragic play Julius Caesar by William Shakespeare, the ruler of Rome, Julius Caesar, is stabbed to death by some of his so-called friends. Brutus, one of Caesar's best friends, is approached by some of the other senators to join the conspiracy to kill Caesar. Brutus weighs his options and decides to join the conspirators for the good of Rome. At Caesars's funeral, Brutus gives a speech to convince the citizens that the conspirators were right to kill Caesar. In contrast, Antony gives a speech to convince the Romans that there was no real reason to kill Caesar. Both characters try to persuade the audience, but they achieve different tones using literary and rhetorical devices. The tone of Brutus' speech is prideful, while the tone of Antony's speech is dramatic and inflammatory.

In a culture that is so connected with identity and authenticity, and performance is inevitable. It is just a question of what the performance will be and how far could we push it really? How far does Julius? The more he loses himself in art and music, the more it becomes clear that this is all an elaborate culture appartus. Julius acts more like a filte rin a way this makes him all the more suspicious other first-person narrator's level with you. The other first-person narrators admit to perhaps exggerating this or that, and they invite the readers into their secrets, their hopes, and their fears. However, The filter narrator does not provide that kind of context. The readers have to get to the narrator by using his gloss on the outside world

    In the play Julius Caesar, written and preformed by William Shakespeare, there are many characters, but two, Brutus and Cassius, stood out. The play begins in Rome where a celebration of Julius Caesar's victory over the former ruler of Rome, Pompeii. The victory leads to Caesar's betrayal by his jealous companions. Senators and other high status figures are jealous of Caesar's new and growing power, while others, like Brutus, fear the tyrannical rule Caesar could enforce. The conspirators, Brutus and Cassius being the most important, assassinate Julius Caesar and Marcus Antonius, better known as Antony, and Octavius Caesar, Caesar's heir to the thrown, revenge Caesar's

There are many characters that are in Shakespeare’s The Tragedy of Julius Caesar that are just as important to the play as Caesar himself. Two of those great men include Brutus and Mark Antony, both as friends or advisors to Caesar. Between the two characters, there are many similarities and differences that made them both influential characters in the play. Although neither of the characters achieved their ultimate goal, they both had influential characteristics that influenced the beginning, middle, and end of the play.

Antony was a very diverse character in the play Julius Caesar. He starts out as a small character who is only mentioned once or twice an act. Later he is portrayed as a hero for the people. Towards the end he is depicted as a liar and a cheat whose only goal is to attain power. As you look over Antony throughout the play, you slowly start to see the real him which only comes out when he is given the chance to rise up on the political chain.