Francisco Goya Research Paper

Most of his creations represent history and society of his time. But “Guernica,” which Picasso painted in response to tragedy and the loss of life, directly related to the Spanish civil-war. “Guernica” was one of the masterpieces created by Picasso, probably the 20th century 's most negative symbol of the horrors. It was a also signal for the terrors of the future. When the Nazi troops dropped a bomb on the Basque village of Guernica in northern Spain, at that time nobody imagined this kind of act in reality. Most

Kollwitz, on the other hand, shows a group of gloomy-looking peasants marching in some sort of uprising, as the title would suggest, led by a heavenly figure similar to Liberty in Eugène Delacroix’s Liberty Leading the People; the event’s exact context is unknown, but it depicts an era rife with struggles and rebellions in the lower class. Both works show people’s reactions to strife, but the manners in which they are shown are very different. In The Mob, our attention is immediately drawn to the act of violence itself and its two perpetrators through strong compositional lines and a lack of definition in the background, while in Uprising our focus is divided among the equally well-defined figures with the spirit acting as the apex of an upward motion formed by the strong lines of the scythes and other objects. The difference in how these events are communicated can be at least partially explained by the artists’ connection to their subject matter: in The Disasters of War, Goya attempts to show semi-objectively the events he saw in Spain under Napoleon’s rule and how they affected people, while Kollwitz’, “a fervent Internationalist and thus sympathetic

Francisco Goya was a Spanish Romanticist painter who was born 1746 and died in 1828. Although he was born near Saragossa, he was living in Madrid when he painted “Executions of the Third of May”. The famous painting refers to 1807 when Napoleon Bonaparte wanted to make an alliance with King Charles IV in order to conquer Portugal, but his true plan was to take over Madrid. When the French troops stormed Madrid, Napoleon claimed that they were just passing through, but when they began taking over, king Charles IV soon realized the alliance was a hoax. Soon after Napoleon’s brother, Joseph Bonaparte became the new king of Spain. The siege lasted three days and on the second day a rebellion broke out and on the third day, the rebels were slaughtered. It is said that Goya himself witnessed the murders from atop the hill of Principe Pio and once the massacre had ended he began making sketches of the bodies under his lantern. Although the story is not proven, it is clear that it affected him greatly.

The painting 2 de Mayo de (1808) is a scene where citizens of Madrid are rebelling against the French soldiers. The image showed a chaos action where people are killing each other. There are lots of tension in the painting, however, by the beautiful color combination and over all composition, Goya lead our eyes around the image creating harmony. Moreover, Goya painted the figures in the image differently; they had a more three-dimension and round looking. Followed by the 2 de Mayo de, He painted El tres de mayo de (1808) where the main action in the painting focus on the emotions in the horror of war. In this painting, Goya successfully expressed rage and fear, and the painting is acknowledged as the first painting in modern era. The white color on the man’s shirt emphasis the focal point and indicates the pure and innocent of a citizen and also showed the brave side of a man who protects others. Goya’s painting had become iconic symbols for the violence of France to the

Francisco de la Goya was a painter that is considered one of the most important Spanish painters in the late 18th and early 19th centries. His paintings are very famous and vary in different styles. Goya traveled to different places in Europe to broaden his understanding of art, did several differents styles of art, and is most famous for the art he did depicting the French Invasion.

Most of these ideas had been known in Spain prior to this point and were supported by the middle-class, but they had been under the rule of an absolute monarch (“Goya Prado Tour”). Therefore, the appearance with these ideas alongside bloody war must have been startling and unsettling. Goya, who was in agreement with the ideas of the French Revolution, stayed in Spain after the expulsion of the monarchs (“Goya Prado Tour”). However, it can be seen that the blood and violence that followed with these changes bothered him. Before the French invaded, all of the Enlightenment ideals of the French Revolution were intangible thoughts that Spaniards had spoken of in theory, not actually experienced.

