The Prevalent Existence of Maslow’s Hierarchy
Asha Aweys
University of Missouri, Kansas City
In everything living and existing, an individual is said to have not reached true happiness without accomplishing Maslow’s hierarchy. In Frankenstein, it is seen that the monster, Frankenstein seems close to achieving this goal of happiness. On the contrary, one of A Brave New World’s main character, Bernard Marx, seems to never find the happiness he wants and believes he deserves. Maslow’s hierarchy, originating from Abraham Maslow, has five levels to it: 1) physiological needs, 2) safety, 3) social needs, 4) esteem, and 5) self-actualization (McLeod, 2007).
In Frankenstein, by Mary Shelley, a man by the name of Victor creates a monster who is referred to as “Frankenstein”. Once created, Victor dislikes his creation and shuns him, along with society, from the start. This rejection of Frankenstein is what causes him to only truly reach the stage of self-esteem and not self-actualization. Frankenstein naturally longs for his physiological needs of water, food,
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He has constant access to food, water, and shelter. When he reached the stage of social needs, he ultimately failed. Although he was capable of getting a woman such as Fanny Crowne, he was an Alpha male who never was able to reach his complete physical structure. As a consequence, his constantly endured the “…laughter of the women to whom he made proposals, the practical joking of his equals among the men. The mockery made him feel an outsider” (Huxley, 65). This social rejection and height deficiency led to a highly low self-esteem level. Bernard Marx always felt the need to “…avoid his equals, made him stand, where his inferiors were concerned, self-consciously on his dignity” (Huxley, 65). More importantly, all this robbed him of his own self-actualization. Not once did Bernard ever feel like he was
Victor Frankenstein’s creation, the nameless creature in Mary Shelley’s novel, Frankenstein, displays countless characteristics of physical monstrosity; he is described as “ugly”, “demonical” and a “hideous… wretch” (Shelley 36). However, the creature expresses that his only desires are acceptance and love, but he is seen as a monster regardless of his true intentions. When the creature is abandoned by Frankenstein, he is forced to find acceptance on his own and eventually comes across a cottage in the woods. As an attempt to gain approval, he waits to approach the home until the only character home is a blind man, to whom he explains his desire for friendship. The creature says that he is afraid to become “an
Mary Shelley’s Frankenstein tells the tale of a man whose entire life turns to misery after creating what he calls a monster, a demon and a fiend. However, the real monster in this story is pride and the feeling of superiority. This is evident in the novel with Robert Walton’s view of himself and his expedition, Victor Frankenstein’s attitude towards himself in comparison with the creature, and mankind’s perception of the creature and their ignorance towards him.
Frankenstein’s creation was lost in the world with no one who could have understood him . It felt sorrowful and unfulfilled emotions as seen in this quote. Betrayal by Victor leaves a large impact the monster carried, which, turned into a monster full of hate and dissatisfaction. Victor’s creation was not a monster , but new born baby in a grown horrific body that was not to be called his own . It becomes a monster both mentally and physically, who will be feared by all . Victor not giving him the love he needed gets the monster enraged, which leads the monster to cause series of events that affects Victor unforgivably. .
Bernard Marx’s dislike for the oppressive World State is solely superficial. His outrage stems from his own personal sense of injustice- although he is an Alpha, he is an outsider. Emotionally, Bernard is an enigma to others. Physically, Bernard is thin and small; a complete juxtaposition to the other Alphas. These physical and emotional defects are the root of his feelings of separation to society, and his value of individualism and non-conformity. This point is exemplified on page 56, which explains ‘The mockery made him feel an outsider; and feeling an outsider he behaved like one, which increased the prejudice against him and intensified the contempt and hostility aroused by his physical defects. Which in turn increased his sense of being alien and
Maslow’s hierarchy of needs has five simple tiers that each human being needs in their life. No one can have one without the other. In the Blind Side this is shown through out the movie. As Michael Oher goes through his life with the help from the Tuohy’s he is given each level of the tiers.
