Frankenstein, By Mary Shelley

    Sometimes, in novels like Frankenstein, the motives of the author are unclear.  It is clear however, that one of the many themes Mary Shelley presents is the humanity of Victor Frankenstein's creation.  Although she presents evidence in both support and opposition to the creation's humanity, it is apparent that this being is indeed human.  His humanity is not only witnessed in his physical being, but in his intellectual and emotional thoughts as well.  His humanity is argued by the fact that being human does not mean coming from a specific genetic chain and having family to relate to, but to embrace many of the distinct traits that set humans apart from other animals in this

In Shelley’s Frankenstein, the monster commits a number of immoral acts out of rage. These actions are directly related to the monsters creation and upbringing. The burden of fault for the monsters actions rests on Victor Frankenstein’s shoulders alone.

Victor Frankenstein and his creation surprisingly share many of the same characteristics. Even though Frankenstein is an ugly, unwanted creature, he and Victor withhold an obvious connection throughout the novel. However, Victor and Frankenstein also share their differences as well.

When reading Mary Shelley’s Frankenstein it is easy to see the practical argument: Victor has created a monster. In the novel Victor is exposed to us— his family values, his journey to school, his drive for scientific achievements, etc. It is easy to see Victor as a victim of a monstrous creature. The monster murders everyone that Victor loves. Though, the second half of the novel exposes the “monster” to us— he is an angry, child-murder that stalks and horrifies a family (and within that family a blind man), murders the friends and family of his creator. Therefore, in the minds of most it’s easily assessed that the creature is the monster. But it seems, if you pick apart our protagonist, that he is indeed

Mary Shelley’s Frankenstein has undoubtedly withstood the test of time. Frankenstein’s direct association with fundamental Gothic literature is extremely renowned. However, the novel’s originality is derived from the foundational thematic values found within the relationship (or lack there of) between Victor Frankenstein and the monster he had created, in combination with a fascinatingly captivating plot. Understandably, Frankenstein can often be associated with a multitude of concepts; however, in this particular instance, the circumstances in the book seemed remarkably coherent with Shelley’s Romantic beliefs in preserving the natural world, and one’s natural existence. These values present themselves as metaphorical symbols that

Victor Frankenstein worried about everyone else and playing God, rather than trying to do right, morally. Victor had to go through a lot of steps and difficulties to create the monster. After the creation of the monster, everyone including Victor abandoned him. Victor refused to create a girl creature to avoid a lot of problems, but he did not realize the hell the monster would end up causing him. Victor regrets trying to play God because his action would cause him great troubles and consequences.

Although humans have the tendency to set idealistic goals to better future generations, often the results can prove disastrous, even deadly. The tale of Frankenstein, by Mary Shelley, focuses on the outcome of one man 's idealistic motives and desires of dabbling with nature, which result in the creation of horrific creature. Victor Frankenstein was not doomed to failure from his initial desire to overstep the natural bounds of human knowledge. Rather, it was his poor parenting of his progeny that lead to his creation 's thirst for the vindication of his unjust life. In his idealism, Victor is blinded, and so the creation accuses him for delivering him into a world where he could not ever be entirely received by the people who inhabit it. Not only failing to foresee his faulty idealism, nearing the end of the tale, he embarks upon a final journey, consciously choosing to pursue his creation in vengeance, while admitting he himself that it may result in his own doom. The creation of an unloved being and the quest for the elixir of life holds Victor Frankenstein more accountable for his own death than the creation himself.

In the novel Frankenstein, by Mary Shelley, Victor Frankenstein is as much as a monster as his creation. They are related in many different ways such as the fact that they are both isolated from society. While the monster isolated from society due to his physical features, Victor is isolated from his family and of his creation of the monster.