Many artists through time have used art to express emotion or a standpoint, and Francisco de Goya can surely be classified under this category of artist. Famously known for his controversial relationship with the Spanish government the audience may conclude that many of his painting will have a connection to the dispute. For example, in “Still Life with Golden Breams” most people may see it as a well made still life of lifeless fish but in reality, it holds a deeper meaning. For instance, when someone gets the opportunity to observe this composition they could say that the inability for the Golden Breams to close their eyes reminds the viewer of how the fish were ones alive. That is to say Goya probably made this still life to symbolize

As Pablo Picasso once said, “Painting is a blind man’s profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.” Picasso’s passion for art started at a young age, getting his passion for art from his father. Pablo Picasso is known for the innovative techniques he introduced to the art world. Each being influenced from his life around him, to modifications in the colors he utilized, or transitioning to an unorthodox style of painting, and even practicing printmaking.

Francisco Goya’s The Executions of May 3, 1808, is a remarkably interesting piece of art. This piece represents a protest against the Napoleon Occupational Army in Madrid. There are various visual elements and design principles in the art, which will be covered. The beginning of this ILO will contain the visual elements first, followed by the design principles, and what they mean in the artwork.

Many wars have broken out during the time that Goya was alive. Goya was a painter for many high-class families and his works were generally joyful and bright at the start of his career. After facing life-threatening illnesses which resulted in completely becoming deaf his paintings started slowly becoming more and more dark. He would start painting battles of war that displayed gruesome violence and later called his series The Disasters of War (1810-1820). Toward the end of his career, Goya had a sour and poor look on what was happening around him, which drove him to isolation where he painted the Black

Goya made a series of etchings and paintings depicting the atrocities of both sides involved with the war. The most famous of these paintings are the two depicting the scenes from the second and third of May. The work focuses on the victims of the situation, which in this case are the Spanish citizens being executed. The work is not meant to be beautiful, but is instead supposed to be horrible in order to shock the viewer. Goya's purpose within the painting is less to blame the French, but instead to point out to people the "faceless and mechanical forces of war itself, blindly killing a representative of humanity"(Stokstad). He used the incident as an example of how horrible war is and what can happen when violence is instituted.

Many attribute the evolution of the French revolution as the catalyst for redirection of the style of artwork from Baroque and Rococo to Neoclassical and Romanticism. Two leading masterpieces that support this aspect are respectively: Jacques-Louis David, Oath of the Horatii, (c. 1784) and Eugène Delacroix, Liberty Leading the People, (c. 1830). As commented in Essential Humanities (2016), the French revolution “in all its heroic glory and grisly destruction” (par. 10) is masterfully portrayed in Delacroix 's personification of liberty. In addition, the summons for commitment to the cause of freedom is classically rendered in David 's vow of victory or death. Within this essay both of these paintings are examined in regards to their connection to the French revolution.

Goya was an artist who made etchings called The Disasters Of War. These etchings showed the horrible things that were done by Napoleon's soldiers. They were made in order to shock the viewer and make them feel the pain of what happened. These sketches did not go in narrative order or show exact details of an event, they were just images showing that bad things like that happen during war. Normal captions have dates and places written which detach the viewer from the pain of the picture. On his sketches,

“Saturn Devouring His Children” is the boldest painting of the group. Goya portrays a grim voracious giant with predatory, lunatic eyes stuffing his son’s torn, headless body into his maw, a visual equivalent of torture and murder, set against the darkness which accentuates the mood of despair to illustrate his honest views of humanity during a turbulent time.

The revolutions of 1830 and 1848 sparked a steady stream of political artwork showing scenes of battle and rebellious uprising. Eugene Delacroix’s portrait of Liberty Leading the People, 29 July 1830 reflects the events of the French banded together from varying classes in battle following a bare breasted Liberty. Ernest Meissonier’s painting The Barricade in Rue Mortellerie, Paris, June 1848 is a sad image of a drab Parisian street with dead revolutionaries as a result of social class fighting.