Frank Capra Why We Fight

Everywhere people looked there was propaganda.“There were posters on every lamp post that read things such as “help the troops, buy war bonds”. In this article, what glorifies war was the propaganda that was portrayed through Hollywood movies. The movies consisted of “propaganda themes” that aimed at influencing the American people. “The propaganda consisted of six main themes: The Nature of the Enemy, The Nature of the Allies, The Need to Work, The Need to Fight, The Need to Sacrifice, and The Americans-What we are fighting for”. These themes were created to target the American people in some way. For instance, in the theme, “The nature of the Enemy”, “The goal of this was to make Americans hate the enemy so much that they were willing to do anything to help the United States defeat them”. This was also to build interest in people. In the film “Education for Death: the making of the Nazi” by Walt Disney, it showed how Nazis had absolute control over Germans lives and how the children in schools were being brainwashed by the Nazis, making them believe Germans are a superior race. This made it appealing to people to get involved because this type of propaganda made people feel bad for the

Throughout the film Casablanca, everyone in the town is against the war and wants the U.S to remain neutral. Similarly to the America during WWII Rick displays neutrality and portrays isolationist tendencies. After Pearl Harbor the U.S had to finally break their neutrality and join WWII. At the beginning of the film Rick says, “I stick my neck out for nobody.” This exemplifies Ricks neutrality in at the beginning of the film. However once Ilsa arrives he starts to stick his neck out for others. After Rick says, “I stick my neck out for nobody.” He says, “ Wise foreign policy”. This portrays his view the U.S should stay neutral in the war. Similar to the U.S entering the war, Rick eventually breaks his neutrality because of Ilsa’s great influence on him.

Ray points out that this concealing of the necessity for choice also governs the thematic paradigm in Casablanca. The film invites the audience to identify with Rick rather than Laszlo even though official American wartime sentiments are consistently voiced by Laszlo. Rick regularly insists upon unmediated self-interest,"I stick my neck out for nobody", "I'm the only cause I'm interested in", a position that Ferrari explicitly identifies with a discredited American tradition: "My

War has always been an unfortunate part of our society and civilization. War will sadly and undoubtedly be with us as long as we exist. However, the portrayal of war for many centuries gave a sense of patriotism and romanticism. Then the invention of the camera changed how humanity perceived war in the late to mid 19th century. And all of a sudden, images of war became of shear violence and destruction. The violence in these images would play a significant part in the social and political standpoints of war in our nation.

Once looked at through the formal elements of film, this film becomes about more than just the struggle of a man and his love; it becomes a beautifully crafted metaphor for one of the darkest times the world has seen. The narrative of the film draws a near-perfect parallel between Rick and his involvement in Victor and Ilsa’s struggle and America and its involvement in the Second World War. That parallel builds upon itself as the film progresses, strengthening itself through mise-en-scene and other stylistic elements until it finally comes into fruition in the final sequence. It is in the final sequence that the metaphor truly begins to take shape, and its meaning begins to take hold. That meaning, rooted in the narrative and supported by other stylistic elements, is that the US needs to involve itself in the war. That America’s very presence in the fight, let alone its actions, will prove to be decisive in the outcome of a war that is dividing the world. Nowhere in the film is this statement by the filmmakers more evident than in the final sequence. The final sequence itself is a rallying call to the US to fight for the very beliefs it was founded on, and to join the fight to stop the advancement of the Nazi

There is one scene where the three flag raisers entered a crowded stadium before a football game which typified how an image of war can be so different to the reality of war. The flash photography, the cheering, the roar of the crowd all went to John Bradley’s head and he had flash backs of the fighting on Iwo Jima and the genuine heroes that he had left behind. This scene contrasts what the reality of war, were all the men are dug in and fighting for there life, and the images of war. Ira Hayes says “I know it’s a good thing, raising the money and that, ‘cause we need it. But, I can’t take them calling me a hero. All I did was try not to get shot. Some of the things I saw done, things I did, they weren’t things to be proud of, you know?” Clint Eastwood shows continuously, through his characters physiology shows how one single photo can be so different what really makes up the battle of Iwo Jima. The aim was to get war bonds; the minds of the three main characters through Clint Eastwood’s directing showed a strong insight to how the reality of a war and an image of war can be so contrasting.