As scientists pursue the progress of their field, it would be good if they could do so to benefit the human race. However, if scientific discoveries are motivated by selfish ambition, and scientists do not take responsibility for them if they fail, their creations might become threats to humans. The novel Frankenstein, written by the English author Mary Wollstonecraft Shelley, tells the story of a young scientist, Victor Frankenstein, who unintentionally creates a grotesque creature in a scientific experiment, which causes tragedy including deaths of many innocent people. When people read this book, many of them might see the creature as a monster because the term “monster” commonly refers to an imaginary creature that is typically large, ugly, and frightening. However, this is only what the creature looks like, not what it might be like emotionally; also, people who appear to be normal outsides might be “monstrous” inside, such as Dr. Frankenstein. Indeed, while the creature is guilty of taking the lives of innocent people, if Dr. Frankenstein had taken any responsibility for it, and if humans had treated the creature humanly instead of being violent, it might not have turned out to be a killer. Therefore, even though the creature in Frankenstein seems to be the monster, since it has a horrific appearance, and eventually kills people, it is actually a victim; Dr. Frankenstein is the actual monster because he is the person who created

What purpose does it serve to have multiple narrators telling a story? In Mary Shelley’s gothic novel, Frankenstein, three main narrators tell the story about the creation of a monster and the events that follow. The job of narrator shifts between Robert Walton, Victor Frankenstein, and the monster that Victor creates. As each narrator shares his own recollection of the events that occurred, new facts are introduced to put the pieces of the puzzle together. Although Frankenstein uses multiple narrators to tell the story, it is important to look at the effects it might have on the stories accuracy. In this essay, I will closely examine the motives, differences, and similarities of each narrator to see what influences, if any, they have on the narrative.

The Creature in Marry Shelley’s “Frankenstein or the Modern Prometheus” is not a human because it came to the world in unnatural and some sort of disgust way. Also the Creature did not have a normal human way of developing. “No father had watched my infant days; no mother had blessed me with smiles and caresses. What was I?” (Mary Shelley, “Frankenstein or the Modern Prometheus”, page 88) This example demonstrates that the Creature did not have a normal human life, because the Creature is not a human, the Creature is a monster. He is a monster not only because he looks like one, but also he acts like one. He is monster because people treat him like one and the most important that the Creature considers himself as a monster.

Mary Shelley’s Frankenstein depicts the turbulent lives of Victor and his creation. Victor Frankenstein, who is a dedicated man of the science world and the creature, who is brought to the world because of Victor’s ability to animate become victims to themselves. Their irrational thinking and actions is a consistent reminder of their state of mind. They often times are regarded as “mad” or as a “mad man.” There is always confusion to whether or not they are truly insane. Although there isn’t a set answer, Shelley dives deep in this concept and gives us her interpretation of it. Throughout the novel, both characters undergo a series of experiences that build on each other, which consequently leads them to their insanity. Shelley’s use of

In Mary Shelly’s novel Frankenstein published in 1818, Victor Frankenstein made a monster for what he thought would be better for the population. He stitched together body parts that were stolen from grave yards and used a fresh brain from a newly hanged criminal. When he finished making his human, he became afraid of what he had created and shunned him. Frankenstein was denied by everyone who seen him. People did not realize that Frankenstein had a good heart that eventually became hateful because he was ostracized. He met an old blind man who accepted him, but when the blind man’s kids came home and realized what a monster he was, they beat him and swept him away. When there was no more hope for humanity, he became resentful and killed his creator’s brother as revenge then later tried to go after his creator’s wife.

Frankenstein written by Mary Shelly is a romantic novel. The Romantic Movement originated in the late 18th century. It was an era that included an artistic, literary and intellectual movement. Societies began to change their ways of thinking due to the Age of Enlightenment. People began to let go of religion and tradition and were focused on science. The Romantic Era was a mood that inspired many artists. The movement began to surface during the 1760’s. Creativity started to range from poems to stories, where the main theme was a mysterious type of romance. Romantic Literature usually emphasized a love for nature, imagination, emotion, and value for the common man. The genres include; the medieval past, the mystical the supernatural, the

In Mary Shelley’s, Frankenstein, the creature is portrayed as being a horrid, evil monster. Although the creature behaves viciously and murders several people, he is not inherently evil or malicious. Victor isolated the monster, and other members of society followed in Victor’s example and also treated him as so; which made the creature’s actions monstrous.