Francis Bacon 's Portrait Of Pope Innocent X

The Pope is the head of the Church: he represents the ultimate religious authority. However, as a Bishop of Rome, the Pope is also in command of certain secular affairs, including some military aspects. Certainly, the Pope is a link between the earthly and the divine realms. Problems arise when the imperfect world the Pope physically lives in interferes with his heavenly objectives. Taking Pope Gregory I as an example, I am going to look at his letters to analyze how he reconciled his political and spiritual goals, whether he valued one category over the other, and how he justified it.

The work features a satirical take on the Catholic order of Rome. The satirized depiction of the Pope in Cranach’s etching is relevant to the cultural, religious, and political environment that sixteenth-century Europe was experiencing at the time. Criticism of the church appears in Cranach’s etching: he depicts the Pope with three separate heads and a snake tail. The environment in North Europe was well on its way to disturbance, change, and separation.

Pope Innocent III to many people is a savior of Christianity. He is thought of very highly because he was one of the most influential and powerful popes of the Middle Ages. Pope Innocent III not only made a mark on everyday citizens of his reign, but especially so to the Roman Catholics. The election of Pope innocent III happened to him at the age of thirty-seven on 8 January 1198, his real name was Lothar of Segni. Many popes before him had let the Christian values slip through their fingers, ultimately leaving no hope of salvation because of the corruption that was occurring in the Church and values being forgotten at every new pope. Pope Innocent III was the first pope to name himself the ‘Vicar of Peter’ to then name himself ‘Vicar of

Francis of Assisi was a poor man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit and without a mite of self-importance. Francis was famous for his love of all creation. He called for simplicity of life, poverty, and humility before God. He worked to care for the poor. Thousands were drawn to his sincerity, piety, and joy. In all his actions, Francis sought to follow fully and literally the way of life demonstrated by Christ in the Gospels. My report is going to discuss the life and contributions of St. Francis of Assisi.

Like many of Dix’s generation in Germany during the 1920s, he drew from the German expressionist movement in his use of distortion, directness, media and subject matter in plate 1. German expressionism involved directness, frankness and a desire to startle the viewer. Their works embraced printmaking and focused on the emotions expressed rather than reality. Dix heightens the emotions effects through his meticulous rendered, horrific images. The brilliant white bones stand out against the darker background. He experimentation with printmaking and used multiple acid baths to eat away at the image, to mimic decaying flesh. This horrifying focal point does startle the viewer through its direct disposition. Expressionists often felt the need to confront the devastating experiences of WWI, as plate 1 documents through it’s shocking yet realistic representation of the war and its effect. The common expressionist technique of distortion is utilised to exaggerate the skull and expose it as disgusting and confronting. Otto Dix’s attempt to confront the viewer through the depiction of emotions rather than reality. Dix’s incorporation of German Expressionist characteristics and techniques, the art movement of the time, in Plate 1, is a documentation of cultural art practises in the

On page 37, Manchester states, “At any given moment the most dangerous enemy in Europe was the reigning pope.” The popes of the church were their Holy Fathers, but

Pope Innocent III began a sequence of changes that influenced the face of secular and ecclesiastical Europe through careful use of law and political manipulation. It has been remarked that the papacy acquired and retained the most power under the leadership of Pope Innocent III during the late 12th and early 13th centuries. I plan to examine sources primarily pertaining to the Fourth Lateran Council in 1215 and secondly to a collection of Innocent III’s papal letters. In my analysis, I hope to draw a correlation between Innocent III's actions and these actions influence on medieval society and why this period is considered to be the height of papal power since its inception.

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

The Bacon’s Rebellion was a variety of simmering tension caused by depressed tobacco prices that raised taxes, roaming livestock’s and crowds of freed servants. This event was tangled and called the Bacons Rebellion, which was named after 1676 Governor Nathaniel Bacon who graduated from Cambridge University. Bacon was praised as the leader of the first struggle of the common folks versus aristocrats. Since Bacon despised the indigenous people he had planned to kill all of them, but Barkley opposed bacons genocidal plans not because he like the indigenous people but because he wanted to protect his lucrative monopoly over the deerskins trade. Bacon didn’t like what Barkley was doing so he demanded him to be arrested. Barkley forces resisted

“Vrrrrrrrr” sounds the fans cooling the projectors displaying video instillations of Terry Berkowitz “the last supper”. As I strolled into this gallery, I instantly thought of both “ted talks” we previously had this semester and how the artist we using rather unconventional means to portray their art. In visiting the Boca Museum Of Art I observed 3 specific pieces that tied into lessons I’ve come to learn more about in this semester.

Assisi was born in 1181 in Spoleto, Italy, his father was a wealthy merchant, and his mother was a young French woman. Francis was a very spoiled child, he had parties almost everyday. At age 14 he dropped out of school and became a rebellious teenager, he drank oftenly, and passed his party curfew. Francis had come under heavy attack and thrown in prison, they torchered him for a year. One day his father was able to bail him out, however he was a very different man he started to turn his focus onto god.

Sometime in the late 1100s to the early 1200s, the church’s fought for and rose to a higher power. Pope Innocent III was responsible for the new church law, called the canons, and church reform that was established during this time. Pope Innocent III’s time as the pope was really the main turning point for the powers that the church had. This is evident in the canons that were established and written by him and a council of the estimated over 1000 church officials of different titles, during his time as pope. The canons are a clear representation of some of the exertion of new found powers that the church had. The canons show how the rules and laws of religious related things were passed on in a delegation from nobles and kings to church officials.

The painting The Holy Family with Saints Anne and John the Baptist, 1592 (oil on canvas) was created by Italian painter Sofonisba Anguissola (c.1532-1625). It is currently held at the Collection of the Lowe Art Museum, University of Miami, as a gift from Mrs. Forbes Hawkes and Bridgeman Images. This painting is among the unique pious narrative paintings by Anguissola. “The Holy Family” is the last dated painting by the artist. It was executed when she had just returned to Italy after spending 14 years working for King Philip II at the Spanish court. By this time, she had already married to a Genoese ship captain. Her various visits to court and her personal contacts with great painter at that time largely inspired herself. Through these contacts, she successfully stayed in touch with current developments in art. By closely observing this masterpiece, I argue that the artist perfectly sustain the beauty of counter-reformation arts in her work by use of light and shadow, delicate brushwork and accurate proportions of each subjects.

‘Study after Portrait of Innocent X’ wasn’t Bacon’s only appropriation of Velazquez’, but perhaps is his most famous one. Bacon never saw the original painting, only photographs and copies, but was

In the presented essay I will compare the style of work of selected artists in the montage of the film. I will try to point out some general regularities and features of Soviet cinema. At the same time I will try to capture especially what is common in their systems and similar or conversely what differ. For my analysis, I will draw on the feature films of the Soviet avantgarde, namely these are the movies - The Battleship Potemkin (S. Eisenstein, 1925), Mother (V. Pudovkin, 1926) and The Man with a movie camera (D. Vertov, 1929).