Frank Sinatra And Italian American Culture

No one will argue against Frank Sinatra's success in the music industry. An Academy Award winner, 11-time Grammy winner, and a Peabody recipient, Frank Sinatra led what many consider a successful life. Although he died wealthy, married, and famous, one must wonder if Frank Sinatra was truly happy? Sinatra was known for mood swings which often resulted in fights, and had attempted suicide multiple times (“8 Things you didn’t Know about Frank Sinatra”). Just because Frank Sinatra was outwardly successful, does not mean he was happy. Many believe that success is rooted within monetary gain. That to be wealthy is to be successful, or to be powerful, but I believe that holistic success has little to do with one’s net worth but rather one’s happiness. By extension, success and happiness do not directly correlate. Success is not necessarily monetary gain or popularity, but rather self-fulfillment and happiness with one’s achievements and choices.

Although we all are living on the same planet we have a huge diversity among us. One of these notable differences between the people on earth is their different cultures. One can notice these differences when traveling or relocating to a new country with another culture he or she are familiar with. For example, the American culture and the Italian culture both have more differences than one would expect. When people try to visit Italy they should be aware of the cultural differences, and the right way to communicate with the Italians.

With every aspect of our lives we are making a point, arguing a belief, or refuting some other aspect of our existence. Aesthetic pieces, most avidly poems and songs, argue a message both in the lyrics and in the meaning posed between the lines. “American Pie,” in a multitude of ways, argues that American lives and memories are closely intertwined with the music of the time period. Not only does “American Pie” argue a message it also pulls many generations together. Today, thirty years after the initial release, “American Pie” still has an effect in our music and continues to be popular with all age groups. Don McLean accomplishes this task through using the context of the time period, placement of words, the words

The music video “Hawaii ’78” made popular by Israel Kamakawiwo’ole serves as the unofficial anthem for the Hawaiian renaissance movement by focusing on vivid historical imagery coupled with the song’s reflective lyrics to awaken in the audience a sense of urgency to address past transgressions of the native people. Music can be an incredibly powerful tool to communicate a story or to send a message to elicit a response by the audience, especially when the artist is so well loved and respected, and this is where my essay begins.

Perhaps one of the strongest demonstrations of the power of music in “Sonny’s Blues” is the street revival. Everyone has seen these types of revivals before. Every song has been heard by the crowd, but when the music starts everyone stops, watches, and listens. “As the singing filled the air the watching, listening faces underwent a change, the eyes focusing on something within; the music seemed to soothe a poison out of them; and time seemed, nearly, to fall away from the sullen, belligerent, battered faces” (57). The music from the street revival helps lifts the hopelessness from the crowd and provides a sense of relief. Music is able to bring people from all walks of life together. It gives them a sense of calm and ease, an assurance that something is there to help. Music listens.

The details on how my family arrived in America have been passed down by various members of my family. The accuracy and detail of these memories have diminished with every retelling. Some of my family arrived in America so long ago that all that remains of their experiences are rumors and stretched truths. As a story gets retold over and over it loses much of its accuracy. While much of my family history relies on this kind of storytelling, there are some in my family who were alive and experienced the challenges faced by immigrants. Though born in the United States, my maternal grandfather, Sebastian Passantino, was very familiar with the hardships of being an immigrant.

A multitude of people nowadays choose their favorite songs because of how they sound and the attractiveness of the singer. However, some people select their favorite songs because of its appeal by relating to their personalities and feelings. Just as songs can relate to people, they can express countless similarities with stories as well. When it comes to the story, The Diary of Anne Frank, there are a variety of characters and events that songs can relate to. The songs “Chocolate Rain”, “The Last Goodbye”, and “Lost Cities”, verbalize numerous commonalities with The Diary of Anne Frank.

American culture encompasses customs or traditions in the United States. Customs or traditions include, but would not be limited to, values, language, religion, or how we communicate. The population in the United States is over 325 million, (United States Census Bureau, (n.d.) and is built on immigration. In comparison to other countries, the United States is considered cultural, as most nations unite, and later mix, their culture into American culture.

Al Capone was conceived in New York, Brooklyn and lived between (1899-1947). His parents were Teresa Capone and Gabriele who were Italian immigrants. Similarly, Capone family had arrived in America looking for greener pastures; His family carried on with an ordinary migrant way of life in a New York apartment. Capone's mom worked as a seamstress while his dad was a barber (Iorizzo, 2003).

Al Capone grew up in Brooklyn, New York; his parents came from Italy, so he had some Italian background in him. He was the fourth child out of nine; he went to school until he was fourteen years old, but he eventually dropped out to help earn money for his family. Right after he dropped out, he joined a street gang called the South Brooklyn Rippers. When he grew older, he joined a new gang called the Five

Growing up, I barely heard the early 2000’s hits blasting from the car radio; instead, Marc Anthony would always serenade us. Growing up, Christmas day didn’t begin Christmas morning; instead Christmas day began Christmas Eve night. Growing up, I didn’t dismiss my heritage; instead, I embraced it. My Latino background defines who I am. Surging throughout my body, my Puerto Rican and Salvadoran heritage has shaped me into the person I am today.

In this essay I will attempt to underscore and celebrate Simone’s activist efforts through song and demonstrate the messages in the music about race, gender, and class.

Throughout its history, music has permeated the significant events of American history. Its effect on American society and the way the American people cope with each event has only grown as popular music evolves and new genres reach more and more individuals. People can remember where they were and their exact surroundings to amazing detail when asked about life-changing events in history. Older generations will remember the bombing of Pearl Harbor. Their children will remember when Kennedy was assassinated and when man walked on the moon. Their grandchildren will remember much of the turmoil of the ‘70s and ‘80s and their great grandchildren grew up in the world impacted by the events of September 11, 2001. Even one’s surroundings during the start or end of a relationship or personal events such as graduation, getting a driver’s license, or getting married can all be paired with the music that was popular at the time.

Marvin Gaye grew up surrounded by the art of music. Born in the nations capital on April 2, 1939, Gaye’s ageless sounds and intriguing vocals still influence the world today. Gaye’s father, a minister in the Apostolic Church, played a foremost role in Marvin’s musical education. In fact, most of Marvin’s inspiration for religious topics came from the church music he grew up singing. Through the art of song, musical icon Marvin Gaye uses pathos, symbolism, and imagery with an objective to connect to listeners on tremendously personal levels.

Some people found a new source of identity, turning to religion. Some songs have a religious tone to them like “Let the Redemption come”. Pieces started to have double meanings. The piece that struck a chord with me was “My boy, where are you going? Sweetheart, it’s all over”. In one sense it could be saying something about a bad breakup or that two people have been forcefully separated after one is transported away. By grouping so many people from so many backgrounds, cultures, and languages, music was even more so a unifying thing as people united under a local or national song to affirm themselves to their home.