Bernard Marx was alienated in the Brave New World because of his general appearance. As an Alpha Plus, Bernard was unusually short and ugly. Suggested by Fanny, Bernard's condition resulted from an error when he was still in a bottle, the workers
In Shelley’s Frankenstein, the monster is portrayed as a grotesque abomination. However, as Hopkins states in Contending Forces, the cultural and geographical situations, or lack thereof, in which one matures in play a crucial role in the proper development of one’s mind and brain. The monster is simply a product of circumstance. The lack of social interactions alongside geographical isolation propelled the daemon to be alienated from society, ultimately resulting in a lack of morals and an underdeveloped psyche. By being a culmination of his surroundings and experiences it is revealed that the true monstrous entities are the factors that leave the daemon predisposed to fail in a modern society. Arguably, Victor created a being, while the circumstances that said being was placed in “created” a monster. Shelley purposefully terrorizes the monster with such intensity to provoke and justify the overarching theme in this novel which states that people should not be judged on their physical appearance.
Throughout Frankenstein, Victor proves to be quite an egotistical person. Victor’s actions will sometimes be selfish and not as noble as he would like others to believe. He creates the monster with a desire to obtain awe and fame and to make sure that his name will be remembered throughout history. “… a light so brilliant and wondrous… that I alone should be reserved to discover so astonishing a secret” (Shelley 37). While this discovery of Victor’s may be groundbreaking, he fails to think of the negative consequences, only thinking of himself and what this could potentially
Frankenstein by Mary Shelley has a simple origin, compared to other stories. While stories such as It by Stephen king started a several year process of creation, Frankenstein began simply as a campfire story Mary Shelley shared with her writer friends one evening. Although the origins of this novel are fairly simple, it provides an in depth psychological perspective on the darker side of human psyche through the shifting first person perspective. Usually these darker aspects are associated with the character’s personal struggles, but one specific theme in all the characters. The theme of obsession has been consistent and the central focus of the three main characters Victor, the creature, and Robert. With this central theme in mind the author, Mary Shelley shows that obsession leads to the characters suffering negative psychological and physical effects, as well as impair their decision making. This is depicted through the decline of physical and mental health through Victor’s struggles with his obsessions with knowledge and justice.
Throughout the novel Frankenstein written by Mary Shelley, the creature is subjected to countless acts of violence and rejection. For a monster to develop, one must have been formerly exploited either by an individual or their society. The creature is not only a physical product of science, but his atrocious behavior is also an explicit result of Victor’s actions toward him. The creature was not born a monster, but slowly morphed into one as he experiences violence and rejection from his society.
Victor Frankenstein was a regular scientist until he became obsessed and mentally ill. “This state of mind preyed upon my health… all sound of joy or complacency was torture to me; solitude was my only consolation-deep, dark, deathlike solitude” (Shelley 77). Mary Shelley created the character Victor, who devoted most of his time, research, and effort into creating a being which can hold life. Victor became successful, yet mentally scarred after the sight of his creature. This hurt Victor, but not as harshly as the creature's following actions. The creature goes on to kill members of Victor’s family and kill his closest and dearest friends. The creature’s actions cause Victor to suffer both mentally and physically. Victor then falls back
Frankenstein's creation is a complex character whose true motives cannot be determined easily. Although one cannot excuse his actions, they should certainly not be viewed out of context. The creature is exposed to the painful reality of loneliness from the moment of his creation. "I had worked hard for nearly two years," Victor states, "for the sole
Victor Frankenstein, a complex character created by Mary Shelley, experienced a complete change in attitude and perspective on the scientific world as he knew it. Between the deaths of his close family and friends, to the constant fight for survival as his own creation stalked him, Victor was under straining circumstances that allowed for his evolution as a character. Pre monster, Victor had strong morals and close relationships with his family. His family was his priority. Victor’s dedication to science was always a constant nagging in the back of his mind, but it did not mean more to him than his family dead. During the formation of his creation, he began to block off his family, especially his fiancee, Elizabeth. His dedication to science was his only priority, above food and hygiene. He was driven by the creation of his monster. After creation, his family members were killed off, eliminating any type of relationship he had with them, he rejected all science and moral values.
In the novel, Frankenstein, Mary Shelley describes a psychological series of events that appear to align with Abraham Maslow’s Hierarchy of Needs Pyramid; a theory designed to demonstrate the development of human needs, with the bottom layer being the most basic of needs and the top layer displaying the more sophisticated ones. The most basic of needs, according to Maslow, are the physiological needs—such like food, water, warmth, and sleep, essentially what is necessary for survival—then come the safety needs, love/belonging, the esteem needs, and finally self actualization. She correctly established each of the aspects that make up the hierarchy as well as the decline if one is unable to attain each subsequent level. Most humans take these