Essay on Frankenstein Continued: A Narrative Fiction

Frankenstein was a scientist who thought that the world was a secret, which he desired to discover in the scientific field. He worked to find out the relationship between humans and animals. He was attracted by the structure of the human body, any animal related with life, and the cause of life. One day, Victor Frankenstein made an experiment where he included many different human parts from different dead people. This resulted in a human being and a strange creature never seen before in life, which made Frankenstein very scared. This creature or monster was tall enough to scare people by his height and with muscles that were well proportioned.

Several fields have studied the relationship between creator and creation. The most significant aspect of this research considers the difference between nature and nurture. Sociologists, psychologists, scientists, and other professionals have tried to pin down the exact distinctions between these two types of upbringings. In literature, the same questions have been asked and studied using fictional characters, most famously in John Milton’s Paradise Lost, in 1667, and Mary Shelley’s Frankenstein, in 1818. The complexity of the characters in these texts creates the theme of nature versus nurture before they diverge and arrive at differing conclusions.

However, the results of the creation of the Creature are egregious, as the creature begins to murder people, specifically Victor’s loved ones, including his brother William upon realizing that William is related to Victor. Victor here is partially at fault in his brother’s death, as he abandoned the Creature, leaving it to terrorize the people. Though he is overwhelmingly contrite for their deaths, he neglects to admit who the true culprit is in William’s murder and allows Justine Moritz to take the blame, an example of his morally ambiguous actions. His inconsiderate actions cost Justine her life, though he feels horrible for it. Even then, he argues that the action he regrets the most—the creation of the monster—was the work of destiny, which was “too potent, and her immutable laws had decreed my utter and terrible destruction.” (Shelley 23) Again, Victor places blame on fate to justify his obsession with ambition that led him to create the thing he regrets the most. His failure to recognize his role in William’s, Justine’s, etc. deaths while concurrently feeling remorseful for them solidifies his status as a morally

Victor Frankenstein created life, a monster that was born into this world with no purpose, and no one to love. He did not even have a name, he was called a monster from the start. Just like a normal human baby, he came to life not knowing anything, and had to learn from his surroundings. Just like a person, he watched and learned from others, and tried to understand the world and the people in it. From that, the monster understood that he just wants to find a life for himself, and not be viewed as an evil monster, but there are many things that are preventing that. In the novel Frankenstein by Mary Shelley, the author portrays Frankenstein’s monster as a friend through details in his character and his outlook on life.

Friends will determine the direction and quality of your life. Loneliness is a battle that all people will once face at a certain point in their life; it is how they handle it that determines the outcome of that battle. In Mary Shelley's Frankenstein loneliness is the most significant and prevailing theme throughout the entire novel. Shelley takes her readers on a wild journey that shows how loneliness can end in tragedy.

Victor made the right decision because the monster and the creature may not keep their promises. The monster may not keep his promise to leave humanity alone. The creature may not keep her promise and go and love somebody else instead of the monster. They both may not keep their promise and still continue killing people and not live in the forest. They both won’t keep their promise and procreation together.

In Shelley’s Frankenstein, the monster is portrayed as a grotesque abomination. However, as Hopkins states in Contending Forces, the cultural and geographical situations, or lack thereof, in which one matures in play a crucial role in the proper development of one’s mind and brain. The monster is simply a product of circumstance. The lack of social interactions alongside geographical isolation propelled the daemon to be alienated from society, ultimately resulting in a lack of morals and an underdeveloped psyche. By being a culmination of his surroundings and experiences it is revealed that the true monstrous entities are the factors that leave the daemon predisposed to fail in a modern society. Arguably, Victor created a being, while the circumstances that said being was placed in “created” a monster. Shelley purposefully terrorizes the monster with such intensity to provoke and justify the overarching theme in this novel which states that people should not be judged on their physical appearance.

Perhaps Victor had not realized that "…the power to create may produce consequences that cannot be foreseen or controlled" (Smolensky 1756). Before Frankenstein created his creature, he had not intended it to be a threat to his friends and family. He had also not realized that evil creates evil (Mellor Mary Shelley 363). In this novel, Victor did not only act in monstrous way toward his creature, but toward his loved ones as well. When he learned that his youngest brother William had been murdered, he knew right away that the murder was committed by his very own creation, but refused to speak up and say anything about his knowledge. He knew that he would be held responsible for the murder because of the fact that he created the monster, and also because the monster killed his

Critic Northrop Frye once commented that "Tragic heroes are so much the highest points in their human landscapes" (Frye 1). Few characters illustrate this characteristic of a tragic hero better than that of Victors Frankenstein, the protagonist of Mary Shelley's Frankenstein. His story is one of a brilliant man whose revolutionary ideas brought suffering to himself, his family and friends, and his creation. Victor is an instrument as well as a victim to this suffering throughout his story.

It’s the tale as old as time, the monster that lurks within the shadows under the bed, or withering in the corner of the closet. The child tremors until the parent checks the entire room, vanishing all doubts of safety. As a child, I shared these fears, but as I outgrew these demons I learned that the real angst was always hiding within my self; the fear of the unknown. It’s uncontrollable, and only discovered once time has revealed its destiny. It goes beyond the standard questions of why or what. The anxiety that fell upon me was so overwhelming it disturbed my everyday; making the future my personal villain.

The creature created by Frankenstein learned by observing other people and he realized he should not be lost or lonely, and that he should at least have someone else there for companionship. That is the reason he asked Victor to make him a companion, but Victor did not go through with it. He was wrong for doing so because the female creature would only know as much as the creature would’ve wanted her to know, and if it was any more than that it was simply an observation. He would’ve also gone down in history for changing human society by advancing science. The creature just wanted happiness from life, and he depended on Victor to deliver that happiness.

Tragic hero’s can come in all shapes and sizes. They may appear as a villain in multiple works of literature. In the novel, Frankenstein, by Mary Shelley, the tragic hero is the creature. He is a main character whose faults led to his overall downfall. Often, the creature is misinterpreted by people to be named Frankenstein because he is such a prominent character. While the creature is able to identify the faults in mankind it is only after extreme suffering on his own part.

When the creature first exists, Victor realizes he abuses the power of science and breaks the laws of nature. It then brings him to realize that the situation brings a threat to the people around him. Because he ignores his monster, the creature runs away and starts to destroy or kill everything in it’s path, such as William, who Frankenstein calls “the first hapless victims to my unhallowed arts” (Shelley 85). As soon as he leaves the monster alone, it already starts to bring disaster to everything around it. This also brings death to Victor’s family, which Victor believes to be his fault because of his experiments.

The above quote by Bloom is an explanation of the view that all the gothic novels are interpretation of psychological and social factors and this is especially true in the case of Mary Shelley. Shelley began her novel at the age of 18 when the most prominent materials in the consciousness and unconsciousness of Shelley were concerned with the conflicts stemming from the death of her mother. Frankenstein is the outcome of Shelley’s unresolved grief for the death of her mother which was the crisis she needed to work through to forget her own adult identity.

My definition of romanticism is when nature played a huge part to all the great artists and writers of the time. The Period of romanticism took place during the 1800s when individuals put emotion into their work and cared about education, literature, and natural history. The true romantics wanted to escape the industrial age and move away from urbanization and population in general. The romantic revolution paved the way for many writers and artists because people felt free and it gave inspiration for original ideas. Some of the great novelists surfaced during the Romanic age, one of which was marry shelly who wrote Frankenstein a masterpiece during its time.