I read the section about the battles that took place during WWII. It brought to my minds that in real life. There are more important things during a war than finding a private Ryan. War is a huge event and the little things like finding a person to keep the family name going is too small to include in war history. This is what separates the movies from the real life. Another difference is they don't show the actual planning it takes to start an attack or the inelegance that is needed to set up the perfect defense barrier to prevent the advancement of the enemy soldiers. A real battle can last days, weeks, months, or years, compared to movie war that lasts not even a day and has one guy or one platoon take on the entire other side. The casualties of real war is tremendous, rather than movies where you see almost the same characters in the whole movie accomplishing some of the most intense tasks with only one or two dying. Also, in movie war you don't see the other side's horror. You think all the opponents are bad horrible people that deserve to die, when they are just soldiers doing their job and the only reason we are fighting them is because of a bad leader or government. So in the movies every enemy deserves to die and should be shown no mercy, but the actual thing about that is that the enemy is just like any other soldier. And furthermore when the good guys lose a battle in a

In the film, “Casablanca”, it showed us that America was neutral in the war as Rick said, “I stick my neck out for nobody.” Rick is portrayed as America, although he seemed as if he was neutral he started to show that he was caving in for the underdog, just as America did when we started to get involved in the War. During the film when the Germans come into Rick’s café, Rick shows that he is aware of what is going on in the War, just as we Americans knew about all the concentration camps. Also, when someone offered to buy Sam’s contract from Rick, Rick said “I don’t buy or sell human beings.” Casablanca shows that America is aware of what is going on and that we are above all of it.

“Ads implied that if you bought a war bond your sacrifice was on par with that of the man in the front lines.” (74) The US government and industry played on Americans’ sense of patriotism in order to get them to support the war or buy their products. However, “Advertising had inherent problems as an educational tool. It is by nature emotional, rather than intellectual; it sells feelings rather than ideas.” (73) Government propaganda and business advertising were not the only factors in forming the inaccurate myth of the Second World War. Hollywood made films where “people get blown up with their clothes and fall gracefully to the ground” (100). Through the realism of motion pictures, such as 1998’s ‘Saving Private Ryan’ and 2001’s ‘Pearl Harbor’, Americans were falsely led to believe in a glorified war.

Ray points out that this concealing of the necessity for choice also governs the thematic paradigm in Casablanca. The film invites the audience to identify with Rick rather than Laszlo even though official American wartime sentiments are consistently voiced by Laszlo. Rick regularly insists upon unmediated self-interest,"I stick my neck out for nobody", "I'm the only cause I'm interested in", a position that Ferrari explicitly identifies with a discredited American tradition: "My dear Rick, when will you realize

Throughout Casablanca, there is a definite sense of patriotism and nationalism from the American side. Although the marketing team focused on the action, romance, and movie stars, the underlying political themes of Casablanca are eminent; the film’s intention was to get people to support the war. Rick, played by Humphrey Bogart, is the representative of the Americans in the film. He is, after all, called a patriot by Captain Renault after the murder of Mayor Stasser. In the film, America is shown as a safe place for refugees; this further promotes American involvement in the war, because Americans should want to keep fighting for their land to stay safe.

In the film Casablanca they show various different aspects of American culture during the wartime forties. These things are cumulated in the films sole American, whose name is Rick. However this film not only shows the culture of Americans but also shows a look into what Americans viewed the war as. The values of people and what was considered obtuse for society are ever changing, and you can see this as plain as day within the movies and films of the time. Casablanca is an amazing example for this because it is special in the fact that it’s the only play written during the time that was never played but was instead turned straight into a movie. Now let’s take a more in-depth look into the movie and how it’s connected to the people who were meant to watch it.

“The effective war film is often the one in which the action begins after the war, when there is nothing but ruins and desolation everywhere…”

War has been present since the beginning of human history. Likewise, war movies have been present since the movie industry began. Just like most other genres of film, war films have been created as a form of entertainment to profit a person or organization. More people are willing to spend their money and time on a feeling of action, excitement, heroism, and patriotism than gruesome and horrid images of real and common human destruction. Propaganda has been used by governments for a very long time and when motion pictures came into existence, governments almost immediately saw the new medium as an opportunity to influence the public. Governments such as the United States of America, cooperate with the movie industry to

It is possible to claim that these films provide ‘salves for a wounded nation’. In each film the extreme slaughter of war is